a classic movie doesnt have co be flawless
True but they do have to have an impact. I would say the dark knight trilogy overall is classic but not the last movie. The first two definitely.
a classic movie doesnt have co be flawless
tdkr didnt have an impact? One of the most anticipated movies of all time? It is the weakest movie of the trilogy but it's a classic because of the first two movies. What are ppl gonna do? just watch the first 2 and skip tdkr?True but they do have to have an impact. I would say the dark knight trilogy overall is classic but not the last movie. The first two definitely.
tdkr didnt have an impact? One of the most anticipated movies of all time? It is the weakest movie of the trilogy but it's a classic because of the first two movies. What are ppl gonna do? just watch the first 2 and skip tdkr?
Ppl talk about how bad the godfather 3 is but still watch it and talk about it to this day. Mainly because of the first 2 movies, but still.
The same with the star wars prequels, the hobbit etc.
That's very truea classic movie doesnt have co be flawless
And the test of time and there's other things. Begins is the one that teeters on the edge of classic but if somebody said it isn't a classic I'd understand. I mean any time anybody talks to me about TDK trilogy they don't really bring up scarecrow or Ra's Al Ghul or really anything from it. They can quote bane but also that movie is a snoozefest.True but they do have to have an impact. I would say the dark knight trilogy overall is classic but not the last movie. The first two definitely.
I think we're far enough from all of his movies except Django and hateful 8 to really assess their impact on film culture. Which is why I stand by what I said though. There's no denying his first two movies. They changed the game for better or for worse. Jackie brown is slept on but at the time was his best "film" in that cliche sense. Kill bill also changed the game too by bringing back a grindhouse aesthetic a lot of people tried to copy. Again for better or for worse. Inglorious b*stards is just dope from start to finish so I feel like it deserves that classic status as well.
But hateful 8 and death proof aren't on that level. That's not to say they're bad by any means but they feel lesser than his master stroke shyt. Like someone said he may not be as varied as Spielberg or Scorsese or even spike lee but he has his own voice and that counts for a lot in my book. Especially when that voice has been often imitated for 20 plus years and no ones been able to copy it perfectly. We've seen someone like JJ make a Spielberg movie. We've seen Paul Thomas Anderson and David Russell make Scorsese movies or their version of one. Tarantino can't be copied but that doesn't mean he's always hitting home runs either
And the test of time and there's other things. Begins is the one that teeters on the edge of classic but if somebody said it isn't a classic I'd understand. I mean any time anybody talks to me about TDK trilogy they don't really bring up scarecrow or Ra's Al Ghul or really anything from it. They can quote bane but also that movie is a snoozefest.
you do realize these are hailed movies?Spielberg put out too many movies for them all to be classics
Mean Streets, Shutter Island, the avaitor, and that Japanese movie disqualify Scorcese.
This was the movie that confirmed to me that he has a sick fetishthe hateful 8 could have been something if he didn't insert his macabre preoccupation with ablack dikk
u can count on dope music in his films, i'll say that much
TDKR, Prestige, Inception, Interstellar, Dunkirk, Insomnia are all not classics. I'd say Memento, Begins and TDK are his only classics and maybe not even Begins
lots of terrible movies are classics... imo, kickboxer and bloodsport are classics.
the term classic is thrown around to much, in music and in film. An album, a movie has to stand the test of time to be a classic. You just cant say that Damn is or wont be a classic, just like you can't say that the hateful eight is or it wont be a classic.
A better convo would be, which director never made a bad movie
Prestige is his best movie, how is it not a classic?