What we are talking about now has nothing to do with that.
At the end of the day. Lauryn is the prototype. The iPhone if you will.
Ok. If you say Missy did that first (even though Erick Sermon used to do that on occasion) then fine. Missy was the iPhone 4 to the iPhone 4s then.
What was their first placement?
It didn't sound like anything else out at the time.
Because that was the first song after the deal. The first song that was released to a nationwide audience. Outside of the South they were unknown up to that point. But in the South they were damn near going gold.
True.
Timeline wise yes, but Timb was not the reason that Neptunes and the others blew. There is no causation.
They were big, but Boom Bap was still big as well. No Limit was doing serious numbers. Death Row was dominant the prior year.
He was a part of it sure.
Nope.
That suggests that Neptunes, Swizz and Mannie all fashioned there sound after Tim. That's not true, but maybe that's not what you're claiming.
Lauryn Hill was not the prototype. Her debut came a full year after Supa Dupa Fly. Before Missy, it wasn't done at that level.
The Neptunes first placement ad The Neptunes was on Total's debut.
"Ha" was not the first single after the Universal deal. Big Tymers released before Juve with nowhere near the impact.
Timbaland and The Neptunes (well, Pharrell at least) were once in a group. At the time, Tim did the beats. Later, Pharrell and Chad became under studies of Teddy Riley. Long story short, Timbaland blew up first.
And no I'm not claiming that Tim was a direct influence on their sound, but Mannie cites Timbaland as an influence. Timbaland was the first of those guys to break through and opened up the lane for them to do what they did.
All of the sounds you mentioned were phased out. No Limit, Bad Boy, and ultimately boom bap were rendered obsolete as the dominant sound due to Timbaland, The Neptunes, Swizz, and Rocwilder blowing up. Tim was the first to kick in the door with Supa Dupa Fly. After that, Hip Hop production went beyond loops, chopped samples, and boom bap drums. It became more bouncy, spacey, syncopated, and producers took more risks with what they sampled and how they sampled.