Caribbean cuisine & foodways

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Illyanna Maisonet spent years documenting her family’s Puerto Rican recipes and preserving the island’s disappearing foodways through rigorous, often bilingual research. In Diasporican, she shares over 90 recipes, some of which were passed down from her grandmother and mother—classics such as Tostones, Pernil, and Arroz con Gandules, as well as Pinchos with BBQ Guava Sauce, Rabbit Fricassee with Chayote, and Flan de Queso.

In this visual record of Puerto Rican food, ingredients, and techniques, Illyanna traces the island’s flavor traditions to the Taino, Spanish, African, and even United States’ cultures that created it. These dishes, shaped by geography, immigration, and colonization, reflect the ingenuity and diversity of their people. Filled with travel and food photography, Diasporican reveals how food connects us to family, history, conflict, and migration.​
 
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Canje​

Austin, TX​

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The chef Tavel Bristol-Joseph made a name for himself in Austin with the pastries at Emmer & Rye and Hestia, which he co-owns. Here at Canje — an ode to his Guyanese roots, with a menu that also stretches across the Caribbean — he has switched gears, with brilliant results. The food is a tangy, spicy, bright, coconutty dreamscape. Tilefish soaked in tamarind and rum butter. Prawns brushed with a verdant green seasoning and smoked chiles. A tres leches cake drenched in coconut milk. What makes the jerk chicken so supercharged with flavor? Mr. Bristol-Joseph ferments his seasoning. And plan on at least one order of the buttery Guyanese-style roti per person.



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Kann​

Portland, OR
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At Kann, Gregory Gourdet realizes his long-gestating vision for a restaurant that treats the food of his Haitian forebears with the seriousness he learned to apply to Asian and European cuisine as a young chef working for Jean-Georges Vongerichten. With a staff led by the chef de cuisine Varanya J. Geyoonsawat, Kann leans into the lapel-grabbing power of dynamically spiced, live-fire cooking. If you didn’t know walking in that akra, griyo and legim were staples of Haitian cuisine, you’ll learn it soon enough, along with the history of Haiti and its food, both shaped by slavery and colonialism.
It’s hard not to admire a restaurant serving food this special, that dares to take so much more on its shoulders.
 
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Remembering When Bermuda Was an Onion Island

August 25, 2021
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Ships under repair in Bermuda in 1871.

At just over 20 square miles, the island of Bermuda is barely a blip in the North Atlantic Ocean. Yet for much of the 1800s, this small British territory boasted an outsized reputation for one unlikely export: onions. In All About Bermuda Onions, Nancy Hutchings Valentine, a prominent Bermudian artist in her lifetime, writes that the island was growing 332,745 pounds of onions by 1844, mostly for foreign export. “Bermudian merchant seamen became known as ‘Onions’ and Bermuda was nicknamed ‘The Onion Patch,’” Valentine writes.

Bermuda onions, which flourished in the semi-tropical soil, became so famous that they attracted the attention of the literati. By 1877, when Mark Twain paid the island a visit, he was so struck by the alliums that he wrote, “The onion is the pride and joy of Bermuda. It is her jewel, her gem of gems. In her conversation, her pulpit, her literature, it is her most frequent and eloquent figure. In Bermudian metaphor it stands for perfection—perfection absolute.”

By the mid-1900s, though, this once-coveted crop vanished into near obscurity. It’s not that Bermuda onions ceased to exist. Locals on the island still grow plenty of alliums and are still sufficiently proud of them that the Carter House, a museum in a historic house dating back to 1640, holds an annual Onion Day Festival. St. Georges even hosts an annual “onion drop” in honor of New Year’s Eve. Instead, Bermuda’s onion preeminence was usurped by the muscle of the American agricultural industry.

Onions may not seem like the most glamorous of vegetables these days, but to seafarers in the 1800s, they were essential. Although they contain only modest amounts of vitamin C, they store better on long ocean voyages than most produce, making them a valuable tool in combating scurvy. Mild Bermuda onions were sweet enough to eat raw, saving the ship’s galleys the necessity of cooking them.

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As with many crops in this colonized region of the world at the time, the history of onions in Bermuda is entwined with a legacy of forced labor and systemic oppression. Onions first took off as a crop in Bermuda when Governor Daniel Tucker brought them along in 1616 on a ship called the Edwin. Seeds were not this ship’s only cargo; the same voyage forcibly transported an enslaved African and a man identified as Indian (presumably from the West Indies) to the island.

Bermuda’s legacy of slavery and indentured servitude of Black and indigenous people would continue for generations, particularly within agriculture. Documented testimonies of Mary Prince and Mary Elsie Tucker, both of whom were born into Bermuda’s system of slavery, record being forced to cultivate onions, along with other crops. In 1979, Nellie Eileen Musson, a highly influential self-made Bermudian businesswoman and author, chronicled the legacy of Black Bermudians in Mind the Onion Seed: Black “Roots” Bermuda. The book was titled in honor of her grandmother, who was born into slavery in 1813 and worked in onions fields from childhood until Bermuda’s Emancipation Day on July 29, 1834. In it, she describes her grandmother’s duty at a young age to keep the “birds from eating the tiny, pearly-white onions seeds growing in the pods of the flowering onion plants” by swatting them away with a palmetto branch.
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Workers in an onion field in the 1890s. Archive Farms/Getty Images
Agriculture had never been Bermuda’s primary focus, a fact that worried Governor Sir William Reid after he came into power in 1839. Fearing what might happen if Bermuda went to war with the United States and was unable to feed its population, he pushed Bermuda to develop its agricultural sector. In 1849, the first Portuguese immigrants arrived from the Azores and Madeira on a ship called the Golden Rule, in part to fill the labor shortage left by the end of slavery, as well as the rising demand for farming. These newcomers brought with them all sorts of new farming techniques and ingredients, including the seeds of what would become known as Bermuda onions.

Within a few years, the Bermuda onion’s fame was well-established. When the Pearl, a ship sailed by Captain Solomon Hutchings, set sail for New York in 1854, some of its most prized cargo was 1,640 pounds of onions destined to be sold in exchange for fine silks and fashionable gowns for well-to-do Bermudian ladies. Towards the tail end of the century, the SS Trinidad was hauling 30,000 boxes of Bermuda onions to the United States every week.

In 1898, farmers in the south of Texas imported onion seeds from Bermuda in an attempt to corner some of the lucrative market. Despite a great deal of early speculation and excitement, the Texas onion market didn’t quite take off—until World War I. During the war, imports of the alliums ground to a halt. With the competition out of the way and food shortages plaguing Europe, some Texan onions farmers were reporting profits of $40,000 by 1917—a fortune at the time.

When trade resumed, the U.S. government slapped hefty tariffs on foreign produce to bolster its own agricultural industry. By 1920, the Texan onion industry was booming and Bermuda’s had been all but wiped out. One town in South Texas had the audacity to call itself the Bermuda Colony, or later simply Bermuda, as a marketing ploy to capitalize on the Bermuda onion’s brand.

As the decades wore on, hybrid sweet onions such as the Granex, a cross between a Bermuda onion and a Grano onion, and later the Vidalia, replaced Bermuda onions on grocery-store shelves. Nowadays, most sweet onions in the United States hail from Georgia, Texas, or Hawai’i. Meanwhile, in Bermuda, the alliums that once brought fame and fortune to so many are little more than a historical footnote.
Interesting article.
 
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"Yes, We Av' Dat" - Toronto is Gets Its First Caribbean-Themed Pizzeria

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When you think about where to find a great slice of pizza in Toronto, you probably envision College Street’s “Little Italy” or, if your tastes are a little more pedestrian, your corner Pizza Pizza. If you wouldn’t have selected “Little Jamaica” in the fantasy round of a Levar Burton-hosted Jeopardy, boy do I have a surprise for you! Toronto’s first-ever Caribbean-themed pizzeria is launching soon on Eglinton West and if you ever wanted to know what Jerk chicken would taste like on a slice of ‘za, here’s your chance to explore.

Black Canadian-owned, Caribbean-themed pizzeria, Caribbean Slice, aims to shake up Toronto’s multicultural food scene. I had the opportunity to talk to founders Rhodie Wright and Obi Nwogu about the purpose of their mascot Mr. Caribbean, the need for Black businesses in Toronto to level up, and why you’ll never hear the often-repeated phrase “we nah av’ dat” at their restaurant.


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How did you come up with the concept of Caribbean-themed pizza?

Rhodie:
I’m originally from Dominica but I love pizza. After all the years of eating pizza, I began to wonder why Black people didn’t have a pizza of their own. A lot of our food is very similar to pizza but they weren’t connected. In Caribbean culture, we eat bread, gravy, sauces, cheese, etcetera. After my wife and I talked about it, I reached out to Obi and we decided to take the leap.

Obi: I’m a pizza connoisseur. Even as a little kid watching the old ninja turtles cartoons, I’ve always loved pizza. When Rhodie came to me with the idea, I thought it was great. It hadn’t been done before. I feel like we in the Black community don’t take a lot of chances. For instance, if you look at Eglinton West, you’ll see a lot of the same restaurants side-by-side which I think is ridiculous. So I saw Rhodie’s vision and immediately started creating it in my mind. We didn’t waste any time getting the ball rolling.

What are your backgrounds in the food industry?

Rhodie:
My grandma owned a bakery and I grew up around the pastry business and ate a lot of it. I have some knowledge of both ends of it. Although running my own restaurant is new to me, it’s also really exciting. Hearing positive feedback from different people motivates me to continue doing it.

Obi: I used to operate a meal prep company based on my interest in fitness and food. In terms of a full-fledged restaurant, this is both of our first forays into the industry. However, we’re both foodies and at the end of the day, a great business is a great business if you apply the right things to it. You can have a great chef who doesn’t know how to run a business, so it fails. We believe we have the right product and the right strategies to build off that.





Mr. Caribbean (Courtesy Caribbean Slice)

What is the story you want Caribbean Slice (through Mr. Caribbean) to tell?

Rhodie:
There’s a certain stigma when you go into certain restaurants in the Black community. For example, you ask for a jerk chicken or whatever and they don’t have it.

The phenomenon of “we na’ ‘ave dat.”

Rhodie:
You know what I mean? Everybody in the Black community can relate to that experience. This is something as Black restauranteurs we have to pay attention to and change. Mr. Caribbean is there to let people know there are certain things we have to change about our practices and, though the character isn’t a real human being, we hope that it can be a way to share unbiased perspectives and a connection with the community.

Obi: Mr. Caribbean’s story is also the story of anyone taking a chance. I didn’t know that this was something that we should start but we took the chance and here we are. Pizza is one of the most popular foods globally and Caribbean food is one of the most flavorful foods in the world. Especially in Toronto and the GTA. So fusing both of those foods together, like jerk chicken instead of pepperoni, or oxtail instead of ground beef makes it different but great. We have traditional crust for those who want it but we’ve also developed our own crust, which is different. Even if you look at our signage, you can tell we invested a lot of money into that.

Rhodie: Someone wanted to bring an ATM into our establishment and I refused because, to me, it shows you’re not a serious business. The world right now is not really about cash. You don’t have to have an ATM in your shop. We need to stop doing business the way we did it twenty years ago. I’m not knocking anybody operating a business on Eglinton, but some stores haven’t changed in twenty years. I want us to treat our customers with more respect because the customer is always right.

Obi: We have a saying. Smile for no reason. That’s the energy we want to bring to our customers. I also think as Black businessmen, it’s so important for us to hold ourselves to a higher standard and keep respect for ourselves too. Some people will go into Black establishments and ask for a discount, but they don’t go into McDonald’s or Burger King and ask for a discount. So we want to create a culture where our environment and business are respected like any other establishment. The way we’ve structured our business from our marketing to the interior is just like any other high-end business so you can see that we’ve invested mentally, emotionally, physically and financially into making this a success.




Caribbean Slice officially launchesd next earlier in 2025 with a block party/comedy battle between competing comedians. Look out for their fully loaded menu, including a special influencer menu that allows community leaders to build their own pizzas and upcoming delivery options through apps like Doordash.

Now that's a pizza place I would love.

Oh and LOL at "We nah 'av dat!"
 

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Haitian food is delicious 🤤. I can't eat all of it because of my diet choice, but Haitian rice is amazing. One of my friends is Haitian and she shared the rice plus a vegetarian version of Haitian legume. I also like the patacones she made.
 

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Oct 13, 2022

The Pickled Haitian Condiment Adorning Dishes Across the U.S.​





Eat This

In Haitian Pikliz, Transformation and Tradition​


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Left: chef Gregory Gourdet’s pikliz, the ubiquitous Haitian quick pickle condiment, is made with habanero at his restaurant Kann, in Portland, Ore. Traditional recipes call for Scotch bonnets, which are hard to find in the Pacific Northwest, and habaneros deliver a similar, fruity heat. Right: pikliz adds a tart crunch to braised ribs at the Pan-Caribbean restaurant Cane & Table in New Orleans.

Left: chef Gregory Gourdet’s pikliz, the ubiquitous Haitian quick pickle condiment, is made with habanero at his restaurant Kann, in Portland, Ore. Traditional recipes call for Scotch bonnets, which are hard to find in the Pacific Northwest, and habaneros deliver a similar, fruity heat. Right: pikliz adds a tart crunch to braised ribs at the Pan-Caribbean restaurant Cane & Table in New Orleans.


By Mahira Rivers
Pikliz is an everyday Haitian condiment made from naturally crisp vegetables like cabbage and onion, plus the specific fruity heat of Scotch bonnet peppers, all pickled through submersion in vinegar and salt. At the restaurant Kann in Portland, Ore., the Haitian American chef Gregory Gourdet touches up his recipe with lime juice and shallots. “Finding that perfect balance of salt and acid and heat really makes the best pikliz,” says Gourdet, who adds that the condiment’s real magic is the transformation of pantry staples into something greater than their disparate parts, and in very little time. (Pikliz only needs a few hours to ripen, though some say it’s better after a few days.) “It’s so humble, but the combination, it’s explosive,” he says. At Honeysuckle Provisions, a cafe and grocer opening in West Philadelphia later this month, chef Cybille St. Aude-Tate, also Haitian American, will serve homemade pikliz at Friday fish dinners and sell jars of it. She’s sourcing the traditional ingredients from neighboring Black-owned farms and featuring allspice as the primary seasoning. “We want to introduce people to the culture first and how it connects to the island, how it connects to migration,” says St. Aude-Tate. In time, she may incorporate okra or green beans, acknowledging that substitutions are common within the diaspora. “You had to make do with what you had,” she says. In Milford, N.H., chef Chris Viaud is serving pikliz in a fried-chicken sandwich at his family’s just-opened traditional Haitian restaurant, Ansanm. In New Orleans, pikliz shows up on a plate of fried tostones at the Pan-Caribbean restaurant Cane & Table. While these chefs largely serve pikliz alongside fritay, or fried foods, in their restaurants, their at-home application is broader: Pikliz goes wherever a dash of vinegared hot sauce or a tangy slaw might go. As St. Aude-Tate says, “In our household, we put pikliz on everything
 

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Oxtail Is a Cultural Delicacy — This Houston Festival Will Celebrate It in a Major Way​

Oct 18, 2022
The Oxtail MashUp returns to Third Ward in its fourth year with a showcase of chefs and their interpretation of this beefy dish

Bits of oxtail covered in vegetable garnish and cheese crumbles in a paper tray at Oxtail MashUp.
Though slow-cooked oxtail often takes more time and yields smaller bits of meat than heartier cuts of beef, the tender, rich result is an experience worth having. Oxtail MashUp


Recalling her Jamaican stepfather cooking oxtails over an open fire in the backyard, restaurant consultant Shakti Baum has fond memories of what she calls “a cut of meat for the people.”
Used in comforting African American soul food, in saucy Caribbean dishes, and in rich soups in Asian and African cuisine, the small cut of meat, which is typically taken from the tail of a cow, is “a meat that has been historically used by those who are challenged financially,” Baum says.
Cooked long and slow as “all of the good meat” is, “there’s always someone’s grandmother or mama making oxtail over the stove or over an open fire,” she says.


Chef Mark Clayton and his team holding up a sign that says “Squable Restaurant” at an Oxtail MashUp event.
Squable chef Mark Clayton and his team prepared an oxtail bourguignon at a previous Oxtail MashUp event. Oxtail Mashup

But the meat itself has gone through an evolution in terms of its use and perception. In some ways, people are just catching onto its goodness (as indicated by the cut’s soaring prices, which have increased from $5 per pound to well over $10 per pound in recent years). Some people, including Baum, attribute the delayed global appreciation or hesitation of oxtail to its name, which can be offputting to some; as well as the preparation it takes and the smaller amount of meat each pound yields. “But I always tell people, if you like short rib or brisket, you’ll love oxtail. It’s got this gelatin, fatty, richness, that makes this sort of sauce,” she says. “If it’s cooked right, it’ll melt in your mouth.”
To put it plainly, “anyone who is not eating oxtail is just missing out,” she says, but Baum has made it her mission to share oxtail’s goodness with all of Houston.

This November, Baum will host the fourth “Oxtail MashUp — Food, Cocktail, Music, and Art” event in Third Ward’s Project Row Houses, showcasing 17 hand-picked chefs from Houston, New York, Philadelphia, and St. Croix, including chef Ruben Vela of Lucille’s 1913, who was won the MashUp’s People’s Choice Award in 2021, and former MashUp grand champion, chef Reginald Scott. Each will craft a unique oxtail dish for judges and attendees in hopes of winning bragging rights and two complimentary tickets to visit a culinary destination. Five Houston bartenders will also compete, crafting cocktails for cash prizes and a chance to win a People’s Choice or Judge’s Choice award.

“It’s a badass culinary event in Houston, and we have a lot of those here, but this one is completely different than all of them,” Baum says, adding that music and art will also be vital parts of the event, which will invite attendees to walk through the seven curated art houses of Project Row Houses while listening to a “soundclash” by three DJs.

Baum says she decided to launch the event in 2017 after noticing that oxtail and grits were one of her most popular dishes featured at her brunch pop-up, Etta. She began to experiment — making oxtail fried rice, oxtail ramen, and oxtail empanadas with plantains — and enjoying unique combinations, like oxtail bao and saucy oxtails with a glass of wine. The delicious options seemed endless.
“I just went crazy with oxtail because I love it,” she says, and then the question became: who had the best oxtail?
Admiring the platform of Cochon 555, a culinary event that showcases both the versatility of nose-to-tail pig cooking and the talents of chefs and sommeliers, Baum wanted to launch an event of her own, all the while ensuring that she was uplifting creative and high-end chefs — namely Black chefs and masters of oxtail — who often aren’t included in the city’s culinary events.
“I thought, ‘I am going to invite all of the chefs I love who are doing great food,’” she says.
A chef preparing oxtail dishes for people to try in miniature trays.
Be the judge as chefs from Houston and beyond will prepare their best oxtail dishes for a winning title. Oxtail MashUp

Using her relationship with Project Row Houses, for which she has catered, Baum hosted the first oxtail-focused festival in the art-focused area in 2017, inviting chefs from all over the country to showcase their skills and interpretation of the dish. The next year, she teamed up with Warren Luckett, owner of Branwar Wines and co-founder of Black Restaurant Week, to further establish the MashUp.
Since then, the festival has evolved, featuring top, award-winning, and James Beard-nominated chefs, including Dawn Burrell and Chris Williams of Lucille’s. Last year, the MashUp welcomed more than 300 people to indulge in oxtail dishes. Now, in its fourth year, Baum says she’s excited to bring it back.
“Oxtails are amazing,” Baum says. “That’s just factual.”
Competing chefs will include:
  • Osei ‘Picky’ Blackett, Brooklyn’s Ariapita
  • Joseph Boudreaux, Houston’s Boo’s Burger and The Tipping Point
  • Cory Burns, pitmaster of Burns BBQ in Houston
  • Randy Duncan, pitmaster of Daddy Duncan’s BBQ in Brookshire
  • Kurt Evans, CYL Hospitality of Philadelphia
  • Clinton Jackson-Potts, CJ’S Masterpiece in Houston
  • Darius King, Gatlin’s Fins & Feathers in Houston
  • Mason Leverett, of B.I.T.E Kitchen
  • Daya Myers-Hurt, Galveston’s Fish Company Taco
  • Khalieb Rufael, Houston’s Spice Boyz
  • Ryan Savoie, Houston’s Saint Arnold Brewing Company
  • Reginald Scott, the Smoke HTX — 2021 Oxtail Mash Up grand champion
  • Shannen and Stacy Tune, Houston’s Craft Burger
  • Ruben Vela, Lucille’s 1913 — 2021 People’s Choice Team winner
Competing bartenders will include Megan Cunningham of Grand Prize Bar, Bevin Biggers of OH Bevin!, Jennifer Guerrero of Miss Carousel, Ed Warner of the Ed Experience, and Ryan Wendell Perry of Julep
 
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