It's NY hood kitsch
I think if you are nostalgic for when NY had reputable street music being made by it's biggest artists, or the Millennium era in general - You'll have a soft spot for Swizz and what he was doing at that time. The visuals, the movements, he was a part of that
I don't think he's done anything interesting musically beyond that first spark. That sound doesn't exist anymore on a mainstream or even underground level
So to me it's just nostalgia driving that convo or him being visible outside of music (power couple) that raises his profile. He's more of a brand at this point
I think if you are nostalgic for when NY had reputable street music being made by it's biggest artists, or the Millennium era in general - You'll have a soft spot for Swizz and what he was doing at that time. The visuals, the movements, he was a part of that
I don't think he's done anything interesting musically beyond that first spark. That sound doesn't exist anymore on a mainstream or even underground level
So to me it's just nostalgia driving that convo or him being visible outside of music (power couple) that raises his profile. He's more of a brand at this point