Your Old Droog *EXPOSED*

scuba

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so eminem having songs and rhymes where he is bein mad racist is OK but eminem ft droog is a crime?

what about all those homosexual references? thers a million reasons why I don't listen to eminem and your reason is invalid

Ehhh, I mean I aint mad at anyone who stays away from Eminem because of his racist songs. Personally, it just didnt hold much wait, yeah he said some racist shyt when he was a teenager, but so did i, and he didnt put out any official songs on that level so i let it go... i really didnt care one way or other bout the gay stuff...

I dont really listen to eminem at all, and thats cause i think honestly 8 mile was the only album i liked that he ever put out, and while he was crazy fresh in 1997 time period on a verse by verse basis he been wack verse by verse for more than a decade. but i always gave him some props like if someone is going to come elvis the game, at least its an actual skilled hip hop head who came up through the culture... so really its more him signing droog would be the last straw for what last vestiges of respect i had for him as a hip hop artist.
 

Firefly

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LOL at this article and dude acting like people showed up to that "sold out" show for droog

http://www.nytimes.com/2014/09/05/a...rforms-in-public-for-the-first-time.html?_r=0


"in a show that could have easily, apart from the odd Instagram reference, taken place sometime in the mid-1990s"

<---------Really? Nah as a dude who was there in the mid 90's where obviously this jouranlist wasn't, Droog would have been dragged off the stage and violently beatdown.

No biting and even worse from someone like him? Nah wouldn't have popped off in the mid 90's but whatever. They control the storyline and media so whatever they say go I guess. But dude would not have even made it to the stage in the mid 90's.



If your gimmick works run with it as far as you can get over on folks I guess.
 
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NvrCMyNut

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Oh but he's Spanish :sas2:

you're only contact with latino's is probably mexicans:mjlol:

He doesn't look whitebread white, could very well be spanish or mixed, there's plenty of white/lighter puerto ricans than that b
so you gonna let me bring you to the badlandz and watch you call a crowd of ricans white boys? would you do that?
Badlands IS full of white boys tho :comeon:
 
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The Dust King

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Ehhh, I mean I aint mad at anyone who stays away from Eminem because of his racist songs. Personally, it just didnt hold much wait, yeah he said some racist shyt when he was a teenager, but so did i, and he didnt put out any official songs on that level so i let it go... i really didnt care one way or other bout the gay stuff...

I dont really listen to eminem at all, and thats cause i think honestly 8 mile was the only album i liked that he ever put out, and while he was crazy fresh in 1997 time period on a verse by verse basis he been wack verse by verse for more than a decade. but i always gave him some props like if someone is going to come elvis the game, at least its an actual skilled hip hop head who came up through the culture... so really its more him signing droog would be the last straw for what last vestiges of respect i had for him as a hip hop artist.

I agree with everything minus the racist and gay stuff. em would later have a song about molestation and I believe thais where his obsession began

LOL at this article and dude acting like people showed up to that "sold out" show for droog

http://www.nytimes.com/2014/09/05/a...rforms-in-public-for-the-first-time.html?_r=0


"in a show that could have easily, apart from the odd Instagram reference, taken place sometime in the mid-1990s"

<---------Really? Nah as a dude who was there in the mid 90's where obviously this jouranlist wasn't, Droog would have been dragged off the stage and violently beatdown.

No biting and even worse from someone like him? Nah wouldn't have popped off in the mid 90's but whatever. They control the storyline and media so whatever they say go I guess. But dude would not have even made it to the stage in the mid 90's.



If your gimmick works run with it as far as you can get over on folks I guess.

Damn, can't a nicca do one last lap around the stadium and shyt?
 

Basaglia

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@Basaglia still thinks the nikka is Nas???

Yeah, I do. I know every new rapper's full gubment and backstory within a few weeks of them becoming "hot" so why not this white guy being passed off as "Your Old Droog"...there is no file jacket on this dude. He don't sound like the recordings. Nas ain't said a word about any of this. Droog is allegedly signed to Mass Appeal (convenient) and they barely promote him.Boldy get love tho :sas2: . ONLY New York rap media is covering this. Too much evidence to the contrary. Y'all keep cysing that pale face and them recitals tho.

Jay Caspian Kang's piece was a mockery of journalism. And this whole thing is a mockery of hip-hop fans and media and the entire culture. And I'm looking forward to the big reveal and everyone telling Nas and his co-conspirators how lame and unnecessary it all was.

And the funny part is I'm not even invested in this. I'm just baffled by the lack of critical thinking. You can't just accept a face attached to the name and a regular NYC accent mimicking Nas' flow. Hell, Mike Rappaport coulda pulled this off 20 years ago.
 

mson

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No, Your Old Droog Isn't Nas, But You Should Still Listen To His New Album
TUESDAY, MARCH 21, 2017 AT 9 A.M.
BY PHILLIP MLYNAR

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Three years ago, Your Old Droog found himself in the middle of a frenzy when rumors from online forums claimed the rapper’s self-titled debut EP was actually the work of the Queensbridge rap veteran Nas, recording under an alias. This was news to the 24-year-old Ukrainian-American, who lives in Coney Island. He does happen to share a similarly husky-hued voice, an effortless flow, and a penchant for throwing cute references to Nas lyrics into his rhymes. As a previously unheard of artist at the time, the lack of photos of Droog in circulation also helped fuel the theories.

Of course, the confusion worked to his advantage: His profile skyrocketed overnight. “I was caught off guard and I just observed peoples' imaginations running wild. It wasn't planned. It was shocking.” Speaking from his Coney Island home ahead of the release of his new album, Packs, Droog says, "It was surreal. Like, yo, I've been rapping for 108 years and nobody ever said you sound like Nas." Of course, the comparisons were, he says, "a compliment."

Born in the Ukraine, Droog's family moved to the U.S. when he was four years old. (“Droog” means “friend” in Russian.) "The overall consensus was “it's better over here—it was a mess where we was at,” he explains. They settled a subway stop away from Coney Island, and Droog's "regular childhood" lit up when he heard Heavy D's dance-influenced "Now That We Found Love" and LL Cool J's prototype rap ballad "I Need Love.”

“Right then, I made a mental note as a four-year-old," he says, adding another self-deprecating laugh. "I realized they're not singing, they're doing something else." Droog's interest in rapping was solidified when he discovered The Notorious B.I.G.'s marriage of coarse-but-witty punchlines and darkly humorous story telling. That inspired Droog to begin a decade of penning raps and recording songs that took him on a personal and technical journey to "figure out who you are and what you want to say.” (In Droog’s world, being a “corny or wack person” cancels out any rap skills.)

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UPCOMING EVENTS
For much of that voyage, Droog considered himself a battle rapper—someone skilled in the art of the scathing punchline, but unable to mold those quick turns-of-phrase into fleshed-out songs with their own narrative. He honed his skills by facing off against other rappers in high school lunchrooms around the city. “I wouldn’t give them no air time though,” he says when asked if he ever battled anyone who’s since made a name for themselves.

He considers his debut EP, 2014’s Your Old Droog, a case of "just trying to let motherfukkers know I could rhyme"—but notes he left a clue to his future moves on "Nutty Bars," where over a slinky Italian crime drama soundtrack sample he vowed "I'm about to bring back story telling." Packs comes good on that promise, as Droog channels his cocksure patter into songs that resonate beyond the quick quips.

His bare voice has always been attractive to beat makers. “He has a great tone, something that sounds synonymous with rappers from New York,” says The Purist, who crafted the dusky “I Only” on Packs and has previously worked with Action Bronson and Shady Records’ recent signings Westside Gunn and Conway. But RTNC, a producer who’s collaborated with Droog since his debut and notched credits with De La Soul and Mos Def, notes how now “he’s scraped the edges off and knows what he wants to be. He's always had the rhyme patterns and the word play, but now there's a maturity."

This escalation is apparent on tracks like Packs opener “G.K.A.C. (Gotta Kill A Cop).” Over a theatrical beat punctuated with sirens, Droog tells a fictional tale about "a dude who's been suppressed through the years and is going through a lot of mental health issues and has schizophrenia." Drama ensues on what Droog calls his chance to indulge in creating "my little car chase, my little action scene” of a song.

Wiki from the avant-garde group Ratking guests on “Help.” He bonded with Droog at the Boom Bap Festival in the U.K. two years ago, noticing “he’s a beast on the microphone.” When they teamed up for this year’s What Happened To Fire EP, Wiki “spent time with Droog in the crib writing to beats on repeat” and realized “he’s a rapper who’s capable of killing any concept”—which is what he proceeds to do on the key RTNC-produced "White Rappers (A Good Guest).”

Reflecting on his role as a Caucasian artist in a historically Black and Latino music form, Droog skillfully flips a phrase from the Five Percenter-aligned golden era group Brand Nubian to plot his place in the scene: “Can a white rapper fool a Muslim?/ No, not nowadays, bro/ So what the hell makes them think that they have to say so?/ I don't know, but I'm glad that you're not like them/ Your stuff's emotive—you didn't come into this with a motive/ The way he flowed on the track was straight bananas/ Came right in our house with great manners.” The crux of the song, says Droog, is that “it's not a big deal to be a white rapper or a green rapper if you're a fukkin' wizard.”

That’s been his experience, at least. "Motherfukkers wasn't seeing me and calling me white, not since I was 13 with a gel hairdo,” he says.
No, Your Old Droog Isn't Nas, But You Should Still Listen To His New Album
 
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