Essential The Africa the Media Doesn't Tell You About

Red Shield

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US Government To Partner Nollywood
Story by Osaremen Ehi James/Nigeriafilms.com
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Last Updated: Monday, September 28, 2015

The government of the United States of America (USA) is set to officially partner the Nigerian film industry, popularly called Nollywood particularly in the areas of co-production treaties, protection of intellectual property rights and distribution among others.

The USA Assistant Secretary of State on Economic and Business Affairs, Ambassador Charles Rivkin, dropped this hint when he and his team met with a high-powered six-man delegation of Nollywood on Wednesday, September 9, 2015 at the George Hotel, Ikoyi, Lagos, to discuss the challenges and economic prospects of Nollywood and how the USA government can begin to officially partner the third largest film-making nation in the world.

According to Rivkin, who was a former US Ambassador to France, his visit is to find a common ground between Nigeria and the USA in various sectors, including Nollywood, pointing out that the US was very much concerned about the issue of piracy and Intellectual Property protection in the sector.

“My visit today is one of a long line of engagements with U.S. in coming years and there will be other opportunities to collaborate on mutual interests.

“We will look at the issue of co-production treaties between our countries, getting your country to ratify and domesticate relevant World Intellectual Property Organization (WIPO) treaties for the protection of Intellectual Properties especially online; getting big US production studios to invest in Nollywood particularly in the areas of cinemas and other forms of distribution in conjunction with bodies like Netflix among other symbiotic relationship”, Rivkin stated.

The Nollywood delegation included Alex Eyengho (President, Association of Nollywood Producers, ANCOP and Vice President of the International Federation of Film Producers’ Associations, FIAPF), Zik Zulu Okafor (President, Association of Movie Producers, AMP), Adeyinka Oduniyi (Vice President, Independent Television Producers Association, ITPAN), Gab Okoye, alias Igwe Gabosky (President, Motion Picture Distributors of Nigeria, MOPIDON), Andy Amenechi (President, Directors Guild of Nigeria, DGN) and Nobert Ajaegbu (Leader, Film and Video Producers and Marketers Association of Nigeria, FVPMAN).

Ejike Asiegbu, who was to represent the Actors’ Guild of Nigeria (AGN), missed his flight from Abuja to Lagos.

Ambassador Rivkin, who was in Nigeria for a 3-day State visit, had earlier met with the Presidency, Nigerian Copyright Commission (NCC), Trademark, Patents and Designs Registry (TPDR), Economic and Financial Crimes Commission (EFCC) and the National Agency for Food and Drug Administration and Control (NAFDAC).

Rivkin is a friend to the film industry and has a background in the business (as an executive with Jim Henson's production company - ie the Muppets).



Wouldn't trust the usa on this shyt..
 

Scientific Playa

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Wouldn't trust the usa on this shyt..


welp... if he keeps his word on this

getting big US production studios to invest in Nollywood particularly in the areas of cinemas and other forms of distribution in conjunction with bodies like Netflix among other symbiotic relationship”, Rivkin stated.
 

Red Shield

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welp... if he keeps his word on this

getting big US production studios to invest in Nollywood particularly in the areas of cinemas and other forms of distribution in conjunction with bodies like Netflix among other symbiotic relationship”, Rivkin stated.

you want the jews having their fangs in nollywood? :usure:
 

Scientific Playa

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you want the jews having their fangs in nollywood? :usure:

global distribution is nothing to sneeze at. the hebrews started and run the entertainment industry starting from the vaudeville days. Nigerians could learn and absorb the knowledge. they already have the drive and hustle.
 

Red Shield

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global distribution is nothing to sneeze at. the hebrews started and run the entertainment industry starting from the vaudeville days. Nigerians could learn and absorb the knowledge. they already have the drive and hustle.

I know the Nigerians have the drive and the hustle in them..


I dunno I just don't think it's a good idea :snoop:
 

Poitier

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Also, Nollywood could be sued into bankruptcy given the amount of content it steals.
 

Poitier

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Tower management firms scramble for stake in Africa
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PRINTRATING

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As competition increases, telcos are opting for sale-and-leaseback arrangements for masts in order to raise funds for operations. PHOTO | TEA GRAPHIC

By SCOLA KAMAU

Posted Saturday, October 3 2015 at 13:57
IN SUMMARY

  • Analysts say the trend is expected to intensify in future as the usage of mobile phones and Internet rises in Africa.
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Tower management companies are scrambling for a stake in Africa as more telecommunication firms opt for sale-and-leaseback, in order to raise funds for operations in an increasingly competitive sector.

Four tower companies — IHS, Eaton Towers, Helios Towers Africa and American Tower Corporation — are competing at every turn for masts that are being sold by the continent’s leading telcos like Vodacom, Vodafone, Etisalat, Orange, MTN and Airtel. The telcos are divesting from infrastructure to focus on service delivery.

“Five or six years ago, there was a reluctance, but the increased load on the networks as more customers come on board and want more services, particularly data means networks need to do more to cut their costs and focus on services,” said Terry Rhode, Eaton chief executive officer.

“They’ve all agreed, all the major ones, that sharing their towers is the way to go.”

Julius Ngonga, transaction advisory services partner at Ernst Young, said that the trend is expected to intensify in future as the usage of mobile phones and Internet rises in Africa.

“All mobile companies may soon find it necessary to separate infrastructure management from mobile services, giving more room to tower managers,” said Mr Julius Ngonga.

In July, for example, Bharti Airtel announced that it had concluded transactions valued at over $1.3 billion, which would be used to draw down debt. These transactions have been concluded in Nigeria, Uganda, Ghana, Rwanda and Congo Brazzaville with a target of 13 African countries in coming months.

A deal with Eaton for the sale of 1,100 towers in Kenya will be sealed soon, officials said. The company’s net debt as at March 31 had increased to $10.7 million from $10 million last year.

According to Eaton, which is also in tower deals with MTN, Orange, Tigo, Vodacom and Vodafone in seven countries, African mobile network operators are facing increased demand for voice and data services as customers acquire smartphones, while returns are under pressure due to price wars.

“Network build and operating costs are significantly higher in Africa, yet revenues per customer are falling and regulators are seeking additional rural coverage and improvements in the quality of service,” said Terry Rhodes, CEO of Eaton Towers.

Estimates show that sub-Saharan Africa has more than 240,000 towers providing mobile coverage to 70 per cent of the population. The number is expected to grow to over 325,000 towers by 2020.

Africa currently has an estimated 145,000 off-grid sites, a number that is expected to grow to 189,000 by 2020. The number of bad-grid sites is expected to grow from 84,000 in 2014 to over 100,000 sites by the year 2020. In bad grid sites, power is not available continuously and even when available, it is not of good quality.

A report by KPMG titled Tower Company Landscape Changes in Africa and the Middle East, notes that tower sharing on the continent is growing rapidly.

“Yet Africa still requires at least 50,000 additional towers by 2016, translating into some $7.5 billion of capital expenditure,” according to KPMG.

Another reason telecommunication companies are offloading their towers is the challenge of power outages and inadequate electricity supply which forces them to spend more on buying diesel to run the towers.

But as they take over, tower companies are developing alternatives to electricity usage.

For example, since Q1 2013, IHS has spent $500 million across Africa to deploy advanced generators, batteries and alternative power solutions to reduce diesel consumption. The company plans to have up to 80 per cent of its towers running on hybrid solar solutions.

Although Safaricom, Kenya’s leading telecommunications firm by subscriber numbers, has not leased or sold its masts in the country, the company has turned to solar energy to power some of its cell towers located in remote off-grid areas.
“We have deployed solar or wind energy solutions in 77 sites over the year, and fitted 79 sites with power cubes [efficient hybrid energy systems\ and 127 sites with free cooling units,” said Stephen Chege, Safaricom director of corporate affairs. “We are also using low voltage auto phase selectors and deep cycle batteries.”

Robust growth

According to Chuck Green, Helios chairman, the growth drivers underpinning the telecoms towers industry continue to be robust.

“There is a need for 100,000 points of service (“PoS”) in Africa to satisfy demand for 2G coverage and associated capacity over the next five years. This PoS requirement is underpinned further by the growing demand for 3G and 4G data, which is driving the need for significant additional infrastructure capacity and in-fill across the continent,” he said.

According to Issam Darwish, co-founder of IHS Towers, the future of Africa is the smartphone but operators lack the required investments.

“The continent has not been able to build the kind of infrastructure it requires to satisfy the penetration levels in voice and broadband that it required. In the US, the mobile industry was built on the idea of sharing towers and competitors became partners to lower their costs. This wasn’t the case in Africa,” he said.

Francis Wang’ombe, the director general of the Competition Authority of Kenya said the country’s current regulation ought to have separated infrastructure ownership from other services to enable sharing and make it easier for new entrants.

“We should have an independent provider to run infrastructure so that carriers could share,” he said.

“As it is, we have so many masts and providers digging trenches everywhere to enable fibre connectivity to their customers.”


Tower management firms scramble for stake in Africa
 

Poitier

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yeah... I mean Rihanna vs Beyonce movies n shyt :skip:

not worth it. shyt is a poisoned pill the usa is giving


The Nigerian government isn't doing its job funding and regulating their industries as usual so sharks see opportunity :manny:
 

Poitier

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A Lost African Civilization, and
a Sculpture That Tells Its Story

By DANIEL McDERMON SEPT. 30, 2015

Kongo chiefs commissioned artworks like this one to fight back against 19th-century colonialism.


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The Kongo civilization, which prospered for centuries along the Atlantic coast of central Africa, found itself besieged in the 19th century by increasingly hostile European powers.

With their authority in question, and their culture under siege by the accelerating infernal machine of colonialism, Kongo chiefs commissioned a new kind of public work, known as a Mangaaka, to reassert their autonomy.

The figure seen here, from the collection of the Metropolitan Museum of Art, is part of a startling new exhibition there, “Kongo: Power and Majesty.” In interviews, experts at the Met explained its significance.

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Activation
The Met's Mangaaka figure, around four feet tall, was carved from a single piece of wood by an artist selected by a chief. The figure remained inert until it was activated by a priest, who would insert sacred materials into cavities carved within the body, behind the eyes and within the belly.


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Dual Purpose
Once activated, the Mangaaka served a civic purpose as well as a spiritual one. The priest who consecrated a Mangaaka would use it to finalize treaties, record transactions or settle disputes. Each of these interventions would be recorded with the addition of a piece of metal to the figure.

Only 20 Mangaaka figures are known to survive in museum collections. The exhibition at the Met includes 15 of them, as well as a many other significant works from the Kongo culture.


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The Kongo civilization — which included parts of what are now the nations of the Republic of Congo, Angola and the Democratic Republic of the Congo — did not survive long into the 20th century.

It's tempting to view the diminished universe of these Mangaaka figures as a sign of a culture’s defeat. But Alisa LaGamma, the curator responsible for the Met’s exhibition, reads the creation of these works as an incredible act of defiance.

“I see the banding together of artists and priests to come to the rescue in a time of crisis as this heroic effort to really bring art and spirituality to the people in the time of greatest need,” she said.

“People whose heritage this is are happy to know of the resistance that happened,” she added. “It wasn’t that they just got hit by a tsunami and they just drowned.”

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Power Source
Inside the belly cavity of the Met’s figure, which is reinforced with iron and resin, you can see divided sections where the sacred materials were placed. Examining similar figures from the region, researchers have found snake jaws, insect coc00ns and quartz crystals, among many other materials, hidden within. Their specific purpose is unclear.


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Beard
One of the final additions to the Mangaaka’s form was an ample beard, which was built up from a resin mixture applied over a frame of iron pins. The Met’s figure retains only the iron supports. Guide lines drawn on the figure’s face with pigment prior to the beard’s application are also clearly visible, as are remnants of colorful decoration on the face itself.

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Decoration
After the hidden cavities were filled and the beard completed, the figures were dressed with a skirt (missing from the Met’s specimen) and painted with a black pigment. White and red pigments were used to provide accents.


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Protrusions
There are 380 pieces of metal embedded in the surface of the Met’s Mangaaka figure; at least 45 have been lost over time. The items include nails, screws and fragments from rifle trigger mechanisms.


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Seizure
As European nations fought for access to natural resources, and divided large swathes of Central Africa into colonies, external pressure on local Kongo leaders intensified. Outsiders charged with subduing resistance frequently noted that seizing a power figure such as a Mangaaka was just as significant as a victory in battle.

It was in this era, near the end of the 19th century, when most of the Mangaaka known to survive are believed to have been taken by Europeans. Some ended up in the collections of European rulers or museums; others were held privately.


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Deactivation
Examination with scanners has demonstrated that most of the Mangaaka figures on display at the Met have been deconsecrated — the sacred objects within them have been removed. And evidence suggests that the removal took place before the figures were surrendered to outsiders, leading researchers to believe that Kongo priests were unwilling to surrender Mangaaka figures until they were deactivated.

"For the Kongo people who put this into the world, the sacra that is missing from our piece was really what made it a powerful catalyst," Ms. LaGamma said.

She added, "It is one of the favorite works in the Metropolitan’s collection, but we need to also understand that it’s just an empty shell."

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You can read Holland Cotter's full review of the exhibition here.

“Kongo: Power and Majesty” runs through Jan. 3 at the Metropolitan Museum of Art.

Interviews: Alisa LaGamma, curator of the department of the arts of Africa, Oceania and the Americas; Marco Leona, head of the department of scientific research; Adriana Rizzo, associate research scientist; and Ellen Howe, conservator.

http://www.nytimes.com/interactive/...met-museum.html?smid=tw-nytimesarts&smtyp=cur
 
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