Metal Face
Superstar
Definitely in the Top 10.
The thing is production is more than just making beats. .
Good points. The one thing I'll say is that I never hate on loops if they're dope, because a lot of my other favorite producers have done a lot of straight loops as well. You gotta have the ear for it.
As for how much Dre actually got busy on the pads or keys, I dunno. I look at him for like a Teddy Riley/Quincy Jones producer, and less of a beatmaker. So it never bothered me too much.
I DO THINK that Dre's style got stale after 2001, and I think his style became a caricature of itself around the time of Get Rich or Die Trying and The Documentary, or at least a little bit after that.
I think he got praise that was above the work he was putting out in the mid 00's.
The thing is production is more than just making beats. People question Dre's credentials, but he's the common denominator and pretty much every collaborator he's had hasn't been able to replicate what he's done to the degree that he did in terms of quality.
Some stuff was just Pharrell a few years ago when Chad ventured into some other things. Chad is behind a lot of the dope bridges if I'm not mistaken.At some point I feel like the production credits switched from Neptunes to just Pharrell?
When did that happen?
Or I at least remember I started seeing some stuff that said Pharrell and not The Neptunes.
teddy riley made his beats.
ehh dre was kinda stale on 2001 as well.
that's his hustle.
use up every producer while theyre in their prime.
Prime? Musicians/instrumentalists usually only get better with time in terms of skill. Dre just brought the best outta them dudes.
Their run was legendary
Timberlake
Jay
Clipse
Snoop
Kelis
Luda
Nelly
Prime? Musicians/instrumentalists usually only get better with time in terms of skill. Dre just brought the best outta them dudes.
This.
Thinking about it, most of the instrumentalists and beatmakers Dre worked with weren't even making beats until AFTER Dre worked with them. Like you wouldn't see them credited for production until after Dre worked with them. For example, Scott Storch was keyboardist before Dre. After Dre, he was getting work on his own in addition to co-production with Timbaland. Daz was credited with drum programming on Chronic and Doggystyle. Then he was a full fledged producer on Dogg Food and AEOM. Mike Elizondo and Mark Batson didn't even do Hip Hop before Dre.