Lupe Fiasco - Tetsuo & Youth (Discussion thread)*Stream*

feelosofer

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This is Lupe Fiasco's best album and honestly and I can say comfortably it will be the best album of 2015. The production is beautiful and Lupe actually strips his lyricism down to just pure essence and technical ability without having to stuff as many overdone metaphors as he possibly can into an unnatural flow. This is definitely a zen like performance the guest spot are all timely and strong as well. Instant classic.
 

intilectual recipricol

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I think people picking on the complexity of the lyrics just want something to hate on because the positive reaction the album is getting. At first listen I didn't even try to break down the meanings and all that noise. I just listened to the overall sound (beats, hooks, flow, lyrics) and even without trying to break down everything it still sounded great. There's nothing to hate on. If you wanna hate something about this album, look at your reflection on your phone or computer screen or the physical copy and hate yourself fakkit
:wow:

this is my nikka right here locs...
 
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Gave it two spins in the gym tonight and it brought some clarity to the narrative for me. I'll briefly just give my thoughts on each track and what it could possibly mean (at least one of the meanings, as each song is obviously complex and multi-layered). I think there's a few interwoven themes all happening at the same time. "The Game" with all the video game references, reincarnation and the religious aspect as far as cruxifiction/Christ, drugs and addiction, and racing/road/lines (which could refer to cocaine lines, tying into the drug thing).


THIS COULD BE COMPLETELY WRONG AND I COULD BE REACHING LIKE HELL, BUT fukk IT, THAT'S HALF THE FUN, RIGHT?

Note: this is going in backwards order, as I believe it is how the album is intended to be listened to. Also, I believe the album, as pertaining to the narrative, is about THIS version of Michael Young History (remember how he died and came back to life on "The Cool"? I think something similar happened here.)

This tweet is of upmost importance:


Spring: The calm before the storm. Spring represents new beginnings and resurrection.

T.R.O.N.- The "re-spawning of MYH has taken place and this is MYH making his "oath" to "The Streets" and "The Game".

Adoration of the Magi
- This is MYH essentially receiving tutoring and instructions on how to play "The Game". The hook is his questioning his motives and trying to talk some sense into him (while also dope ass wordplay on various classic album covers). The key part of the hook is "Why You Wanna Be Born Again?" because the album is essentially about a character in "The Game" that keeps dying in "The Streets" and "The Game" and keeps coming back to life, only for the cycle to repeat itself. That part is basically saying "Why the hell do you wanna go down this road AGAIN?!"

Madonna- The character gets caught up in "The Game" and eventually dies. Remember, Michael didn't have a father (He Say, She Say). He dies in "The Streets" playing "The Game".

Deliver- Not really sure how this fits in. Think it may just be a description of "The Streets" while MYH is asking for "Deliverance" from the "Master Creator" after seeing the error in his ways and realizing that life doesn't ever end on a positive note. "Get a little slice of Heaven, I can enter it again"... remember MYH was at Heaven's gates on Superstar. Think that might tie in.

Chopper- I think MYH is "re-spawned" back into "The Game" as Lupe Fiasco. Hence the "And now Ladies & Gentlemen, Lupe Fiasco" at the beginning of the song which wouldn't make sense otherwise.

No Scratches- I think this describes the courting of him by "The Streets". I think he resists the temptation at first, but by the 3rd verse and succumbs to her advances. She was patient at first but then put the full court pressure on him and he gave in. By the end of the song, the "no scratches" represents him breaking down and satisfying his "itch", thus no more scratching himself like a fiend.

Little Death- This song is him getting high and again, satisfying that "itch". The drugs have him "in chains".
"How are your chains, do they make you behave
Keep you over here, by your overseer
"

Body of Work- He is fully enamored with "The Streets" and is fully invested, unlike in No Scratches, when he was hesitant.
"Quiet in the court for the courtship
Marriage of the dork and the gorgeous
Took her from the king of the corpses
"
The "courtship" referring to The Streets courting him. He's the dork and she's the gorgeous. Took her from the king of corpses, who is "The Game" (He's being played, this is what The Streets does to you). How do we know that this is referring to "The Game"? Because remember this:
And from a throne of their bones I rule
These fools are my fuel, so I make them cool


Prisoner 1- Could be about the mental prison of addiction as well as the song in a literal sense, physical prison. Now he doing double life, while she lead a double life. The character is addicted to drugs and "The Streets" is living a double life. He things she's hers, but she's really with "The Game".

Prisoner 2- Obviously about prison guards in the literal sense, but I think it could also be about drug dealers who "imprison" people with their "ki's".


fukk, I'm tired... I'll post the rest of my thoughts tomorrow.
 

JCalli

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I kind of envy you breh... youre able to just clearly put Lu the Bar Gawd over the guy who used to be your GOAT, but I gotta sit here and go back and forth with myself... has Lu done enough to pass Pac? I listen to Mural and No Scratches and im like this nikka the GOAT! But then on nights n im drivin and I got some Henny in me and I throw on Makaveli and I remember qhy Pac is the GOAT. So for a while I had a BOAT for purely the skills of rappin... that is clearly Lu, but sometimes I think hes the GOAT. Am I just holdin on? :sadcam:

:stopitslime:

I know you already know better than to talk some shyt like this. Blasphemy

You getting caught up in the moment :ufdup::pacspit:
 

Tikal

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I was hesitant at first listening to the album but it is growing on me. I know that Lupe has lyrical skills but to be able to make greats song along with that is what makes a great rap artist. Tetsuo & Youth is on point!
 

KravenMorehead™

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http://www.rapreviews.com/feature.html

Lupe Fiasco :: Tetsuo & Youth
ir

1st & 15th/Atlantic Records

Author: Steve 'Flash' Juon

homepage_large.ecabec1f.jpg


Lupe Fiasco says that "Tetsuo & Youth" was not directly named after Tetsuo Shima from "Akira
ir
," either the manga series or the anime movie based upon it. At the same time Mr. Jaco admits to "inspiration" from the character, adding that "Tetsuo sounds cool." Yes - it does - especially if you're the kind of person who has been watching anime for 20 years. The film version of Tetsuo's story is a little over 25 years old now, and frequently replays late at night on Cartoon Network. Even if you think anime is "that nerdy shyt" you should give it a try. Nuclear war, biker gangs, psychic powers, and political intrigue make for a compelling tale.

"I like my pancakes cut in swirls
Moroccan moles and undercover squirrels
I like cartoons, Southern cities with large moons
Faith healers, ex-female drug dealers and art booms
Apologize for my weird mix..."
- "Mural"

Lupe has always aspired to be a rapper with more than just a rap. He's the touchstone for a millennial generation that is inspired by the artists that came before them while simultaneously being disappointed by the lack of artistic progression that came after them. Even though his ambition at times exceeds his reach, it is that very ambition that makes him a darling of both the critics and the disaffected. The latter group even threatened to crash Atlantic Records' website when "Tetsuo & Youth" missed its initial release date. Songs like the MoeZ'art produced "Prisoner 1 & 2" prove it was worth the wait.

"Looking in the library, looking at the law
10 years deep, now I'm looking at the bar
Claim sovereignty, because I'm bunkin with the morons
They degenerate, they ain't looking at the game
They just looking at the scores, they be putting on my books
Cause I'm looking at the stars, trade a shank for some crank
Now I'm looking at a war, BGF got the yard
AV got the kitchen snitches on PC
Eminem on a mission, but CO's got the prison
God got us all, God set us free
God is the key, but the guards got the doors"


Not every album can be or SHOULD be called an epic, but much like the critically acclaimed "Akira" it would be a disservice to call "Tetsuo & Youth" anything less. It's practically a movie itself at 80 minutes in length, and if Atlantic seemed reluctant to release it, that's probably because obvious singles are not forthcoming. That's not surprising given Lupe has been at the forefront of knocking rap artists who "Dumb It Down" to get radio and video play, so he's not going to drop a club song with a ton of bounce or rap about life in the trap. It's not as though he doesn't have the life experience on the mean streets of Chicago to rap authentically about struggling in an environment of guns and violence, but he sees the music he creates as an opportunity to lift himself and his listeners above it. Perhaps that makes "Deliver" as fitting a choice for a single as any other track on the CD. Pizza becomes a metaphor for inequality, lack of opportunity, institutionalized and systemized racism, and why the word "trap" has any real meaning at all for rap - it's something you can't get out of.



"Little Caesar's never sendin' pizza out y'all way
Papa Johns never get delivered where y'all stayed
The ghetto was a physical manifestation
of hate in a place where ethnicity determines your placement
A place that defines your station
Remind you nikkas your place is the basement
White people in the attic
nikkas sellin' dope, white people is the addicts
White folks act like they ain't show us how to traffic
All that dope to China, you don't call that trappin'?
+Breaking Bad+, learned that from a TV
So don't say it's politics when you see me
When you gon' apologize for your CD
nikka, that don't match red and black to a GD"

If you're the type of person who declares that "racism doesn't exist" or thinks of yourself as "color blind" then it's likely that "Tetsuo & Youth" will make you uncomfortable - and it should. There are two realities out there, and no amount of high-minded liberal rhetoric can change that stark truth, the same one that the world saw in 2014 when #Ferguson went global. Fiasco proves to be as capable a singer as rapper on tracks like the DJ Simonsayz produced "No Scratches," in which he pulls yet another metaphor out of his seemingly endless arsenal - racing like James Dean until "your wreck and my wreck look like the same scene."

"(See first they had patience)
But nikkas start sick, nikkas start gettin ill
nikkas got cold feet, nikkas start gettin chills
nikkas start stayin home cause nikkas start gettin bills
Buildin up an immunity
nikkas stopped gettin hurt
nikkas relied on faith
Hopin nikkas get healed is hopeless nikka, get real
But ah, get back on the pill
We in it for the feel"


Lupe Fiasco encourages the protagonist and the listener to "walk away" "before we hit a wall" but that's always easier said than done when life is 101 MPH - and you can hear the cars race by your head in the song's quieter moments. That's a key point to "Tetsuo & Youth" really - it's that none of the songs are JUST songs. Lupe Fiasco doesn't present tracks that are just a hot beat and some memorable bars - he's aiming for cinematic moments and drawing you into the atmosphere he seeks to create. Even though the fluidity of his tongue is almost unparalleled among modern rappers (as seen in the third verse of "Adoration of the Magi") it would mean nothing if he didn't have something to say. Fiasco is the ultimate conundrum for a music industry that seeks to profit from his work - he's got legions of fans that they don't know how to reach because they don't understand him OR them. It wouldn't be that hard to understand though if they took the time to LISTEN instead of looking for that next big hit. There may not be a "big hit" on "Tetsuo & Youth" but this is a "big album." Like the paintings of Vincent Van Gogh it's likely to be better appreciated by future generations than it will be in its own time.

Music Vibes: 10 of 10 Lyric Vibes: 10 of 10 TOTAL Vibes: 10 of 10

Originally posted: January 20, 2015




:blessed:
 
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