I think after this is when the whole “weak beats” argument started gaining legs and people were unfairly shytting on Salaam Remi. This is when he was working with him heavy and people were obsessed with him linking back up with Premo etc etc. Then a narrative started happening where everything Salaam touched was wack and this album was basically retroactively hated. This is also the album where Nas went with “weird” singles like Bridging The Gap instead of shyt like “Know My Style”. He did have “Just A Moment” but this is basically the start of Nas not giving a fukk about “hits” per se. He started doing the opposite of what anyone else was doing in the industry.
There was nothing “weird” about Bridging The Gap as a single. I fukking love that song it
Makes me think about my pops (RIP). This is the same man who made I Can a hit single.
Your right about people retroactively hating on SD. It was critically acclaimed when it dropped. The hate started when The Source (who still had relevance around this time) only awarded it a 3.5/5 Mics. Then the floodgates opened on Nas being this terrible beat picker and Salaam Remi somehow being the downfall of the album (when if you check the credits Salaam has some of the best songs on both discs)
Also people don’t know that SD was slated to be a triple album, but Sony wouldn’t let Nas release it as such at the last minute. Thats why songs like Talk Of NY, Serious, Good Morning, and Get Up didn’t make the album because they were from the scrapped third disc