what bugged me out was when i was watching "the message" hip-hop documentary on BET last year.
the death row segment when snoop was claiming that death row was the 1st to do blah blah blah. i was listening and thinking ruthless had already did all of this. then snoop kept going on and claimed that they had r&b stars.
and im thinking like death row aint never even release an r&b album. but ruthless dropped r&b albums and gave us michel'le.
thats when i realized that ruthless should get the same props as death row. problem is, they have no machine pushing their legacy, and i always figured they were sorta blackballed. their main problem is that they had their biggest runs as a label before '93. most modern fans just look at them as the label that had NWA and then bone thugs years later. modern logic doesnt really the label's history as a whole outside of those 2 groups.
remember when mtv jams used to have those rap dynasty weekends? they never included ruthless.
cold chillin suffers from that problem as well. and of course sugar hill & enjoy are just non-existent to these lazy "historians".
the death row segment when snoop was claiming that death row was the 1st to do blah blah blah. i was listening and thinking ruthless had already did all of this. then snoop kept going on and claimed that they had r&b stars.
and im thinking like death row aint never even release an r&b album. but ruthless dropped r&b albums and gave us michel'le.thats when i realized that ruthless should get the same props as death row. problem is, they have no machine pushing their legacy, and i always figured they were sorta blackballed. their main problem is that they had their biggest runs as a label before '93. most modern fans just look at them as the label that had NWA and then bone thugs years later. modern logic doesnt really the label's history as a whole outside of those 2 groups.
remember when mtv jams used to have those rap dynasty weekends? they never included ruthless.
cold chillin suffers from that problem as well. and of course sugar hill & enjoy are just non-existent to these lazy "historians".

Death Row went strong from '91-'96 and that's the end of '96. Ruthless Records might have been founded prior and released albums over a longer period, but I'd hardly say they had the longevity of Death Row when you take record sales into account. Those were a STRONG five years for Death Row.