there not lying.
Forreal tho. It was written is just smooth to me. It was refined nas, spitting hard and mastering the lyrics. A lot of artists became artist because of that album.
there not lying.
No
I feel there is too much revisionism in hip-hop. Illmatic been called the GOAT so long that it becomes cooler to pick something else over it.
I like IWW because it doesn't sound as dated as Illmatic plus IWW sounds more polished as opposed to just raw talent spitting.
Illmatic=Goodfellas
IWW=Casino
Illmatic=Goodfellas
IWW=Casino
I'm not saying he's really bad or anything but just saying that there are a lot of artists all over the place who have paid far less dues and show far less respect for their hip hop integrity than the people hip hop culture-keepers want to dump on
if nas is a fallen-off sellout, what the fukk is nicki minaj? lol
that's what I'm saying, these arcane elite dudes go super hard on Nas and other sincere spitters meanwhile 98% of the airwaves is full of tepid mediocrity. And if the first people you're going to dump on are Nas, Common, Black Thought, Lupe etc instead of the Meek Millz, Big Seans and and associated fukkery that passes for music I have to wonder what your point is. If we go by Art Barr's methodology, the hip hop universe has 50 b-boys and 200 million toys. Fine, but this frame of reference has no rooting in the reality of the nature of rap music as its creators and audience exist.
p
Nah son..it was nikkas that was over critical then and over critical now...nikkas DID NOT.want NAS to be successful bro...Matta fact...the nikka didn't get the proper accolades for Illmatic he was supposed to get...not only did it get bootlegged heavy...and didn't sell as much...they straight gipped the nikka for lyricist of the year for RTD and Biggie..who not only bit off Nas for the album cover...straight up had a more commercial and cleaner sounding album and singles overall..and shyt got mad praise...nothing short of hypocritical...if u gonna feel a way about one artists...feel that way about EVERYONE..that nitpickin shyt is for the birds...
He's one dimensional. He's like a wack(er) version of Ace Hood. I thought Rozay had fixed his flow because he was outstanding on that MMG Vol. 1. But his mixtapes are boring and retarded.
I'm speaking from the perspective of a nikka who had both albums when they dropped..fukk all the bullshyt..I know what the hate was about...nikkas like u and Big Mel are fukkin hypocrites...point blank...u nikkas will tell the nikka who created hop hop he don't know shyt about hip hop if he disagree wit yall..
Kool_Herc said:I actually kinda like that Wayne record....
TripleHHH said:Chu's a Lame Ass G00F J0E
You not Culturally relevant to the time at hand
BOI !
You don't know the flood gates of Hip Hop was bombarded
on some Katrina Sh1t J0E
You VIOLATIN RIGHT NOA BOI !
Matta Fact you shoulda never hooked up dem Turn Tables !
THROUGH'D the Dining Table !
DON FoRGEt THe cutLeRee !
G00F @ss LAME FAWK BOI!
Triple Hip Hop Head
I gots 2 times the certifications to speak on this Hip Hop sh1t
Yah G00F !
you are the same dumbass listening to kenny gee talembout,..jazz needs to make a resurgence, ol goof lame ass boi.
art barr
i can understand the sellout arguement to a certain degree. i mean iww did have more commercially presentable singles with rnb hooks. trackmasters worked on alot of the tracks. the videos for the singles were big budget with nas dressing in suits instead of army fatigues. he did switch it up to a degree.
but you know what, i enjoyed the album. i mean, lyrically nas was spittin like crazy, and even though it was trackmasters, the production was still very dark, even moreso than illmatic and definitely more than any other "commercial" album at the time. it wasn't boom bap but it wasn't light either. also, i dont just listen to boom bap and reject everything else.
as far as content, its not like nas went from being phife dog to becoming eazy-e or mc hammer or something. he was talking about drug deals and shootouts on illmatic too. sure iww was a little more mafioso, but it really didn't seem like that much of a drastic change from what he was talking about on illmatic. it was still very much centered around things going on in the projects, only this time it was from the perspective of a dude who had dough instead of a dude scramblin on the street corner. but it is still a project narrative. the escobar persona was not about flying around the world, eatin breakfast in paris and dinner in japan, it was about a nikka being known in his projects and dealing with the drama that comes with that, which really kinda paralells where nas was at in life after illmatic.
nikkaz blaming nas for the commercialization of hip-hop is fukkin idiots. that shyt would have happened regardless. badboy, deathrow and defjam were already doing the radio friendly rnb joints in a major way. nas isn't the god of hip-hop, he is just one dude who is nice on the mic.
i can understand why artists like nas are held to higher standards than artists like biggie in terms of "keeping it real" and "not selling out". my thing is, if youre gonna be extra-critical about certain rappers, THEN SUPPORT THEM. niccas expect nas to stay in QB while these other dudes are blowing past him, buying mansions. and then they sat back and watched nas get disrespected. WHY DIDNT THESE HOLY HIP-HOPPERS PROTEST WHEN NAS LOST LYRICIST OF THE YEAR? or do something. its bad enough that they didnt buy the album.