Essential The Official Comic Book Discussion Thread [Support @Neuromancer’s book!]

AquaCityBoy

Veteran
Joined
May 2, 2012
Messages
42,524
Reputation
9,424
Daps
188,935
Reppin
NULL
Batman was :ehh: until he began to move a flying plane like a puppet :dwillhuh:

Da fukk? :what:

The bigger problem I had with it was
Batman asking Alfred, "Would mom and dad be proud? Is this a good death?" That should have been an emotional and gripping scene, but it wasn't earned because it happened in the first issue. There's not enough tension in the scene for me to think even for a second that Batman isn't gonna survive the plane landing, so that scene felt cheap and meaningless.

That's something you save for a climactic battle against a stronger opponent, not act one of a story, in a scene that mostly exists to set up the debut of Gotham and Gotham girl. Not to mention that whole scene took way longer than it needed to because they wanted to introduce them at the very end of the issue.
 

MenacingMonk

Tranquilo
Joined
May 7, 2012
Messages
61,720
Reputation
7,867
Daps
134,938
Reppin
West where the Sunsets
The bigger problem I had with it was
Batman asking Alfred, "Would mom and dad be proud? Is this a good death?" That should have been an emotional and gripping scene, but it wasn't earned because it happened in the first issue. There's not enough tension in the scene for me to think even for a second that Batman isn't gonna survive the plane landing, so that scene felt cheap and meaningless.

That's something you save for a climactic battle against a stronger opponent, not act one of a story, in a scene that mostly exists to set up the debut of Gotham and Gotham girl. Not to mention that whole scene took way longer than it needed to because they wanted to introduce them at the very end of the issue.
shyt was randomly tossed in.
 

TheGodling

Los Ingobernables de Sala de Cine
Joined
May 21, 2013
Messages
20,078
Reputation
5,614
Daps
70,592
Reppin
Rotterdam
Man, did anyone manage to make it through Civil War II #2? I was reading that and just trying to accept it and then Bendis brought in Karnak and in typical Bendis-fashion in one panel and a sentence he managed to nearly destroy everything that Ellis made work for the character. Like I just want to go to the comic book store and steal a copy so I can feel the gratification of physically destroying this issue.
 
Joined
May 16, 2012
Messages
10,718
Reputation
624
Daps
23,720
Reppin
Latveria
I'm not feeling the new direction for Superman. The whole bring pre flashpoint superman back for nostalgic reasons just annoys me.

I also have no interest in the son
 

TheGodling

Los Ingobernables de Sala de Cine
Joined
May 21, 2013
Messages
20,078
Reputation
5,614
Daps
70,592
Reppin
Rotterdam
I'm not feeling the new direction for Superman. The whole bring pre flashpoint superman back for nostalgic reasons just annoys me.

I also have no interest in the son

It's DC's fault for consistently messing the character up from the start of the New 52. Outside of what Morrison was doing in the first issues of Action Comics, the stories were either generic crap or terrible, clueless attempts to "modernize" the character.
 
Joined
May 16, 2012
Messages
10,718
Reputation
624
Daps
23,720
Reppin
Latveria
It's DC's fault for consistently messing the character up from the start of the New 52. Outside of what Morrison was doing in the first issues of Action Comics, the stories were either generic crap or terrible, clueless attempts to "modernize" the character.
I actually really enjoyed the Pak and Kuder Action Comics run
 

MenacingMonk

Tranquilo
Joined
May 7, 2012
Messages
61,720
Reputation
7,867
Daps
134,938
Reppin
West where the Sunsets
Man, did anyone manage to make it through Civil War II #2? I was reading that and just trying to accept it and then Bendis brought in Karnak and in typical Bendis-fashion in one panel and a sentence he managed to nearly destroy everything that Ellis made work for the character. Like I just want to go to the comic book store and steal a copy so I can feel the gratification of physically destroying this issue.

I managed to find that hip hop variant for the first issue of Karnak for a buck after I passed it up a few weeks back for the same price. I was really impressed with it. Almost missed out on a gem. :whew:

As for CW2, I read it. I pretty much read all big event stories. shyt's gonna be another :camby: series tho.
 

Dillah810

Flat Girther
Joined
May 2, 2012
Messages
44,086
Reputation
10,204
Daps
170,589
Reppin
Flint, Michigan
I know, when it comes to the X-women, we usually hype up Rogue, Psylocke, and occasionally Jean Grey's bodies. But lowkey, Dani Moonstar has a nice body on her

latest

exodus__dani_moonstar_by_summerset.jpg

dani-moonstar.jpg
 

Mr. Negative

Conspiracy Weirdo
Supporter
Joined
Aug 10, 2012
Messages
28,648
Reputation
8,026
Daps
80,633
Reppin
A Mississippi Cotton Field
Man, did anyone manage to make it through Civil War II #2? I was reading that and just trying to accept it and then Bendis brought in Karnak and in typical Bendis-fashion in one panel and a sentence he managed to nearly destroy everything that Ellis made work for the character. Like I just want to go to the comic book store and steal a copy so I can feel the gratification of physically destroying this issue.

I came to the realization a few weeks ago that Bendis doesn't read comics.

Higher ups come to him like "Write an "Event" that roughly ties in to/is named after a movie property coming out at the same time."

Brevoot or whatever gives him a bullet list of "important" characters. Bendis adds random characters that fit the shytty plot

Whatever artist draws the characters as they should look, but since Bendis doesn't read comics, continuity is ignored, everyone either sounds the same or is severely out of character.
 

Concerning VIolence

Decolonizer
Joined
May 26, 2015
Messages
6,615
Reputation
920
Daps
23,539
Reppin
the belly of the empire
Marvel creating a new black superhero with black writers and artists.
Thoughts? :ohhh:

http://www.vulture.com/2016/06/mosaic-marvel-randolph-thorne.html?mid=twitter_vulture

Marvel Announces "Mosaic," Starring Diverse, Body-Jumping Antihero

Clearing up months of teasers and speculation, Marvel has unveiled its plans for "Mosaic," an ongoing series written by Geoffrey Thorne and drawn by Khary Randolph, about a new body-jumping Inhuman anti-hero. Before the launch of the new "Mosaic" series in October, Marvel is releasing a 10-page origin story for the new black character, which will go on sale at Barnes & Nobles on August 6.

According to Vulture, "Mosaic" will follow "...the exploits of a man named Morris Sackett. He starts out as a beautiful and successful professional basketball player, a selfish jerk, and — unbeknownst to him — a latent Inhuman," who, upon discovery of his powers, "...finds he no longer has his handsome body. Instead, he’s become a free-floating entity that needs to occupy other people’s bodies in order to survive."

The site also debuted the full first issue cover by Stuart Immonen -- which has been teased in pieces for months by Marvel -- along with Immonen's designs for the character and Randolph's variant cover for issue one:









Describing Mosaic's powers, Thorne said, "The baseline is Morris can take over a person's body and essentially become them. He has access to every memory, every talent, and most important, every nuance of speech and behavior his host might have. There are no barriers when Morris takes a host. He is you. Not even a telepath could detect his presence unless he wanted them to. He cannot be detected or blocked by any conventional surveillance or defensive equipment, not even Stark-level tech. He is the perfect spy. He doesn't exist on the 'astral plane.' Morris physically takes over your body — sort of like a parasite or a virus made of energy. There are some other powers, one in particular, that I'm holding back, and limitations and drawbacks, which he and we will learn."






Randolph's designs for "Mosaic."


Addressing Morris Sackett's significance as a black character, and how his own artistic sensibility lends itself to the character, Randolph said, "People always ask for more diversity and strong characters of color, so that is what we aim to deliver. But that aspect is just the outer layer — the more important thing is creating an interesting person that people will want to know more about month to month. Specifically as it pertains to Mosaic, the subject matter just appeals to my sensibilities. I love science fiction, I love hip-hop and I love sports, and this project has all three of these in huge quantities. I think one of my strong points as an artist is conveying energy. Which comes in handy when you are drawing a character that is literally energy. Also, they're paying me."

The involvement of Thorne and Randolph on the project reflects Marvel's recent push to hire more diverse creators. Last year, Marvel Comics editor-in-chief Axel Alonso addressed the publisher's diversity issues with CBR News. "We are experiencing a lull in African-American writers at this moment, but it is temporary. We will be announcing new series very soon that will prove that. I'm talking about new voices, familiar voices and one writer whose voice is heard round the world."

"Mosaic" #1 hits stores in October.
 
Top