Beyond that, The Beatles not only didn’t “use” black artists, they championed them. When The Beatles came to New York, they were guest DJ’s at a radio station and could play anything they wanted. Instead of choosing their own songs, they played songs by their favorite artists, like The Ronettes and Little Richard who were friends from their early touring days. The Ronettes were the opening act for The Beatles last American tour. By the way, The Beatles had it in their performance contract that they would not allow their audiences to be segregated.
Smokey Robinson (of The Miracles) was asked if it was okay that The Beatles recorded “You’ve Really Got A Hold On Me”. He replied that he was thrilled.
In a Rolling Stone interview with Smokey Robinson and Otis Williams (of The Temptations), Robinson said The Beatles were the first huge white act to admit they listened to black music, and love it. Williams said…”I must give credit to The Beatles. . .It seemed like at that point in time white America said, ‘OK if the Beatles are checking them out, let us check them out.'” The popularity of Motown acts and other black artists grew, and in the 1960’s Top 40 stations played a greater mix of music than ever before.