L
I was never a fan of Wayne like that
L
I was never a fan of Wayne like that
Of course it matters whether the drums and overall feel of the song was hard or not.It doesn't really matter that they put hard drums under it. They knew what they were doing sampling Sting. Maybe Puff didn't get the idea to remake a Sting song from "The Message", but who was really takong those type of risks and The Hitmen were molded after The Trackmasters especially what The Trackmasters were doing on IWW.
Couldn't disagree more."Juicy" was far grittier than "Street Dreams". For starters, Biggie's delivery and the song overall was harder than "Street Dreams". Also Nas is singing and Biggie isn't. "Street Dreams" is a predecessor to songs like "Hypnotize".
Playa Hater wasn't a serious song though. That was a comedy skit.Biggie has an entire song where he's singing on LAD. He also sings on "You're Nobody Til Somebody Kills You".
Hell yes where the fukk where you at
Big L - The Big Picture... pretty much every punchline rapper that came out after this album in the 00s was doing a cheap imitation of big l.
Killing Me Softly was a cover of an R&B song over Bonita Applebaum. It's exactly what you're talking about. And Lauryn was singing and rapping on Other songs on that album. She was the prototype. Not Missy."Killing Me Softly" is just one song and what Lauryn was doing wasn't the same as what Missy was doing. Missy on Supa Dupa Fly was seamlessly transitioning from singing into rapping without batting an eye over production that could work either sphere without people even trying to categorize it as one or the other. Supa Dupa Fly paved the way for a Drake where he could make a song like "Over" or "Headlines" where he does both seamlessly.
Supa Dupa Fly indeed opened up the door for The Neptunes, Swizz, and Mannie. This was the beginning of post- Boom Bap and producers moving toward more left field, avant garde styles of production. After Supa Dupa Fly, we got "Superthug", "Ha", and a host of other songs that were "out there" production wise.
So he creates a term that is later fleshed out by other artists?It doesn't matter who used the term trap before him. Nobody was referring to the type of music as trap until after T.I. told people what it was with that album. Every rapper with that type of content was underground on the ATL rap scene until T.I. Cool Breeze nor Ghetto Mafia blew with that style of rap and nobody labeled what they were doing as "trap rap" or "trap music".
Ok. But none of the actual music or rapping.Yeah sure .The feeling, ambiance, and background of the album deff was 80s NYC
He was never that good.
Ok. But none of the actual music or rapping.
TM 101 was a gamechanger more than Trap Muzik.....
Also The Love Below birthed 808 and Heartbreaks...
The Love Below was the first time we seen a rapper make a full cd of melodies and about love.
The Chronic
Get Rich or Die Trying
College Dropout
GKMC
Come to mind as CDs that dropped and kinda changed the climate of the rap game
The intro from Wild Style set the tone that way definitely.Yeah, but I never said sonically though. The ambiance of it makes it feel like a relic. But I think that was done purposefully