What I love most from the scene, is the phone call, and the lighting, as he does it, against the Miami backdrop
Was never on my way to a gunfight, but I connect a lot to those kind of calls, and emotions, like if you had one call to make, who would it be? Could you hold it together for that call? Would they answer? (in 2023, you may get a text 28 minutes later----"Sorry! wyd" lol
"how much time we got"
"what we had was real...right", and she knows something is wrong, but doesn't say it.
when you are getting closer to the edge, out of the norms of everyday experience, you look for those things you loved.
Mann actually is the first person to do this, as far as my knowledge of TV shows, basically invented the montage and stylized use of music.
just a masterful scene, you have the dark edges of streets and crime, violence, money, the skyline, the Ferrari, Tubbs checking the shotgun, contrasted with domestic life, his wife and child, whole scene is in bland neutral colors, suburbia, Heinz mustard, plastic salad bowl, and hot dogs on the table, (barbecues and ballgames)
just total contrast in their lives and the distance between them.
and then the beat drops, the in between is gone, and he's back on the street, having made his choices.