The Official Joe Budden Podcast Thread

[Trav]

Also, low-key tired of Mel & Ish lil R&B face offs in the sleepers. Damn near preferred when Ish was playin' I Love the Dough as his sleeper(s) and shyt .

Last pod, Ice actually plays a fire ass YG track, and then Parks follow up like a Kyrie 3 after a Luka one wit' a ass Juicy J track that damn near knocked my speakers out.....and then I gotta hear whatever lil crystals & sage yah mean hittin' Ish off wit a track dat bring da energy way back down.

 

[CrimsonTider]

30+ mins on Joe givin' himself a shot

Another 30+ mins on these old niccas talkin' bout hoes squirtin' on their mattress & givin' bytches the 'gummy dikk' in hotels.



FANS.

All of em

This pod is cooked if Joe can’t hate on Drake

 

[Silkk]

"A lil dikk dap"

https://www.reddit.com/r/theJoeBuddenPodcast/s/NrkAoy0y94

 

[Ironman]

"You gave yourself a facial?"

Classic episode The good ol days where they just shot the shyt

 

[FreshAIG]

“Melyssa Ford called Kevin Liles and Steve Stoute
What they gonna do? I’m Mr. Giles
We good boo, Killa feeling better now
But don’t never put my name near …(pedophile)”

 

[RichYung]

This pod is cooked if Joe can’t hate on Drake

Hip Hop media as a whole lol. Cause ain’t shyt else movin’

 

[IAMDetroit]

It’s more so the general public has no true idea of how the music industry really works rather than the smoke and mirrors pro wrestling shyt that’s sensationalized. Where the reality is this.

Every. Single. Artist. With. A. Budget. Chasing. The. Charts… gets reference tracks. Yes even your “rap Gods”.

Every hit single (even in rap) has been shopped around by the producer and/or a writer to an A&R. The A&R gets the artist to fukk with the record… if there’s a feeling of a hit being on their hands plus have the support of the building, then invoices are sent.


If I was Drake I’d start spilling all the tea of everyone else on some Nino Brown shyt.

Nah fukk that
There's footage over DECADES of Wayne in the STUDIO and in the BOOTH coming up with bars and changing words in the BOOTH, listening back and going in to change whole BARS.
I don't doubt Wayne took suggestions because why not.
We know he didn't write Prom Queen and a gang of those Shanell records.
But them BARS come from a real rapper invested in his craft.
This is crazy talk.
In reality I don't think there's a rapper that big that "COLLABORATES" As much as Aubrey does.

 

[itiswhatitis]

Nah fukk that
There's footage over DECADES of Wayne in the STUDIO and in the BOOTH coming up with bars and changing words in the BOOTH, listening back and going in to change whole BARS.
I don't doubt Wayne took suggestions because why not.
We know he didn't write Prom Queen and a gang of those Shanell records.
But them BARS come from a real rapper invested in his craft.
This is crazy talk.
In reality I don't think there's a rapper that big that "COLLABORATES" As much as Aubrey does.

How to Love.

Lollipop was framework from Static Major and Wayne filled in the gaps.

 

[itiswhatitis]

One of my best friends works for Sony. I know producers and engineers that work with artists. The process you refer to is for popstars and singers. Hooks and ideas is one thing. Completely biting the song word for word aint respected in hip hop world.

Only reason why the industry is keeping quiet or deflecting for Drake because the industry NEEDS him. Its business at the end of the day.

But artistic integrity especially in hip hop world is another conversation. Its not respected.

I didn’t make the rules.

When I was trying to be an artist, I was briefly being managed by a cat that was managing a producer that was part of a HOT production team (It was a collective of 3 producers… one ended up getting hot as fish grease and caught a run). This was before it was acceptable for a non street nikka to break out the south with bars. So they had me pivot and write to their beats…

I had to write FULL joints. Not hooks and bridge snippets. Full joints. And that’s when I was given the game how the shyt works. It’s not just pop and R&B.

“We recorded 100 joints working on this project”…

If you think these artists are writing all their shyt, you’re sadly mistaken.

 

[IAMDetroit]

How to Love.

Lollipop was framework from Static Major and Wayne filled in the gaps.

Those too

 

[El Jefe]

When I was trying to be an artist, I was briefly being managed by a cat that was managing a producer that was part of a HOT production team (It was a collective of 3 producers… one ended up getting hot as fish grease and caught a run). This was before it was acceptable for a non street nikka to break out the south with bars. So they had me pivot and write to their beats…

I had to write FULL joints. Not hooks and bridge snippets. Full joints. And that’s when I was given the game how the shyt works. It’s not just pop and R&B.

“We recorded 100 joints working on this project”…

If you think these artists are writing all their shyt, you’re sadly mistaken.

Southside and 808 mafia tried the same shxt wit some peeps I knew

Sent full
Instro s as well , said we buyin joints send em baaak and it’s a cheque

 

[Silkk]

Ish so fuccking racist

And it just be the most random nonchalant shyt

He remind me of the boss in Black-Ish

 

[itiswhatitis]

Southside and 808 mafia tried the same shxt wit some peeps I knew

Sent full
Instro s as well , said we buyin joints send em baaak and it’s a cheque

It’s a cold game. Hindsight being 20/20 I would have stayed as a writer once I fully learned the game rather than trying to be the artist.

 

[Fani Willis fan]

Joe Budden is a fakkit of the highest order

 

[EastsideRio]

It’s more so the general public has no true idea of how the music industry really works rather than the smoke and mirrors pro wrestling shyt that’s sensationalized. Where the reality is this.

Every. Single. Artist. With. A. Budget. Chasing. The. Charts… gets reference tracks. Yes even your “rap Gods”.

Every hit single (even in rap) has been shopped around by the producer and/or a writer to an A&R. The A&R gets the artist to fukk with the record… if there’s a feeling of a hit being on their hands plus have the support of the building, then invoices are sent.


If I was Drake I’d start spilling all the tea of everyone else on some Nino Brown shyt.

You ain’t got a gun to your head to use them tho