Ryan Coogler & Michael B. Jordan vampire film "Sinners"

Tasha And

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now imaging Double Toasted which is hosted by TWO BLACK MEN bringing up the obvious rip off of FDTD in the first minute of their Sinners review :umad:

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They actually say the movie is not a black from Dusk Till Dawn, but far more than that. They compare and contrast, which is what film critics do, especially when talking about genre films.

5:57
 

RamsayBolton

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This is really good, but I'm also little frustrated because I can see the potential it had in the 2nd half, but I don't think Coogler quite reached it.

First half was amazing. Second half got a little shaky there for sure. Mid-credits scene bumped it back up a bit for me.

vampires were basic and kind of inconsistent in their motivations and also just acted kinda weird in general. some breh earlier said it best - I can see what Coogler was going for. And for some people that can be enough, but for me I wanted to see him follow through
 

BlackMajik

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I'm gonna go ahead and say it. If u give this film a mediocre or negative review u are really just an ignorant muthafukka

Becuz just based on Technical film-making aspects this is a Cinematic Marvel. U need to be educated on filming techniques, sound design, etc

This was just phenomenal :banderas:
 
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The Message

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phenomenal film. masterful. still floored from everything i saw. there wasn't a moment that my eyes weren't glued to the screen.

i know some people have said, the scene on the morning after, mowing the klan down wasn't needed or it was too jarring of a turn. but i beg to differ. i think it was needed. and coogler brilliantly spoke to another layer....as black folks here we are barely surviving a literal monstrosity (figuratively in the film also) and not a moments notice we are facing ANOTHER battle. no time to breathe. no time to rest. it's a constant fight. we survived the middle passage. survived slavery. then we were freed, then sharecropping, segregation, the rise of the klan, then reconstruction, then jim crow, then sundown towns, riots, then redlining, then the crack epidemic...police brutality and on and on. it's never a time to rest or process. my man couldn't even have his moment to fully cherish with his child. i think that scene was perfectly executed.
 

Chip Skylark

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phenomenal film. masterful. still floored from everything i saw. there wasn't a moment that my eyes weren't glued to the screen.

i know some people have said, the scene on the morning after, mowing the klan down wasn't needed or it was too jarring of a turn. but i beg to differ. i think it was needed. and coogler brilliantly spoke to another layer....as black folks here we are barely surviving a literal monstrosity (figuratively in the film also) and not a moments notice we are facing ANOTHER battle. no time to breathe. no time to rest. it's a constant fight. we survived the middle passage. survived slavery. then we were freed, then sharecropping, segregation, the rise of the klan, then reconstruction, then jim crow, then sundown towns, riots, then redlining, then the crack epidemic...police brutality and on and on. it's never a time to rest or process. my man couldn't even have his moment to fully cherish with his child. i think that scene was perfectly executed.

Exactly!

It was needed. Especially after it’s explained that the juke joint was a slaughterhouse and the klan always had plans to kill the brother or whoever was at the club the following day.
 
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