fam god looking out!
I need both of Skull's albums on NL and the I'm Bout It Soundtrack (my version with the ghetto twiinz keeps skipping)
No Limit Records Stories
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I need both of Skull's albums on NL and the I'm Bout It Soundtrack (my version with the ghetto twiinz keeps skipping)
oO J Smooth Oo
All Star
pm me and I can hook you up
I want to see C-Los, Kane & Abel, Full Blooded get interviewed, they never talkimagine Silkk, Mia, Cmurder and Big Ed in a hotel room watching kangaroo fights
I AM WE ARE
Banned
Lol yes
I AM WE ARE
Banned
Way before that
P did the opposite of baby and Wayne he stayed home they went to Miami
I wanna say it was late 95, early 96. I may be wrong with the years
Edit
I am wrong, breh answered it
From going by what Serv-on said in an interview, many interviews, he said their whole beef was over a hand-shake deal, BBTP brought in their own lawyers to go over the deal/contract (renewal or something). P had to put their contract in writing, for either Priority or Universal. Serv said P would always do hand-shake deals with his folks and their word was solid.
They worked off hand-shakes and P keeping his word, but once the paperwork came into play, that's when BBTP brought in their own lawyers and they had them to not sign the contract and once P found out or heard that they weren't signing, then he got into his feelings and one thing led to the next....
Look from the Lens in 99, I'm not sure what BBTP was asking for, Of course, I can't tell nor decide what another man should ask for in any deal, but I would like to know why they didn't sign the contract, was P trying to jank them? I don't know, but for some reason, BBTP didn't sign that contract and that's what Serv said broke up the team
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Hard to tell. I understand both sides. But I can see BBTP having huge demands in mid-99
I don't know. So many stories exist on both sides. KLC says that they came to the studio one day and P had the new guys. He says P told him he needed a new sound and BBTP wasn't it. Serv's story is that KLC and P fell out over a phone conference in which contracts were discussed.
BBTP was the sound that put No Limit on and got them on a national stage. They deserve a lot of credit IMO because a lot of the No Limit artists became No Limit artists because of BBTP and they left when BBTP left.
I don't really know if P did them wrong, but he kind of slighted them in the documentary.
would've sounded cool, even though I think Silkk had better chemistry with Mystikal (Ain't No Limit, It Ain't My Fault, Lemme Hit It.)
I AM WE ARE
Banned
I think he was between br and no during that time bruh If i remember correctly
Depends on the time frame. 97 would have sounded like their songs together on Ghetto D and Unpredictable. 98 like Da Last Don cuts. 99 like Da Crime Family/OGCJM sound