Rate & critique my new EP demo ----> NoDotWon x Piris Reis (@nahnah) - "NoDotted Lines"

JOHN.KOOL

Manchester United/Atletico Madrid
Joined
Jan 28, 2013
Messages
5,481
Reputation
-745
Daps
17,299
Reppin
NULL
Ill actually listen through and give a proper review.

I dont expect the best mixed and mastered shyt but the first two tracks 'rakim' and 'due the most' i struggled woth the sound didnt although by second listen i was feeling 'rakim' could be a heavy beat, your flow on both tracks tho makes everything flat, from 1:40 onwards on rakim you start to get busy but the fact that i wanted to review a coli nikkas project is the only reason i listened that far. 'due the most' i didnt like at all, unlike rakim where the beat grew on me and you eventually turned it on that never happened with 'due the most' the beat is meh, the flow isn't interesting and your bot amazing lyrically.


'Truly' is a very decent record, the beat is good and it sounds much better produced than the first two tracks, you come in well on the track, the first quarter to the fiest half of the second verse is good, similar problems tho, the flow is an issue, after listening to the first two tracks it sounds the same and still isnt engaging. I think you need to learn to use your voice more, go out of your comfort zone in how you vocalise stuff, stuff like that isnt a problem if your some complete lyrical assassin but your not there yet so i think you need to do more. Theres a lack of personality in how you rhyme, i dont get much personality oozing out your rhynes and if thats the case then im expecting your bars and flow to blow me away.



'Sinai Rhymes', Like the last not a bad track, second verse is good, beat is good, your voice and flow is still the major major weakness here and either this track or truly before should have had a proper hook


'Payback 2020' - ok, beat is decent its filler tho, if this was like a mainstream rapper tho i would have stopped listening to the project ny now, the flow, your voice, personality and presence on the track seem like they are gonna be recurring themes of weakness so far.


'Got a plot' - beat is beautiful but is probably too loud in compared to your voice slightly, this is your type of beat tho, i think it compliments your voice, this is actually a good track, the hook is good and the feature verse is a standout, her voice and flow rides the beat so well, to the point where like i said she dont have to drop a great verse lyrically.


'Dreamcatchers' Just like the last this beat is a much better fit for the way you sound when you rap, same goes for 'you know who you are' These type songs showcase the best of you.

'Stop the show' - When i first heard the beat at the beginning i thought he gonna struggle on this beat and it was the case in the verse. Your voice and rapping on this whole project so far is like listening to someone speak for a long time bareky changing tone, then you went into the hook which is norr of the type of shyt you should be trying out. The hook had me perked up again and but by the end of the second verse i was flat again.

'Take it' - Same sort of issues as the whole project. Would have been a giid track if you had a better hook aswell. Your would have benefitted from a few more featured verses and getting people in or just focusing more on the hooks.


'Change' - Outro suffers from the same thing and is thrrefore fitting, sums about the project. Good beat that is let down by the way you approached it or the way you rap, like you spent alot of time on this project emphasising and dragging the last syllables of your bars, it sounds boring, lazy and uncreative

In conclusion i wouldn't call it pure hot trash or nothing like that, but would i listen to it? No. Your decent with the bars but nothing special and the way you rap exposes that. I would listen to the feature on got a plot again thio.
 

FruitOfTheVale

Superstar
Joined
May 30, 2015
Messages
6,461
Reputation
4,138
Daps
17,765
Ill actually listen through and give a proper review.

I dont expect the best mixed and mastered shyt but the first two tracks 'rakim' and 'due the most' i struggled woth the sound didnt although by second listen i was feeling 'rakim' could be a heavy beat, your flow on both tracks tho makes everything flat, from 1:40 onwards on rakim you start to get busy but the fact that i wanted to review a coli nikkas project is the only reason i listened that far. 'due the most' i didnt like at all, unlike rakim where the beat grew on me and you eventually turned it on that never happened with 'due the most' the beat is meh, the flow isn't interesting and your bot amazing lyrically.


'Truly' is a very decent record, the beat is good and it sounds much better produced than the first two tracks, you come in well on the track, the first quarter to the fiest half of the second verse is good, similar problems tho, the flow is an issue, after listening to the first two tracks it sounds the same and still isnt engaging. I think you need to learn to use your voice more, go out of your comfort zone in how you vocalise stuff, stuff like that isnt a problem if your some complete lyrical assassin but your not there yet so i think you need to do more. Theres a lack of personality in how you rhyme, i dont get much personality oozing out your rhynes and if thats the case then im expecting your bars and flow to blow me away.



'Sinai Rhymes', Like the last not a bad track, second verse is good, beat is good, your voice and flow is still the major major weakness here and either this track or truly before should have had a proper hook


'Payback 2020' - ok, beat is decent its filler tho, if this was like a mainstream rapper tho i would have stopped listening to the project ny now, the flow, your voice, personality and presence on the track seem like they are gonna be recurring themes of weakness so far.


'Got a plot' - beat is beautiful but is probably too loud in compared to your voice slightly, this is your type of beat tho, i think it compliments your voice, this is actually a good track, the hook is good and the feature verse is a standout, her voice and flow rides the beat so well, to the point where like i said she dont have to drop a great verse lyrically.


'Dreamcatchers' Just like the last this beat i ss a much better fit for the way you sound when you rap, same goes for 'you know who you are' These type songs showcase the best of you.

'Stop the show' - When i first heard the beat at the beginning i thought he gonna struggle on this beat and it was the case in the verse. Your voice and rapping on this whole project so far is like listening to someone speak for a long time bareky changing tone, then you went into the hook which is norr of the type of shyt you should be trying out. The hook had me perked up again and but by the end of the second verse i was flat again.

'Take it' - Same sort of issues as the whole project. Would have been a giid track if you had a better hook aswell. Your would have benefitted from a few more featured verses and getting people in or just focusing more on the hooks.


'Change' - Outro suffers from the same thing and is thrrefore fitting, sums about the project. Good beat that is let down by the way you approached it or the way you rap, like you spent alot of time on this project emphasising and dragging the last syllables of your bars, it sounds boring, lazy and uncreative

In conclusion i wouldn't call it pure hot trash or nothing like that, but would i listen to it? No. Your decent with the bars but nothing special and the way you rap exposes that. I would listen to the feature on got a plot again thio.

Appreciate you took the time to write a review even though you wasn't feeling the project.

On one level I understand your criticism about delivery, this is probably the most laid back my delivery has ever been for a whole project... Perhaps too much so lol but was definitely a conscious choice. Most of the criticism I've gotten about delivery in the past was about being too animated, there's a fine line between boring and annoying. I'm not gonna pretend that delivery is my strongest point but it is something I'm actively working on improving.

Personally I think my lyrics are in fact my strong point, if you enjoy wordplay, double/triple entendres and content that often (but not always) pertains to black liberation and social awareness, that's my wheelhouse. To take one of the records you didn't like for example, "Due The Most" is a record about reparations and afro futurism written as a "fukk you" to anybody who doesn't like the idea of ADOS being paid what we're owed. It's more subtle than records I've done with similar content in the past but that's kind of the point, I flipped a saying (doing the most) that normally has a more negative connotation and flipped it on some empowerment shyt.

Due The Most said:
We due the most,
fukk around and get super ghost
Underground where the future post... Apocalypse,
We ain't fleeing on no rocketships,
We gon "rock it" like "Apollo", fukk around and see tomorrrow


Hunker down for the winter, 'til the snow melt; when the bombs drop
Bunker down, who's the winner? They froze hell, now the bombs stop
We was on top, maybe that's why "they buried us"
But the joke's on ya, "underground we was free!" It's been two Americas
We continued, when the menu was air and dust.... nikka, breathe deeper
We the sinew, this ship sink, you gon stare at us... shyt, breathe deeper...

...


Yesterday was yessuh...
In retrospect, them better days was never, yet...
Singing psalms of eternity promised eternally, palms in emergency
Beatings, bombings and burning sprees topping the third degree;
On the topic of toxic, you taught us the terms and lease
You bought us, then taught us to earn release
We convicts in college, serfs in suits
Bonded from bondage, deferred the loot


Perhaps the way I delivered it vocally didn't work 100% in driving the lyrics but the lyrics themselves captured exactly what I wanted to say :yeshrug:I'm not too caught up in dropping a million pop culture punchlines in my verses, I write to make my point(s) clear and with more of a proclivity for turn of phrase and entendres than punchlines. Not for everybody but again I think my lyrics are definitely my strong point.

All that being said, your review definitely makes me want to improve my delivery so the feedback was helpful :ehh:
 
Last edited:

old boy

Superstar
Supporter
Joined
Oct 25, 2017
Messages
9,018
Reputation
5,568
Daps
44,520
Reppin
brooklyn
my fault on taking so long my homie, here it is:

rakim - sounds hella awkward until that last verse, then you got in your duffle

due the most - it's eclectic, moody and i'm really feeling it. i see you can rock them slow beats too, nice

truly - uh oh, those pianos are ridiculous stop it lol. sounds like something skyzoo would fukk with. "why oh why did the time go by?"... lol facts, i understand

sinai rhymes - just an opinion? this mood was suited for something about a chick. something sexual and a bit problematic. feels like a missed opportunity here

payback 2020 - heavy 808's on this one to switch it up, nice. lyrical but i'm not sure if the bars fit this particular track. doesn't seem like a marriage

got a plot - you love jazzy beats huh? lol it really fits your dense lyrical style. and you stay with the alliteration, you did it on rakim and now this. dope. hook is cool but could be stronger. ensilence is a damn problem though jesus christ, she has a great voice and execution of consonants. i'd love for you to become as articulate as she is b

dreamcatchers - this is ehh to me. not your strongest work

you know who you are - yo son, this is so mature and dope to reflect on your youth. you understood the mood of this track perfectly. again with the jazzy, this is really your wheelhouse

stop the show - i wasn't sure about the track at first but when you started rhyming i quickly understood. rode it perfectly. but that hook really needs work b. your lyrics deserve better

take it - this is ok. i'm not even sure what this particular beat was asking for but i don't think your rhymes fit at all

change - i don't like this track at all. sounds convoluted and unsure of itself. cluttered even
 
Top