when the long lost Parliament member appeared, in my head I was saying “I really hope Coogler isn’t about to do what I think he’s doing..

”
Soon as the DJ and Dhalism with the happy feet got introduced I was

That scene and the KKK scene you’re talking about are PERFECT examples of Coogler having an idea in his head and no matter how the accompanying scenes flow, it’s going in the movie no matter what.
40 to 3 is crazy
He really said this build up that I carefully and meticulously worked on for the first hour…the fukk these crackas at tho

They don’t need no damn pacing or structure.
Grenade bytch
When they appeared, half of me shared similar thoughts; “why are they here in the daytime conveniently when the battle at night was over”, other half “how long the uber gonna take I gotta get me some wings

“
Also I didn’t stay for the post credit scene but reading that makes me happy I didn’t lol. Ryan really gotta lock in with some A1 writers because pretty much damns the entire point of the vampires in the film.
So essentially they have free will….to have free will, but none of that was explained or shown for the overarching story but using MBJ traveling around as filler was a necessity
