Essential The Official Coli Horror Film Thread: Discussion, Recommendations And Murder.
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Enough with your subbies - Stop slandering my movie ..
No, I have not seen Black Christmas yet. It's not even showing up on Kodi anymore.
29 Days of Terror: 16 New Horror Movies, TV Shows and Video Games Releasing in February!
I don't play video games, so I'm only posting up the horror streams
Over on the streaming front, February 6 brings with it Dogs Don’t Wear Pants, a new Shudder exclusive about a man who loses his wife in a deadly accident and forms a new relationship with a dominatrix. Then, on February 7, Shudder debuts their Horror Noire: Uncut podcast series, featuring extended interviews from the acclaimed documentary, and Hulu debuts the latest installment of their Into the Dark series of monthly, holiday themed horror films. The latest, Maggie Levin’s My Valentine, tells the story of a pop singer whose ex-boyfriend and manager steals her songs and persona and bestows them to another artist. It will not go well for them.
And of course, February 7 brings with it the new Netflix series Locke & Key, the long-awaited TV series adaptation of Joe Hill and Gabriel Rodriguez’s award-winning comic book series about siblings who move into a house with three keys that alter reality.
On the theatrical front, you’ll find The Lodge and Come to Daddy in theaters on February 7. The Lodge stars Riley Keough as a woman trapped in a house during a blizzard with her two new stepchildren, when the demons of her past return to haunt them. Come to Daddy stars Elijah Wood as a man who travels to an isolated cabin to reconnect with his estranged father, only to find himself in an unexpected nightmare
But wait! There’s more! On February 20, Netflix debuts the new series Spectros, about teenagers who accidentally get dragged into a war between Japanese ghosts and Brazilian witches. On the same day, Shudder debuts the new film Jessica Forever, about a woman fighting for her life in a future world full of dangerous miscreants.
In theaters, February 21 brings with it Brahms: The Boy II, the sequel to the unexpected horror hit The Boy, which finds Katie Holmes protecting her child from the sinister influence of a seemingly haunted doll. Then, in True Fiction, a young woman gets a job working for her favorite author, only to find out he needs her to take part in a psychological experiment.
I don't play video games, so I'm only posting up the horror streams
Over on the streaming front, February 6 brings with it Dogs Don’t Wear Pants, a new Shudder exclusive about a man who loses his wife in a deadly accident and forms a new relationship with a dominatrix. Then, on February 7, Shudder debuts their Horror Noire: Uncut podcast series, featuring extended interviews from the acclaimed documentary, and Hulu debuts the latest installment of their Into the Dark series of monthly, holiday themed horror films. The latest, Maggie Levin’s My Valentine, tells the story of a pop singer whose ex-boyfriend and manager steals her songs and persona and bestows them to another artist. It will not go well for them.
And of course, February 7 brings with it the new Netflix series Locke & Key, the long-awaited TV series adaptation of Joe Hill and Gabriel Rodriguez’s award-winning comic book series about siblings who move into a house with three keys that alter reality.
On the theatrical front, you’ll find The Lodge and Come to Daddy in theaters on February 7. The Lodge stars Riley Keough as a woman trapped in a house during a blizzard with her two new stepchildren, when the demons of her past return to haunt them. Come to Daddy stars Elijah Wood as a man who travels to an isolated cabin to reconnect with his estranged father, only to find himself in an unexpected nightmare
But wait! There’s more! On February 20, Netflix debuts the new series Spectros, about teenagers who accidentally get dragged into a war between Japanese ghosts and Brazilian witches. On the same day, Shudder debuts the new film Jessica Forever, about a woman fighting for her life in a future world full of dangerous miscreants.
In theaters, February 21 brings with it Brahms: The Boy II, the sequel to the unexpected horror hit The Boy, which finds Katie Holmes protecting her child from the sinister influence of a seemingly haunted doll. Then, in True Fiction, a young woman gets a job working for her favorite author, only to find out he needs her to take part in a psychological experiment.
Netflix’s ‘Resident Evil’ Series Enters Production This June, According to LeakYeah those kinda high art horror flicks don’t do well in January. Now if it was resident evil
Again, this hasn’t been confirmed by either Netflix or Constantin Film. However, with the remake of Resident Evil 3: Nemesis being right around the corner,
it's lit
Looking forward to this
I like Agatha Christie horror/thriller/mystery movies.
The Pale Horse review: A camp horror whodunnit with style to spare
By now, aficionados of writer Sarah Phelps’s Agatha Christie adaptations will know what to expect: from 2015’s And Then There Were None to 2018’s The ABC Murders, Phelps has served up vibrant, no-holds-barred takes on Christie’s original stories that capture the spirit if not the letter of the source material and do so with a great deal of style, subverting our assumptions and misapprehensions about the period in the process.
Her latest (and possibly last) offering, a new screen version of 1961 novel The Pale Horse, once again explores the idea of quaint ‘Britishness’ hiding a terrifying brutality, with good manners and societal graces covering a sordid underworld of blood, sex and lies. This new two-parter though is not as bleak as, say, The ABC Murders, with Wicker Man-esque scenes of pagan rituals and (alleged) witchcraft lending an enjoyable dash of camp to proceedings. (Christie herself was influenced by the occult fiction of Dennis Wheatley, which was at the height of its popularity in the ’60s).
I like Agatha Christie horror/thriller/mystery movies.The Pale Horse review: A camp horror whodunnit with style to spare
By now, aficionados of writer Sarah Phelps’s Agatha Christie adaptations will know what to expect: from 2015’s And Then There Were None to 2018’s The ABC Murders, Phelps has served up vibrant, no-holds-barred takes on Christie’s original stories that capture the spirit if not the letter of the source material and do so with a great deal of style, subverting our assumptions and misapprehensions about the period in the process.
Her latest (and possibly last) offering, a new screen version of 1961 novel The Pale Horse, once again explores the idea of quaint ‘Britishness’ hiding a terrifying brutality, with good manners and societal graces covering a sordid underworld of blood, sex and lies. This new two-parter though is not as bleak as, say, The ABC Murders, with Wicker Man-esque scenes of pagan rituals and (alleged) witchcraft lending an enjoyable dash of camp to proceedings. (Christie herself was influenced by the occult fiction of Dennis Wheatley, which was at the height of its popularity in the ’60s).
Looking forward to this
The Pale Horse review: A camp horror whodunnit with style to spare
By now, aficionados of writer Sarah Phelps’s Agatha Christie adaptations will know what to expect: from 2015’s And Then There Were None to 2018’s The ABC Murders, Phelps has served up vibrant, no-holds-barred takes on Christie’s original stories that capture the spirit if not the letter of the source material and do so with a great deal of style, subverting our assumptions and misapprehensions about the period in the process.
Her latest (and possibly last) offering, a new screen version of 1961 novel The Pale Horse, once again explores the idea of quaint ‘Britishness’ hiding a terrifying brutality, with good manners and societal graces covering a sordid underworld of blood, sex and lies. This new two-parter though is not as bleak as, say, The ABC Murders, with Wicker Man-esque scenes of pagan rituals and (alleged) witchcraft lending an enjoyable dash of camp to proceedings. (Christie herself was influenced by the occult fiction of Dennis Wheatley, which was at the height of its popularity in the ’60s).
"So no one noticed when she didn't come into work....imagine...no one caring about you to know you weren't there."
Instantly thought of Joyce Vincent when I heard that.
Amazon Original though
I loved the comic so I'm really looking forward to this show.
That one line in the trailer from Sam Jackson sold me on this movie.
"So no one noticed when she didn't come into work....imagine...no one caring about you to know you weren't there."
Instantly thought of Joyce Vincent when I heard that.
Amazon Original though
“We’re all rational when the sun is shining...different when it goes down”
and yes, her story is very sad- she died depressed and lonely with no one even noticing.
“Joyce Carol Vincent(19 October 1965 – c. December 2003) was a British woman whose death went unnoticed for more than two years as her corpse lay undiscovered in her north London bedsit. Prior to her death, Vincent had cut off nearly all contact with those who knew her. She resigned from her job in 2001, and moved into a shelter for victims of domestic abuse. Around the same time, she began to reduce contact with friends and family. She died in her bedsit around December 2003 with neither family, co-workers, nor neighbours taking notice. Her remains were discovered on 25 January 2006, with the cause of death believed to be either an asthmaattack or complications from a recent peptic ulcer.”