¢apitali$t Migraine
Kneel Before Zod, Muthafücka
The 80's had positivity cuz Reaganomics n the crack era were TURNING nikkas into zombies n a lotta mfers still had responsible ass parents. By the time time the 90's hit for real, the generational effects of all that bullshyt was startin to take full effect n Clinton was lockin nikkas tf up. Wasn't a goddamn thing to be smilin about, talkin sum positivity.The only way the artist you named were able to cross over and get sales was by incorporating negativity into their music to attract the mass appeal of white consumers. That's why they were getting money and and the old heads couldn't get 'no more.'
None of that speaks to the quality or character of the music tho and those artists from the silver era only have a handful of records as good or timeless as Children's Story.
It went from ur mom's friend bein a dope fiend, to ur mom bein a fiend, to ur sister gettin knocked up n u servin ur moms n her friend to support the household. nikkas be talkin that, Yooo da music got less positive shyt. Man shyt wasn't mfn positive no more. Serial killers was walkin round with a pocket fulla goddamn money, but since they was black they were called Gangstas. U could get blowed off the map for no damn reason.
The music was a reflection of that, art imitates life not the other way around. Man Shan & Melle Mel was out there on the pizzipe, that's what the goddamn heroes of Cooperstown was doin in the street. shyt was damn near post-apocalyptic, with the same buildings n houses from the 70's n 80's to make the shyt even more surreal n bizarre.
At least in the 80's nikkas was hustlin to build a criminal enterprise n get money. In the 90's nikkas wasn't even flossin like that no more. Mfers was doin shyt for the thrill. U can hear it in albums like Ready To Die, it was about being a goddamn psycho not trustin nobody.