HopeKillCure
Banned
The African Origins of JazzThe African-ness or European-ness of AA music
Came via ...............AA's
Schuller writes: “The African slave’s adjustment to the white man’s music consisted precisely of translating these polymetric and polyrhythmic points of emphasis into the monometric and monorhythmic structures of European music. Syncopation, preceding or following the main beats, was the American Negro’s only workable compromise. It left the Negro with a vestige of his love for cross-rhythms and cross-accentuation; at the same time it enabled him to carry on the tradition within the white man’s musical structures.”