Wtf was Master P thinking?

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:russ:
 

Clayton Endicott

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A lodge of the Saints John of Jerusalem
Play this shyt with some proper headphones on. The bass is just right on this motherfukka.

No Limit knew how to flip samples and keep them shyts sounding very familiar.

And Mo B dikk does not get enough credit for the work he put in back then. Producing and singing hooks even tho his range was limited at best. He knew how to layer his shyt and add a lil harmony to it instead of getting a bunch of other singers on the track.

Yup.

Bruh, I been up the last few hours listening to that song and others with my headphones on :ahh:

Beats By The Pound knew what they was doing when it came to production. :wow:

And yeah, Mo B dikk knew his range as a singer and his strengths. Like you said, he knew when to add harmony and smooth that shyt out.

But bruh knew how to produce, write and sing some hooks.
KLC is one of my top 5. I used to cop everything just check out what beats he did. That N.O. jazz/soul/bounce flavor with those marching band snare cadences with some cutting, scratching and those bass drops :banderas:
 
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St louis
as a business man you gotta respect P.
with that being said.
:patrice:


I've never spent a dollar with no limit.
dude made a career dikkriding and copying Tupac.
the beats were mono as fukk, rhymes
were primary / dr seuss shyt, some of the worst
singing ive ever heard on tracks and P saying
uuugh every fukkin song.
silk couldnt stay on beat if a gun was to his head.
:snoop:




UKVu0t8.gif
 
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