R.I.P Sean Price

TheDarceKnight

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:scusthov:
One of the reasons I've been avoiding reading ANY comment section
cause I know it'll be littered with bullshyt.

The fans will quickly be drowned out by people who don't give a damn about
Hip Hop, the sorta people who just want a chance to trash a rapper.
Yep. Comment sections are literally the gutter of the internet. I think they've done studies on why people are so shytty there. Sometimes I look but I almost always try to avoid.
 

Poetical Poltergeist

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Man, I been reading some mainstream news outlets about the death of Sean and these racist people are so sick and pathetic with their comments. Really pisses me off seeing it. When it comes to us even in death still get no respect.
:stopitslime: :martin:
Every time a rapper dies they do the same thing, like clock work. Some of these people use their real names and place of work. Wolves need to be unleashed.
 

TheDarceKnight

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I went on a BCC rampage this morning brehs

Soundtrack to my teenage years brehs

Sean P's humor, wit, rhymes, the beat, the ruck to the rock, the charisma

:mjcry:





Hardest sound ever that low key wind blowing in the beat :blessed:

Boom bye bye, to a sound bwoy head,
We don't promote no nasty man, dem hav fi dead :pacspit:




Game will never be like this again. EVER.

Yep! I always thought BCC got a little overshadowed by how popular Wu-Tang was in terms of NYC crews. But honestly to me every one of those first BBC releases is classic. Even the first OGC album is a classic IMO.

Nocturnal and Dah Shinin' were my 2 favorites though.

Dah Shinin' was the first BCC album I bought, so I guess these were the first 2 times I heard Ruck.


 

TheDarceKnight

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I missed when BCC came to NC to record with 9th Wonder and Khrysis for Chemistry, Monkey Barz, and Reloaded. I remember walking in one day in 2005 and Khrysis was playing and mixing Onion Head. I thought that shyt was so hard. I actually couldn't even believe it was Sean Price. It didn't sound like old Ruck at all. That still might be my favorite solo Sean Price joint, just because it introduced me to P as a solo artist.

The fact that he wrote it while shrooms were kicking in is even crazier.

I know it's been posted, but I can bump Onion Head basically anytime.




Sean Price: “Me, Tek, Steele, and Buckshot were in North Carolina working. I had did a song called ‘Bye Bye’ that me and Buck did with Khrysis earlier and then my friend came by and brought me some shrooms, but he had them in chocolate fishes. I take Shrooms like every leap year. [Laughs.] That’s how often I do it. I just sit back and enjoyed my movie. That’s what I call it, the movie. So I ate like three of the chocolate fishes and this beat was on. Khrysis said, ‘Nah, that’s Scudda’s beat.’ I said, ‘Scudda, can I get the beat please?’ He goes, ‘Alright.’


“I just started writing. I wrote the two verses quick because I was feeling the shyt. Now, I’m waiting for Steele, but I can feel the shrooms kicking in. I’m like, ‘Once these shrooms kick in all the way, I’m not gonna be able to do this song.’ So I stopped Steele in the middle of his session and I’m like, ‘Yo son, let me please do this song.’ He said, ‘Alright, go ahead,’ and I did the whole song in one take.


“It was so funny because on the second verse I was talking about Steele. Steele was just sitting in the corner with a whole big gallon bottle of knotty head, Seagrams, and he was just drinking. [Laughs.] He had a big bottle of Seagrams just tearing that shyt down, guzzling it. I looked at him and I was like, ‘‘Grabbing the Gin/Drunk rappers need to grab on the pen/Write some ill shyt bytch, let the madness begin.’ I admitted to him that I was rapping about him and he’s like, ‘Yeah, I’m grinding. This fire.’ [Laughs.]”
 

radio rahiem

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2iiwfti.jpg
 

phonthought3000

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Sean Price f/ Rock “P-Body” (2007)

Produced by: 9th Wonder

Sean Price: “I was just in the fukking zone when I went down South for that
album. I was doing two songs a night, the last night I did three. I was
like a machine and that’s why it’s kind of a blur. I was just like, ‘That’s
the beat? Alright.’ I’d pull out my Sidekick [*pretends to write rhymes*].
It wouldn’t even seem like I was writing. I would write a little, crack
some jokes, crack some jokes like ‘Hahaha’ and be like, ‘Ready.’ They'd be
like, ‘Word?’ And I just knocked them out.

“Some magazine was gonna give me the perfect score for *Monkey Barz* and it
was just one person that was like, ‘I don’t get it. No fukking way can we
give this guy [a perfect score.]’ So I was like, ‘Alright bytch, I’m gonna
get you this time.’ I was mad. I didn’t want them to think I was a
one-album wonder. Like, ‘Ahh, he’s good, but we can’t wait for Heltah
Skeltah to come back.’ But I wasn’t even thinking about a Heltah Skeltah
album.


Damn....Wonder what mag he was talking bout
 
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