Quentin Miller responds

TELL ME YA CHEESIN FAM?

I walk around a little edgy already
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Can't speak on all the songs, but for 10 Bands, it sounds like it was a Quentin Miller song that he heard and wanted for himself, like he did with Weeknd on Take Care. One of the lines that Drake changed in the verse is about 1317 which is QM's team/brand/whatever
He seems to do this a lot..
nikka prolly popping up in every studio in America unannounced looking for songs to buy

"Say T.I..this shyt sounds like u wrote it specifically for me boy!you're a muthafukking genius! This needs to be on my new album"

:heh:
 

Vinny Lupton

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That's the person who produced started from the bottom beat and the verses are practically identical , you fill in the rest of the blanks my G :mjpls:
"Everyday you turn on the radio and hear Zombie On The Track"
"Bumpin Drake's new album, now I'm on the 3rd one"
"Nothing Was The Same cuz Drizzy put a nikka on"

This is obviously a remix that came out after Drake's song was a hit

Lemme find Joey badass rapping over a Biggie beat :krs:
 

Art Barr

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yall never had CLEAR CUT evidence that he was a fraud in the first place. :umad:

Just the accusation tweets and nikkas went from there


scratch vocals exist...
Scratch vocals only exist for people who are voice over artist to follow.
if scratch vo als exists,...
you have a ghostwriter, period


Art Barr

*protege to the author who wrote and made scratch vocals for summertime
 

Art Barr

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He seems to do this a lot..
nikka prolly popping up in every studio in America unannounced looking for songs to buy

"Say T.I..this shyt sounds like u wrote it specifically for me boy!you're a muthafukking genius! This needs to be on my new album"

:heh:


it is actually more systematic than that.
If you are on a major with a publishing or production deal.
They have freelance based projects available.
That say what the artist is looking for and you can create it by their indepth actual requests.
since, I don't ghostwrite because they will pigeon hole you into that as a draw.
I never signed with production companies or publishing houses.
as, I just won't contribute to the main reason the culture is on death's door.
the pedigree from where I came from wrote for others, but I just don't and won't.
they limit you, and out you in a box.
all, because they know you are a conflict of interest pr wise.
the people.they sign now as artist are all classicly trained school kids.
That breakin was made to warn us about.
as, they have workflows and a corporate performance pedigree.
that is easier to protect liability wise.
plus, that talent was reared to handle the social/pr/corporate aspects.
the prison economy system was a discoveryzone to scapegoat people in poverty.
as well as find out how to acquire out braintrust.
plus use the people from poverty as a spreadsheet based rubrick.
as to why they only use classicly trained communication major based talent.
Or, people from affluent backgrounds second gen kids with ready made pr liasions already existing.
music record labels are nuffin but audio arthouses.
Similar to the same arthouses that ruined the draw for graffiti, as a gateway for hip hop.


Art Barr
 

BaRRyG

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I guess the Drake stimulus package took a hit, :sas1:


we now have the new Quentin stimulus package on the way :sas2:
 
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scratch vocals exist...
Scratch vocals only exist for people who are voice over artist to follow.
if scratch vo als exists,...
you have a ghostwriter, period


Art Barr

*protege to the author who wrote and made scratch vocals for summertime
You're my nikka Beau's uncle's homie. My nikka beau (Catalyst) is from Columbus...his uncle is from the Chi. You know people I know...so who are you.
I will state my name and history: I am Meta4ce. I'm in a group with Copywrite and Jakki called ODOT...it was known as MHZ and Opium prodigy once before. I met your man JUICE in Bernie's...2002. He did a show for 8 people. He did a show in cleveland the night before and battled another one of my group member's King Dom. I know who you are, nikka. IRL.
 
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