I think Grime could blow up once they get good beats

K.O.N.Y

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You live in a super power and I live better than you so you stfu, you didn't make your country advanced, someone else did.

I can like and dislike whatever the fukk I want. How can anyone take me serious yet you're here coattailing yet again, so YOU take me serious. Sensitive arse little bytch, stop crying.
LOL Black americans are a minority in this country we have been producing american culture since day one. Thing is our talents have constantly been stifled stolen in this contry through out the years. Thats our problem to deal with dot worry about us

You live in all black predominately black nations with null power or projection of influence in any considerable fashion in absolutely anything be it the sciences or the arts

Talking about AA shortcomings and our "inherent sensitivity", on a predom. AA culture/site is petty beyond belief. Especially coming from blacks with countries, yet zero pull
 

Dushane Hill

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I just sat in a podcast recording with Logan Sama, a lot of what he was saying was very relevant to this thread.

Will link it here when it gets uploaded tomorrow

/

I also just spoke to the guy who made the beat below, Dread D from Black Ops



He said he was only listening to Jungle/DnB/Garage and they were his main influences when making beats

Yet guys in this thread would probably try and convince him he was influenced by Hip Hop :mjlol:

Black Ops were basically Grime pioneers, guys like Dread D and Jon E Cash slighly created the sound. I've heard from the horses mouth what they were influenced by so I don't want to see people quoting me posting diagrams and 100 different Youtube videos
 
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They believe what they want. Fact is that they would never say any of this bullshyt in London or to any of the pioneers. Just googling and trying to act knowledgable. How do you know so much about something you don't like, listen to or understand? Welcome to the internet
I would say what the fukk where I want just like I do now in one of y'all's pussass commonwealth realms.
We are 3rd worlders compared to you in ferocity. Shut the fukk up, stop flexin.
 

Dushane Hill

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I would say what the fukk where I want just like I do now in one of y'all's pussass commonwealth realms.
We are 3rd worlders compared to you in ferocity. Shut the fukk up, stop flexin.

Why are you always up in EVERY UK related thread trying to act hard? No ones buying it so stop. Your moms from Manchester so you're technically a UK nicca :umad::pachaha:
 

IllmaticDelta

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He said he was only listening to Jungle/DnB/Garage and they were his main influences when making beats

Yet guys in this thread would probably try and convince him he was influenced by Hip Hop :mjlol:

All 3 of those styles had HipHop/Breakbeat influences and roots. Without the HipHop-Funk-Breakbeats, Jungle and DnB would have never existed.





The Amen break is a 6 to 7 second (4 bar) drum solo performed by Gregory Cylvester "G. C." Coleman in the song "Amen, Brother" performed by the 1960s funk and soul outfit The Winstons. The full song is an up-tempo instrumental rendition of Jester Hairston's "Amen", which he wrote for the Sidney Poitier film Lilies of the Field (1963) and which was subsequently popularized by The Impressions in 1964. The Winstons' version was released as a B-side of the 45 RPM 7-inch vinyl single "Color Him Father" in 1969 on Metromedia (MMS-117), and is currently available on several compilations and on a 12-inch vinyl re-release together with other songs by The Winstons.

It gained fame from the 1980s onwards when four bars (6 seconds) sampled from the drum-solo (or imitations thereof) became very widely used as sampled drum loops in breakbeat, hip hop, breakbeat hardcore, hardcore techno and breakcore, drum and bass (including oldschool jungle and ragga jungle), and digital hardcore music.[1] The Amen Break was used in some early hiphop and sample-based music, alongside James Brown's recordings, it also became popularly used in jungle music—"a six-second clip that spawned several entire subcultures."
 

frush11

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Let's just end this with this. Black Euro culture is a fusion culture, because they are not native to that land that they are born to. So they take from their family's culture, the country they are born in, and Black American culture.

In this thread we all right, and also wrong.

Great discussion, and let's continue these type of discussions. But know that we are all coming from different perspective, and let's respect that.
 
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