Killing Me Softly was a cover of an R&B song over Bonita Applebaum. It's exactly what you're talking about. And Lauryn was singing and rapping on Other songs on that album. She was the prototype. Not Missy.
Neptunes debuted in 97 on Harlem World.
I would need to see receipts that they got that placement because of Missy.
Need receipts on the Swizz Missy connection as well.
Mannie had been making beats way before Missy and Cash Money got that deal on the strength of No Limit. Not Missy.
There's no connection. That album didn't lead to a shift in production. It was a part of it though.
Breh, you argued for an entire thread about Lauryn's debut not being a Hip Hop album because it had more singing, yet here you are trying to explain how "Killin Me Softly" married Hip Hop and R&B, yet it contains no rapping. Missy's album dropped before Lauryn dropped her debut and you're completely missing the point. When Lauryn Hill sang and rap, there was a distinction. Missy would switch it up mid verse seamlessly and then go right back into what she was doing.
The Neptunes didn't debut on Harlem World. That was their first Hip Hop placement. That song appeared on the album in '97 and didn't blow until '98. Either way, that beat wasn't all that left field at least not anywhere near what "Superthug" was.
Mannie was making beats way back, but nothing took off until "Ha". That put Mannie and CMR on the map.
Swizz didn't take off until '98.
^^^ None of the above blew until Tim and Missy changed the soundscape. Before Tim, Trackmasters and The Hitmen were the dominant sound. Timbaland represented the changing of the guard. What he did with Missy dictated where the sound of Hip Hop went from the point.