I agree this is the weakest album they've done. It's not bad by any means. The highs - specifically Slow It Down and Motion - are really high. The frustrating thing is it feels kind of rushed at times and that's where the flaws shine through. Some more time in the lab and this could have been a great album IMO. Office Hours being the first offender. I get not wanting to ask someone to redo a verse but man...that 50 verse kills the song for me. I was hyped for it. He's busy as fukk, I'd imagine they couldn't get in the studio together but man...waiting to get that track right would have been worth this album taking a month longer to come out. Or putting him on another track. I've seen some 50 stans say the track doesn't really fit him. He would have been 100% at home on Bokeem Woodbine lol.
You can also hear the rushing in some of the vocal punching and at times it's just jarring to the point I'm like eh...should have just recorded that again instead of saying "that's good on to the next track." You really hear it on Slow It Down, a track I still really like but man. That's not the only one though, just the most frustrating. Few tracks I don't rock with too. Black Magic needed more...wave. Like you need ASAP or a southern rapper on that to do it justice. Earvin Magic Johnson is a miss for me too, with Nas behind the beat. Which is weird because flow wise he's on point on most of the trap shyt here, especially Abracadabra.
Other thing that throws me off...I like the production overall but at times Hit Boy sounds like beatmaker, making shyt that a Kanye type producer will produce/complete. Some of the sample pack stuff really stands out in his beats, where you can tell it's from "Sample Horns 26" or "Sample Guitar 11." Or he'll play the keys and I just wish they'd bring some people in for that. Feel like (2003-2016) Kanye or someone would bring in someone to play that shyt and take it to another level.
Flip side the beats that hit really hit (no pun intended). Slow It Down might be a top 5 beat on the KD/Magic albums for me, and the best song on the album IMO. More (real) samples on here too which is always dope. Bokeem Woodbine sounds like some shyt Biggie would rap over today, and that initial rhyme pattern (snub nose/Columbos/etc), felt like a homage to him).