Dr. Narcisse
Veteran
Jenkins, director, isn't gay, but included a lot of his own story in it a bit.Indeed. For one, I'm curious what Coates' definition of masculinity is.
Second, even if you remove the LGBT factor in it, I'm not sure--based strictly on the trailer, not the movie--how a coming of age/love story can result in "the best take on black masculinity ever." I haven't seen the movie, but the angle from which Moonlight goes about addressing its themes isn't necessarily unique, imho. But I haven't seen the movie though, so I could be off on my initial observation.
Add the LGBT factor and I can understand why several people may be about that statement. Especially considering the other movies that are out there.
Like the protagonist of Moonlight, Jenkins grew up poor and emotionally dislocated in the housing projects of Liberty City. The youngest by a decade of three siblings, all of whom had different fathers they didn’t know, he was born in 1979 to a mother who was, by the time he turned 3, addicted to crack. The man he understood to be his own father, his namesake, left his mother when she was pregnant with Jenkins because he believed himself not to be the biological father. “The man passed away when I was 12, taking to his grave the knowledge I was not his son,” Jenkins once wrote in a blog post about his childhood. “In the few times his eyes met mine, I never saw anything in them but anger and hurt.”
Barry Jenkins Slow-Cooks His Masterpiece
Jenkins was taken in as a toddler by an older woman named Minerva, who had also looked after his mother when she was 15 and first pregnant. He spent much of his childhood in Minerva’s care, living in a two-bedroom apartment filled beyond capacity with eight tenants. He describes an adolescence spent largely in his own head. “In those apartment complexes there’s all this open space and grass and big skies,” he says. “Miami is the b*stard stepchild of the whole country. It’s so far away from everything, the rules don’t apply there. You’re sort of cast adrift.” Wandering the neighborhood, he would often cross paths with his mother. “I wasn’t sure where I fit in, but I didn’t really care to fit in,” he says.
Again sounds like its going to be a great story. . Its probably the "Boyhood" for black films. Which is cool, but yea I'm not sure I see where Coates is going with that comment...
I haven't seen the film. Although judging from where the adult version of the character is headed .....Maybe its like watching Omar from The Wire growing up
I'm sure he saw the movie months back as well. He should be able to separate the art from the artist..I doubt he'll comment publicly about it anytime soon, even if he saw it. Coates rolls with a lot of those feminists and blerds who had beef with Nate Parker and the film.
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