Sorry to Bother You Trailer (Lakeith Stanfield From Atlanta, and Tessa Thompson)

blankstairz

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I really think that a lot of people missed this point. The theme of the movie was capitalism vs morality.

Everybody can relate to that sh*t.
And how does one define morality? :sas1:

Everybody has to eat and earn a living, right? :sas1:

Where does that dividing line begin where one won't cross it? :sas1:

Does that line stay in the same place if one's circumstances change? :sas2:
 

Sccit

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JUST CAME BACK.

THOUGHT THIS WAS GOOD, AND LIKE EVERYONE SAID, PRETTY MESSY IN THE FINAL SEQUENCE, BUT IT STILL WORKED.

I THINK IT COULDA BEEN A CLASSIC WIT A MORE EXPERIENCED CO-DIRECTOR TO HELP THE MOVIE FLOW BETTER.

IT KINDA REMINDED ME OF A POORLY EXECUTED “HERIDITARY”, IN THE SENSE THAT THE END SEQUENCE WAS COMPLETELY OUTA LEFT FIELD.

I KNOW THERE WAS OBVIOUS RACIALLY CHARGED SUB-PLOTS IN THE MOVIE, BUT THE PRIMARY PLOT WAS CLEARLY PREDICATED ON CAPITALISM FIRST N FOREMOST. ID CLASSIFY IT AS A MOVIE BASED ON ANTI-CAPITALISTIC UNDERTONES THAT INCLUDES RACIALLY CHARGED OVERTONES.

OVERALL, ENJOYED IT.. WISH THEY DIDNT ABANDON THE DEVEOPLMENT OF DAMN NEAR HALF THE CHARACTER RELATIONSHIPS THO.. ESPECIALLY THE COFLICT BETWEEN CASH AND SQUEEZE .. FELT LIKE IT WAS SET UP FOR A CLIMATIC DUEL THAT NEVER HAPPENED. IT DEFINITELY FELT LONGER THAN IT ACTUALLY WAS DUE TO THE POOR EXECUTION OF WHAT OTHERWISE WAS A PRETTY GREAT PLOT AND ENTERTAINING FILM.
 

NobodyReally

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I loved it. It was weird, funny, and thought provoking. I didn't want to relate to any of these characters but after some deep soul searching, I really think I'm a power caller. I've been rationalizing it by saying "I want to change things from the inside", but can you ever really change anything if you're inside? This movie fukked me up. I think if you can't see yourself in anyone in the movie, you have a problem because there's someone representing you in this movie. You just have to do some real reflection to find that character.
 

Bryan Danielson

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#We Are The Flash #DOOMSET #LukeCageSet #NEWLWO
This movie should really strike a nerve to anyone thats ever worked in a call center.

I remember when I was in college at A&T, I had a job at Sears Credit/Citicard (we got bought out) and the vibe in this movie with the people working there kinda captured how it is.

Like his day one in on the job reminded me of my first month..... I couldnt get that tone or voice right.

And I do recall a supervisor who was listening to my calls pulling me to the side on a one on one and telling me in so many words "I sound too black." I had to sit with one of the more successful collectors to see how they did it for a few calls.:francis:

The moment I slowed down my talk and enunciated a bit more I did start to get some payments on collections..... never got to power call level but still.:russ:

That shyt kinda hit me

Martha
 

Ya' Cousin Cleon

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Everybody can relate to that sh*t.
And how does one define morality? :sas1:

Everybody has to eat and earn a living, right? :sas1:

Where does that dividing line begin where one won't cross it? :sas1:

Does that line stay in the same place if one's circumstances change? :sas2:

you have to look at it from a materialistic standpoint and not abstract hypotheticals
 

Sohh_lifted

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Interesting film but not even close to being as good as get out. Last act fell apart with that insane twist. The love triangle was unnecessary if they weren’t going to flesh it out . Weird shyt but I enjoyed it.


this, it was cool and I think all of us can relate to the white voice....I started dying with Danny Glover at the bar/club :russ::russ::russ:
 

blankstairz

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Interesting film but not even close to being as good as get out. Last act fell apart with that insane twist. The love triangle was unnecessary if they weren’t going to flesh it out . Weird shyt but I enjoyed it.

Get Out is the better fleshed out and executed film.

Having the said that. :sas1:

Sorry to Bother You is more layered and speaks to more things than Get Out. There are a few things going on in Sorry to Bother You to which anyone can take something different from it.

Get Out was just that....Get Out.
Sorry to Bother You. Well, you could take that phrase all kinds of ways, and the film did just that. :ehh:
 

re'up

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Easily one of the better movies I've seen this year, razor sharp satire of tech culture, work, art and counterculture, the elite, capitalism, social and racial commentary, American consumerism and entertainment, as well as showcasing the racial and socioeconomic dynamics of Oakland. All the performances were excellent, any criticism would be the flow and pacing, and sometimes Stanfield's performance felt off a little.

The WrryFree was such cuttingly real dystopian satire. The I got the shyt kicked out of me show. The brotopia party.

I always think about these things anyway, as I am pretty prone to self examination, but consider this, as I walked out:

On Saturday, I was at an art gallery exhibit my friend owns, it wasn't nearly as provocative and socially active as Detroit's, but strong anti Trump pieces, and a lot of examination of sexuality, rape, consent. A lot of privileged people there. People selling 16,000 table pieces. I meet up with a friend after, she is Mexican, but works admin in an import/export that coordinates with maquiladoras in Baja. I was wearing $600 Gucci shoes I bought in Beverly Hills last week. I saw the movie itself in La Jolla, the most expensive area of San Diego, where Mitt Romney owns a home down the street. I don't even order from the servers in the theater, because I feel so guilty that they have to wait on people, people with money, people who are entirely dismissive of them and their very existence. I walked in a protest march a month ago, I booked a trip to Punta Mita today. The point is capitalsim infects me too, and I earned everything I have the hard way, but I still feel guilty everyday that people suffer through horrible jobs and don't make much money. Yet, who cleans my hotel? Who serves me dinner?
 
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DPresidential

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It's interesting that the movie does show the dark side of capitalistic gain & the greed it perpetuates; but, I don't think the message is "capitalism is evil", though.

Here me out... SPOILERS...

Low key, Steve Lift's whole pitch could also describe the dark side of communism & absolute distributed wealth as well. The WorryFree design pitches the idea of shared wealth, no capitalistic & hierarchical competition but what about those people who are the gatekeepers of the wealth pool? Those people who have the intangible currency of power & influence? Yes, it's tempting to limit one's greed when that greed will hurt others but give you insane profit... But, imagine how tempting it'll be to be one of gatekeepers who have the ability to live lavishly and take advantage of the masses on the hush?

In a way, Steve Lift was offering a perverse ideological system of communism - no chance of upwards mobility and a treadmill life prospect with the trust in the government/society to just stay fair...

Interesting movie.
 
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