So I just got back from watching
Inherent Vice...
Damn, a film from a major studio that's right up my alley. Loved it.
Now, if you're the type of person that's big on a plot being ultra-coherent and obvious,
this is not the film for you. Let me repeat that:
this is not the film for you. In fact, the film isn't necessarily even about the case that Doc (Joaquin Phoenix' character) takes up (even if it is the driving force of the film), but
why he takes the case in the first place. That, and the structural transformation of American culture/counterculture in the post-Civil Rights/post-New Left/post-1968 period. The plot (which actually does make complete sense, but the movie forces you to fill in some obvious gaps while watching it) is only a means to the end of examining these issues, and functions quite well in that regard.
Funnily enough for the people that complain about the plot, it's actually pared down quite a bit from the original novel. Anderson actually cut out a little less than a third (or so) of the novel altogether and rewrote the ending to serve the purposes of the filmic medium. There's a section of the plot (I'm not telling you which one, since that will give away a significant plot point) that's completely written out of the movie version for the sake of making the final act of the film more palatable for viewers. And goddammit, the shyt actually worked quite well. I was surprised at how into that new final act I was.
Finally, I'm confused to the point of actually being pissed off at how this film has been marketed as some type of comedy, when it isn't that at all, in any way. It's actually a sun-drenched Film Noir to the nth power, in the Dashiell Hammett tradition, with elements of Romance to it. The fact that it's being sold as a comedy-drama is going to throw a lot (a lot) of people off when they go and see it. Yes, it has it's quite funny moments, but the structure of the film and the types of characters that fill the world of
Inherent Vice are Film Noir all the way.
So yeah, I loved it. Probably going to see it again within the week. Definitely not for everyone (I'm still baffled at how this got funding), but if you're curious, definitely worth a watch. A hell of a film.
Also, I almost got myself kicked out of the theatre when this came on:
Who the hell can hate a movie featuring some classic Can in it?