You guys are arguing over nothing. Nolan himself said he made it so you'll never know if it was a dream or not. Give up. He soprano'd you. Hes a fakkit.
“With this film, though, people really think I’m going to tell, ” he says. “I get a lot of questions like, ‘Okay, did this thing earlier in the film mean that it’s all true, or does this other thing at another point in the film mean that it’s all a dream?’” Nolan says there’s no definitive answer to that question, because then his choice at the end of the movie to cut away from the spinning top — used by lead character Cobb (Leonardo DiCaprio) to know whether he’s in the real world (the top falls) or the dream world (the top doesn’t) — would have been an error on his part. “There can’t be anything in the film that tells you one way or another because then the ambiguity at the end of the film would just be a mistake,” he says. “It would represent a failure of the film to communicate something. But it’s not a mistake. I put that cut there at the end, imposing an ambiguity from outside the film. That always felt the right ending to me — it always felt like the appropriate ‘kick’ to me….The real point of the scene — and this is what I tell people — is that Cobb isn’t looking at the top. He’s looking at his kids. He’s left it behind. That’s the emotional significance of the thing.”
Read more: Chris Nolan Confirms Inception Video Game, Explains Ending for Millionth Time | FilmDrunk
“With this film, though, people really think I’m going to tell, ” he says. “I get a lot of questions like, ‘Okay, did this thing earlier in the film mean that it’s all true, or does this other thing at another point in the film mean that it’s all a dream?’” Nolan says there’s no definitive answer to that question, because then his choice at the end of the movie to cut away from the spinning top — used by lead character Cobb (Leonardo DiCaprio) to know whether he’s in the real world (the top falls) or the dream world (the top doesn’t) — would have been an error on his part. “There can’t be anything in the film that tells you one way or another because then the ambiguity at the end of the film would just be a mistake,” he says. “It would represent a failure of the film to communicate something. But it’s not a mistake. I put that cut there at the end, imposing an ambiguity from outside the film. That always felt the right ending to me — it always felt like the appropriate ‘kick’ to me….The real point of the scene — and this is what I tell people — is that Cobb isn’t looking at the top. He’s looking at his kids. He’s left it behind. That’s the emotional significance of the thing.”
Read more: Chris Nolan Confirms Inception Video Game, Explains Ending for Millionth Time | FilmDrunk
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...not this shyt again....
