Premeditated
MANDE KANG
what sepereates MJ and Beyonce is Beyonce needs all the props, themes, gimmicks, back up dancers, just to put on a great performance(unless it's an acapella , while MJ can blow the roof off by himself.
you on some serious crack if you think Madonna is anywhere near Beyonce's talentIn your mind, you are a clown.
but beyonce been in public eye for 15 years before social media was big , what stopped people from fainting thenThis part is definitely true
"The omnipresence of social media and reality TV and an endless barrage of media coverage have robbed the general public of the kind of innocence that made adults faint at the sight of Michael Jackson at the height of his pop mega-stardom"
Beyonces prime was 2003.. if anything social media is the whole reason her name is big in 2018Basically. Times are different. If Beyoncé’s prime was during the same era (pre-social media), she’d be way more respected than she is now.
Beyonce albums rarely sell well for someone of her supposed popularity.What a crazy is Beyonce dont have a diamond album and Usher has one
I'll say this. You can fake a lot of shyt in the industry but one thing you can't fake is touring and ticket sales.
I'll just say this
That's $5.22 grossed per show. Nobody named in this thread has came close to that.
Like Jackson, she emerged from an uber-successful group in Destiny’s Child, had to establish her own voice and as an artist and had to assume control of her career from a controlling father. Both became standard-bearers for artists in the age of music video; Michael at the dawn of the artform and Bey as the medium was in desperate need of reinvigorating. Their collaborators run the gamut from chart-topping contemporaries to venerated legends; they’ve worked with the defining producers of their respective times. They both even have similarly gifted little sisters.
Beyoncé has command of a generation’s gaze at a time when it seems like we don’t make these kinds of megastars anymore. And with the command of attention has come a clear commitment to showcasing the art and culture of Black people -- southern Black women, specifically -- in a way that forces the masses to see what was previously obscured or downplayed. Beyoncé is certainly not the first Black pop superstar to present Black culture on the mainstream stage, but for her to do so with such vigor at the height of her popularity and during a time of great cultural fission isn’t incidental.
At his commercial zenith, Michael Jackson gave platform to famed South African vocal group Ladysmith Black Mambazo and dropped an all-Black music video set in ancient Egypt on MTV. But by the time the King of Pop released the scathing “They Don’t Care About Us” in spring 1996, his image and popularity had taken a hit in the U.S., following 1993 child molestation allegations. But Beyoncé’s presentation of powerfully Black feminist imagery on Lemonade not only occurred as America was grappling with issues surrounding racism and misogyny; it occurred while she was still at the epicenter of popular culture.
There hasn’t been a megastar who so deftly navigated -- and so creatively maximized -- this position before. We’re witnessing a Black woman wielding the kind of far-reaching cultural influence that Black women in music were previously denied in various ways. Despite a career of tremendous popularity, influence and longevity, Janet Jackson was never recognized in her own heyday as the upper echelon pop innovator she is -- often presented in a deferential light to her famous brother or Prince or Madonna.
When Beyoncé took the stage at Coachella, armed with all-Black backup dancers and singers, an HBCU marching band and references to everything from Fela Kuti to Juvenile’s “Back That Azz Up” to Black step shows, she took yet another opportunity to put specifically Black culture front-and-center in a space that isn’t known for centering Blackness. “Coachella, thank you for allowing me to be the first black woman to headline,” Bey pointedly acknowledged mid-performance. “Ain’t that ‘bout a bytch?”
Beyonce albums rarely sell well for someone of her supposed popularity.
Its free to leave a bee emoji under a comment in the shaderoom instagram
Actual spending $10 on her album — they aint doing that
Lemonade ain’t even juxtaposed to one of Janet’s albums executive produced by Jermaine Dupri. With little vocal talent Janet can do things with her voice that the average vocal powerhouse can’t.Her stans like to pretend that Lemonade is this generation’s Thriller.
Lemonade isn’t even this generation’s Control. Lol
Why do nikkas think that the weirdo public figure gays that whites prop up are somehow representative of the everyday gay dude.Just an attempt to put a woman over the King........we live in a feminine/gay world....and they will attempt to push that shyt however which way they can....the gays love Beyonce as well so I'm not surprised by any of these articles that come out....
Exactly. Beyoncé, while a great entertainer, is not an albums artist. It wasn’t until Lemonade that she actually put together a cohesive effort that had a central (albeit weak) theme. It was a clumsy ripoff of Janet’s rn1814 album....You can’t play any of B’s albums front to back, too many filler tracks.Beyonce's solo career is trash. You have to be mentally ill to compare her catalog to Madonna or Janet much less Michael fukking Jackson. This bytch has like 6 good songs outside of Destiny's Child.
Beyonce had her chance 2003-2010. Before twitter had influence and before instagram existed.
She can't be getting out sold by her peers in Taylor Swift, Rihanna, and Adele. You need the album sales crown.
Fresh out of rehab Emancipation of mimi went 6x (as a dude I coped it)....B'day went 3X! That can't happen!
She also shouldn't have let Lady Gaga have her run. Lady Gaga came out of nowhere and caught the people's attention performance wise and topic wise.
Beyonce just can't dominate at any point in time. And I'm mostly comparing her to females. Usher and Timberlake where on another stratosphere 2002-2010 and that can't happen when you suppose to be #1 pop artist, lol.
Beyonce had her chance 2003-2010. Before twitter had influence and before instagram existed.
She can't be getting out sold by her peers in Taylor Swift, Rihanna, and Adele. You need the album sales crown.
Fresh out of rehab Emancipation of mimi went 6x (as a dude I coped it)....B'day went 3X! That can't happen!