Amo Husserl
Superstar
Because capitalism, bottom lines, nostalgia, and an ivy league writing team won't make up for substance.
You can blame capitalism, but capitalism largely funded the original for which the remake is based on - strike one.
You can blame the bottom line, but the motion picture industry is a business. They gotta turn profit like turnin' tricks, no hit no bread - strike two.
You can blame nostalgia, but what's markedly familiar can be marketable in an age era that over-romanticizes nostalgia - strike three.
You can blame the ivy league writing teams, but they're just responding to the aforementioned points because the aforementioned points have crowded out the viability of new IPs - strike four.
You should blame the glut and bloat of the hegemonic forces glorifying their highlight reel, and literally repackaging and redistributing their legacy as a vain play toward not only nostalgia but assimilation through updating and remixing older IPs to be politically correct.
Modern remakes are so bad because the masses glorify mediocrity and conformity.
All that talk 'bout individualism is over, everybody tryna assimilate into the social democratic capitalist paradigm.
Your little groundbreaking indie movie ain't goin' nowhere until it gets abducted by the machine.
'cause ain't nobody wanna watch it otherwise.
Politics and economics are the main driving forces behind social change, comrade.
If you let the crowd sway your ethical considerations and agency toward following the crowd...
You can blame capitalism, but capitalism largely funded the original for which the remake is based on - strike one.
You can blame the bottom line, but the motion picture industry is a business. They gotta turn profit like turnin' tricks, no hit no bread - strike two.
You can blame nostalgia, but what's markedly familiar can be marketable in an age era that over-romanticizes nostalgia - strike three.
You can blame the ivy league writing teams, but they're just responding to the aforementioned points because the aforementioned points have crowded out the viability of new IPs - strike four.
You should blame the glut and bloat of the hegemonic forces glorifying their highlight reel, and literally repackaging and redistributing their legacy as a vain play toward not only nostalgia but assimilation through updating and remixing older IPs to be politically correct.
Modern remakes are so bad because the masses glorify mediocrity and conformity.
All that talk 'bout individualism is over, everybody tryna assimilate into the social democratic capitalist paradigm.
Your little groundbreaking indie movie ain't goin' nowhere until it gets abducted by the machine.
'cause ain't nobody wanna watch it otherwise.
Politics and economics are the main driving forces behind social change, comrade.
If you let the crowd sway your ethical considerations and agency toward following the crowd...