Layzie Bone Throwing Shots At Migos (Layzie Bone Diss Track added Post 203)

Wacky D

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Bone had great sales because Crossroads crossed over with the white mainstream. I was in high school in suburban Chicago when it dropped and even the most prissiest, whitebread cacette loved "Crossroads". That song was fukkin everywhere.....once Todd n Stacey pikked up on it, then Bone's sales skyrokketed

Sales don't equal quality or legacy. Wu Tang never had crossover singles like that....that's the only difference, POINT FUKKIN BLANK


:stopitslime:

so we gonna act like bone wasn't doubling & tripling wutang's sales since day one, years before the crossroads even came out?
we gonna act like wutang wasn't mass-marketed towards todd n Stacey, and cheng n meili way harder than bone?

bone has better quality and a stronger genuine legacy.


I only liked Creepin and E 99 and honestly I rarely play that shyt anymore. Bone cool but I never connected with they shyt like.....not dissing em...Layzie and Bizzy are two of the top MCs of their era...them nikkas can rap they ass off

I preferred NWA, Outkast, Wu, Hot Boys, Tribe Called Quest.....It's just a subjective thing


I didn't ask who you prefer. I asked you how many groups had a better resume, objectively.

only group you mentioned that can foot the bill is NWA.


:gucci:on the bold.

On a sidenote J5 is still in consideration as one of the goat groups even though Mike's solo catalog is better.


60s & 70s mike >>>> 80s & 90s mike

im not into pop music, glitter gloves and HEEHEE.

i used to love those MJ videos & mini-movies just like you, but i grew out of that by like 4th grade. im not going back to listen to that stuff aside from certain cuts.
 

Bruce LeRoy

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They rhymed like that before they moved to Cali, nobody stole anything from those white accented off rhythm speed rhymers, you can't claim "miss mary" as anything invented by them.
Faces of death came out in 1991.
:sas2:


The other poster is right... they were rapping like the Fu Schnickens/Tongue Twista and to an extent Kane before they came to LA... No one claimed they bit the double time flow from Freestyle Fellowship.. what they bit was the melodic sing songy Jazz scat influenced double time flow from Freestyle Fellowship... which is the whole thing that made them distinctive from other artist at he ime. Now find me the bone song that incorporates that Jazz scat melody in the flow BEFORE Freestyle Fellowship Mary did it...



WRONG.
"Watered down fu schnickens..." You said they were biting people who were unknown in Ohio at that point. Nobody gave a fukk about the Cali underground BUT Cali.
"Bizzy tried to bite Mykah's hair..."
:mjlol:
You know Bizzy is mixed, right?
Unfurling one's braids is not biting, it's unbraiding curly hair.
Dayton rims are made in DAYTON OHIO...was the state of California dependent on Ohio for automotive aesthetic? Yes.
Was Ohio dependent on Cali for musical aesthetic? NO.
It was developed independently, like the OHIO FUNK LA nikkas borrowed to make g funk.
SHOUT OUTS TO ZAPP, FROM DAYTON.
You're too white to know about things like this.

To say they werent infleunced by the west coast when they came out looking like 90's west coast gang bangers... with the dikkie suits, dookie braids, rags around the head, etc, is some bullshyt. They looked like some South Central Cartel video extras... LOL..

Rap is a sample based instrumental music, so what you're saying makes no sense... All regions barrowed from artist outside of their region. We gonna credit the south for being dependent on LA guys like Rodney O and Joe Cooley since artist like Three 6 Mafia made a whole damn career off of sampling them? Or are we gonna say James Brown created rap because his breaks were used by Herc? That aint how this works....

Also G Funk comes from P Funk which came from George Clinton/Parliament/Funkadelic, etc. and that Psychadelic sound they used was heavily influenced from a west coast cat named Jimmy Hendrix

And if Cali was buying Daytons... that would mean DAYTON was dependent on Cali for bringing in its bread.

The revisionist history by Bone and No Limit stans on this board is :scust:
 
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The other poster is right... they were rapping like the Fu Schnickens/Tongue Twista and to an extent Kane before they came to LA... No one claimed they bit the double time flow from Freestyle Fellowship.. what they bit was the melodic sing songy Jazz scat influenced double time flow from Freestyle Fellowship... which is the whole thing that made them distinctive from other artist at he ime. Now find me the bone song that incorporates that Jazz scat melody in the flow BEFORE Freestyle Fellowship Mary did it...





To say they werent infleunced by the west coast when they came out looking like 90's west coast gang bangers... with the dikkie suits, dookie braids, rags around the head, etc, is some bullshyt. They looked like some South Central Cartel video extras... LOL..

Rap is a sample based instrumental music, so what you're saying makes no sense... All regions barrowed from artist outside of their region. We gonna credit the south for being dependent on LA guys like Rodney O and Joe Cooley since artist like Three 6 Mafia made a whole damn career off of sampling them? Or are we gonna say James Brown created rap because his breaks were used by Herc? That aint how this works....

Also G Funk comes from P Funk which came from George Clinton/Parliament/Funkadelic, etc. and that Psychadelic sound they used was heavily influenced from a west coast cat named Jimmy Hendrix

And if Cali was buying Daytons... that would mean DAYTON was dependent on Cali for bringing in its bread.

The revisionist history by Bone and No Limit stans on this board is :scust:

Big reaches and Herc isn't the founder.
Bootsy came from James, not George.
@IllmaticDelta
:mjlit:

Oh, you mentioned Herc? He's NOT the father. You got the whole story wrong from root to present on many fronts.
 

CHICAGO

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They’re too young for that

:mjlol:YOURE INSANE.

YOU GOT nikkaS LIKE ASAP ROCKY
ALL THE WAY IN NEW YORK
BEING INFLUENCED BY OLD SCHOOL 3'6
BUT SOME nikkaS FROM THE SAME CITY
WHO OWES THEIR WHOLE SOUND TO 3'6
NEVER HEARD OF LORD INFAMOUS.

IM GLAD 2CHAINZ KEPT IT REAL.
"There's a certain delivery that they brought to the game that people started snacking on, that was something that derived from a Memphis flow period,"

PPL LIKE YOU ARE THE PROBLEM.
YALL ENABLE THIS BULLshyt.

:devil:
:evil:

 

Wacky D

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Bone aint better than Triple 6.


you posted this 2 or 3 times and got no response or daps.

stop trying to piggy-back props for your favs off of another group.

3-6 are legends but theyre not all-timers. im not even sure if theyre a top 50 group. you cant compare them to a top 10 group just because they had beef 20 years ago.

that chit is almost as corny as kobe fans piggy-backing his legacy up the ladder on LeBron's back. that chit is even worse cuz kobe/bron were never rivals.

The other poster is right... they were rapping like the Fu Schnickens/Tongue Twista and to an extent Kane before they came to LA... No one claimed they bit the double time flow from Freestyle Fellowship.. what they bit was the melodic sing songy Jazz scat influenced double time flow from Freestyle Fellowship... which is the whole thing that made them distinctive from other artist at he ime. Now find me the bone song that incorporates that Jazz scat melody in the flow BEFORE Freestyle Fellowship Mary did it...




as I said in my previous post, bone was doing a lot of this stuff already. people just listen to "flow motion" and run with the idea that they were a young fu-schnickens.

I think eazy-e played them some fellowship so they could expand on their style. you can hear elements that krayzie & bizzy took from "mary".
bizzy even sometimes goes out of his way to name-drop fellowship and give them some shine when people ask him about twista, 3-6, crucial, do or die, etc.

but yall be clout-chasing, acting like they str8 up bit them.



 
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