TheGodling
Los Ingobernables de Sala de Cine
...and Ridley uses his typical style of directing into which their is no suspenseful build up to anything...it just happens...which i guess he thinks the audience would feel like ...but in reality everyone in the theater was like
No, it's worse than that, Scott just doesn't have it anymore. Technically he's one of the most talented directors alive, but all the great cinematography, the acting and the camerawork can't make up for the fact his movies have been fukking soulless.
It's particularly bad here because this is written by Cormac McCarthy, a writer whose every sentence is filled with symbolism, subtext and even mysticism. So characters have very long, deeply layered conversations about the choices we make in life and the awareness of our self-destruction in the most abstract form possible, and Scott shoots it like it's just two guys talking about the weather or some shyt.
That's why it's baffling to me how most critics point at McCarthy's screenplay as the biggest problem with this movie, when to me it was clear within the first ten minutes that the problem was that Scott simply had no handle on the screenplay. So much of the story's deeper elements are wasted or lost that to quote @Renegade_Django on this:
I might just buy the screenplay/novel tie in just to re read some of the lines of dialogue will be well served to be re read to understand and soak in what McCarthy's is trying to get across.
That's not to say McCarthy is without blame because whatever he tried to do with all the sex talk, it wasn't working and just came across as forced as it was shoe-horned into nearly every dialog. With that said, the movie is so rich with quotable lines that it's crazy how generic and uneventful is.
When Ruben Blades is talking about the value of grief...