Did Black Folks really create Country Music? That’s what shea butter twitter is claiming now.

Are you a fan of country music?

  • Yes

    Votes: 17 32.7%
  • No

    Votes: 35 67.3%

  • Total voters
    52

2 Up 2 Down

Superstar
Joined
May 4, 2012
Messages
26,408
Reputation
2,445
Daps
62,004
Reppin
NULL
It's not a competition, everybody can eat. Maybe Bey can do some collabs with those other black country artists and really get it popping.
That's what she should've done. Help give some shine to some black artists that are already there
 

Will Ross

Superstar
Bushed
Joined
May 5, 2012
Messages
24,714
Reputation
-6,063
Daps
59,330
It's not a competition, everybody can eat. Maybe Bey can do some collabs with those other black country artists and really get it popping.


beyonce is like the wal mart of black music
she not going to benefit someone that is not already a super star.
 

bnew

Veteran
Joined
Nov 1, 2015
Messages
51,755
Reputation
7,916
Daps
148,566
Korean government is funding their arts? Sheeeeit.

No link seen here.





 

IllmaticDelta

Veteran
Joined
Jun 22, 2014
Messages
28,877
Reputation
9,491
Daps
81,256
no country music is cac music.


The purest "cac" element of Country music are the ballads



Ballads[edit]​

Many Appalachian ballads, such as "Pretty Saro", "The Cuckoo", "Pretty Polly", and "Matty Groves", descend from the English ballad tradition and have known antecedents there. Other songs popular in Appalachia, such as "Young Hunting," "Lord Randal," and "Barbara Allen", have lowland Scottish roots.[11] Many of these are versions of the famous Child Ballads, collected by Francis James Child in the nineteenth century. The dance tune "Cumberland Gap" may be derived from the tune that accompanies the Scottish ballad "Bonnie George Campbell".[12] According to the musicologist Cecil Sharp the ballads of Appalachia, including their melodies, were generally most similar to those of "the North of England, or to the Lowlands, rather than the Highlands, of Scotland, as the country from which they [the people] originally migrated. For the Appalachian tunes...have far more affinity with the normal English folk-tune than with that of the Gaelic-speaking Highlander."[13]




The stuff that we call "Old-Time music" (string bands) though is slave based

One of the most iconic symbols of Appalachian culture— the banjo— was brought to the region by African-American slaves in the 18th century. It is likely related to West African instruments such as the akonting.[21] Black banjo players were performing in Appalachia as early as 1798, when their presence was documented in Knoxville, Tennessee.[22] It is also likely that the guitar was introduced to white Appalachians by African Americans.[23]

Cecil Sharp described the practice among white ballad singers of "dwelling arbitrarily upon certain notes of the melody, generally the weakest accents," unaware that this feature was African in origin, being widespread among African Americans and in West Africa.[23] In early Appalachia, black and white fiddlers would exchange tunes, allowing the rhythms of Africa to influence white fiddle music.[23] African slaves brought a distinct tradition of community songs of work and worship, usually involving call and response, and African percussion rhythms affected the rhythms of Appalachian song and dance.[15]

Early African-American vocal music, probably the ancestor of blues music,[24] brought harmonic (third and seventh blue notes, and sliding tones) and verbal dexterity to Appalachian music, and many early Appalachian musicians, such as Dock Boggs and Hobart Smith, recalled being greatly influenced by watching black musicians perform at the beginning of the twentieth century.[25][26] Dock Boggs, Doc Carter and Doc Watson have all been described as "white blues" musicians due to the presence of African American blues features in their styles.[23][27]


J6Xh4s3.jpeg


CwkT9CI.jpeg


rUMQa0Q.jpeg





this guy explains it with more detail



lCiGFas.jpeg


They don't have "hoedowns", "breakdowns", "stomps" or "rags" in old world European fiddling like they do in USA fiddling because of the lack of African influence

9eIMFzf.png
 

HarlemHottie

Uptown Thoroughbred
Joined
Jun 10, 2018
Messages
17,469
Reputation
10,586
Daps
73,228
Reppin
#ADOS
it’s not about beyonce personally it’s more about what her fanbase and marketing team brings.
she has to be number one
:yeshrug: Of course, that's how it work when you put somebody on. They'd benefit from her #1'ness too, that's why its advantageous in the first place.
 

Thavoiceofthevoiceless

Veteran
Supporter
Joined
Aug 26, 2019
Messages
41,778
Reputation
2,870
Daps
128,334
Reppin
The Voiceless Realm
It should be noted that the black musicians and producers wouldn’t necessarily benefit from Beyoncé from a country music perspective because a lot of those white artist and producers are already collaborating with them and putting them on their songs as is.

Now if it helps them reach a broader audience and get gigs and producer credits outside of country music then that’s a different discussion.

It would help if she actually stuck to the genre other than it being a one off because the genre will go back to doing the same shyt that happened before she got there and her not her fan base will care to do anything about it.

The only time people fake care about country music and inspiring change is when a song catches wind or their favor artist does a crossover with it.
 
Top