The brother Nate really seems to have his head on right
Filmmaker: Though it was very memorably told by William Styron in his book
The Confessions of Nat Turner, there have been very few feature films about the man. Why do you think that is?
Parker: Let us be clear. Styron’s book was a work of fiction; a falsified re-imagining he used to propagate his own misguided and paternalistic ideas of Nat Turner and his motives. By the time Styron’s ink dried, no longer was Nat Turner the measured, self-determined man of faith, who’s courage and sacrifice left him a martyr. He was now an impotent and cowardly, self-hating, Uncle Tom who’s ambitions regarding rebellion had little to do with the rampant torture and degradation of his enslaved people, but instead was seeped in his desperate sexual desires of white women. The consequence of this defamation? A Pulitzer Prize.
I’m sure the lack of a previous film on Nat Turner coming to fruition can be explained in many ways. If I spoke purely from my own experiences regarding my journey with Nat, I’d reduce it to two reasons. The first is economic. When I began my journey of accumulating funds, I was often reminded of Hollywood’s popular conundrum: “for the financing of a film to make sense, it must have a white (or more specifically non-black) actor in the lead. For if there is a black man in the lead (who isn’t one of two very famous black actors) territories abroad will likely refuse the product.”
This self-perpetuating notion of the black lead as box office poison often kills material before it takes flight. I’ve often seen this issue ‘remedied’ with a white co-lead to offset the ‘risk’ of having a black lead on his own. Unfortunately for the Nat Turner story, it doesn’t lend itself to the ‘two hander’ model.
The second reason, I believe, revolves around the misrepresentation of Nat Turner. Because history has strategically painted him with the brush of villainy and controversy, filmmakers have struggled with how to bypass the stigma commonly associated with his legacy.
Five Questions with The Birth of a Nation Director Nate Parker | Filmmaker Magazine