maybe im wrong but what currensy doing was always referred to as such.
New Orleans, Brehs:Is Bounce Music/Clubs For Gays?
- Thread starter Dad
- Start date
Not from NOLA but not far from it but tbh it’s for the ladies to get loose too and punks obv like it too
g-child
marley g
g-child
marley g
#charlotte
WaveCapsByOscorp™
2021 Grammy Award Winner
i was talking about the thread title; bounce being for gays. that's the stupidest thing i've heard
oh okay gotcha bro.
BrokePhiBroke
Superstar
Caesar strictly play bounce I think.
Again tho it's drama central. But that's sorta most of the NOLA.
I said TRIIIIIICK stop telling that lie we done hit you from the back for some Popeyes
This was my intro to the N.O. back in '91...Didn't even know Big Mike (Rap-A-Lot) was from the 9th...
I say byytch quit talkin that shiit and buy Juvenile his outfit..I want a white Polo shirt, some Gibraud Jeans and a fresh pair of white Reebox
BrokePhiBroke
Superstar
Y'all welcome
thought this might interest y'all NO people
Interview with Mannie Fresh (DJ/producer/rapper)
Interview with Mannie Fresh (DJ/producer/rapper)
- 0:04 Name and upbringing in the 7th Ward, his dad (DJ Sabu), where his dad performed, how Mannie began, influences, instruments
- 4:10 DJing parties, moog + 808—live performing: Slick Leo, DJ in NO, and his group Sugarhill—keyboard and 808 live performance was the hot thing at the time
- 10:25 New York Incorporated, Jam Patrol, Davey D
- 12:40 Where his name came from, changing his name early in career often due to sampling
- 13:15 His work Gregory D
- 15:30 Bringing bounce to Cash Money, where they would do A&R, Big Man’s Lounge and others in Magnolia—bounce as the essence of hip-hop
- 17:15 Magnolia Shorty
- 19:17 UNLV
- 21:30 Juvenile and the making of his career, producers in the past vs now—“the era of the super-producers is gone”
- 29:20 On more work DJing than production
- 30:55 People recording today vs then, lack of instrumentals
- 32:05 On producing with live instrumentalists—400 Degreez instrumentals were played in the studio live, not looped or sampled or sequenced—also played live on drum machine, not programmed
- 33:45 Brass bands
- 36:05 Importance of humor in his work, violence in rap
- 39:15 On his favorite show in NO, wanting to do a festival
Man, I can't put into words how much I love that city
.
I was there for prospect 4 art triennial and got to see Barkley L. Hendricks work and see the awsome work at Studio Be, Ogden and the contemporary museum.
I forgot brehs name but thanks for putting me onto Cafe Sbisa. The bartender was fine and friendly and the music was on point. Also thanks to the breh who put me onto Gene's.
Didn't hit any clubs but you don't need to when you in them streets down there
.I was there for prospect 4 art triennial and got to see Barkley L. Hendricks work and see the awsome work at Studio Be, Ogden and the contemporary museum.
I forgot brehs name but thanks for putting me onto Cafe Sbisa
. The bartender was fine and friendly and the music was on point. Also thanks to the breh who put me onto Gene's. Didn't hit any clubs but you don't need to when you in them streets down there
O.T.I.S.
Veteran
Will watch later
Mannie was my favorite producer and was the guy who inspired me to get into it.
Louisiana
calixprynce
...
Eat a dikk white boi
U live in Kansas not no Damm Cali
:
lol mad ass nikka . Im next door to you if you ever wanna get active. Hit that I35 bytch boy