daemonova
hit it, & I didn't go Erykah Badu crazy, #yallmad
But Dudman also needed a lot of Trollocs. “If you're making, say 20, how do you make it look as though you've created 40 or 50?” he asked. “And the answer is: They've all got horns. One of the things we decided early on is, they all have a variety of horn shapes. So if all those horns attach magnetically, and every single horn can swap with another horn on a different head, and they can also have two or three ways of putting them on, then you actually end up with 30 different silhouettes of creature for no extra money.”
In the end, Mike Weber told me, the Trollocs looked so good on camera that a whole tranche of their budget that had been slated for VFX, to make the monsters look real, was saved for something else. And this is how you make a show like The Wheel of Time
In the end, Mike Weber told me, the Trollocs looked so good on camera that a whole tranche of their budget that had been slated for VFX, to make the monsters look real, was saved for something else. And this is how you make a show like The Wheel of Time