He seems to do this a lot..
nikka prolly popping up in every studio in America unannounced looking for songs to buy
"Say T.I..this shyt sounds like u wrote it specifically for me boy!you're a muthafukking genius! This needs to be on my new album"
it is actually more systematic than that.
If you are on a major with a publishing or production deal.
They have freelance based projects available.
That say what the artist is looking for and you can create it by their indepth actual requests.
since, I don't ghostwrite because they will pigeon hole you into that as a draw.
I never signed with production companies or publishing houses.
as, I just won't contribute to the main reason the culture is on death's door.
the pedigree from where I came from wrote for others, but I just don't and won't.
they limit you, and out you in a box.
all, because they know you are a conflict of interest pr wise.
the people.they sign now as artist are all classicly trained school kids.
That breakin was made to warn us about.
as, they have workflows and a corporate performance pedigree.
that is easier to protect liability wise.
plus, that talent was reared to handle the social/pr/corporate aspects.
the prison economy system was a discoveryzone to scapegoat people in poverty.
as well as find out how to acquire out braintrust.
plus use the people from poverty as a spreadsheet based rubrick.
as to why they only use classicly trained communication major based talent.
Or, people from affluent backgrounds second gen kids with ready made pr liasions already existing.
music record labels are nuffin but audio arthouses.
Similar to the same arthouses that ruined the draw for graffiti, as a gateway for hip hop.
Art Barr