alright fukk it,..,
imma just gives these sellout motherfukkers the answers they need.
of top, stop insulting your little ass fanbase!
WHO THE fukk DO YOU THINK YOU ARE WITH THAT shyt!!
glad i am not a fan of you dudes whatsoever,...
if i was i would not be after your interviews.
you dumbass bytches!!
one of the main problems with slaughterhouse, is character wise.
all of them lack convinceability.
which to make a mark in main stream rap.
you need more than any other skill.
as mainstream rap fans only support and only listen to convinceability.
for four urban guys of color. they are horrifically offkey and lack the pocket versatility.
which hampers their clarity. making it hard for them to be believeable whatsoever on reel to reel.
plus they did not come out with relevent street gangsta rappers.
to get them over the hump.
like all the other offkey underground content emo sellout based rappers.
who lack convincability and sell.
despite being horrifically more offkey than them.
as four solo performers, in a group. that is the main component to why they do not and will not draw in any context. to be relevent mainstream artist.
as convincability is your main key in pop culture as a rapper. since, gangsta rap became the number one scope and pop gateway for rap music in 1993.
you either debut with a gangster,..or you better be as tough and convincing as one.
if you wanna sell, period. that is the first rule to rap and being a relevent mainstream artist, period!!
do not believe me.
i will spell it out for you.
bob = ti who is a gangsta rapper
eminem = dre, who is a gangsta rapper
yeezy = jayz, who is a gangsta rapper
lupe = jayz, who is a gangsta rapper
eve= rr, who was a ny gangsta clique and dre, a gangsta rapper
j cole = jayz who is a gangsta rapper
drake = cashmoney, who are gangsta rappers
wale = rick ross, who is a gangsta rapper
yung la = ti, who is a gangsta rapper
weezy = cashmoney, who are gangsta rappers
nikki minaj = cashmoney, who are gangsta rappers
twista = aligned with do or die, to draw. who are gangsta rappers.
luda = endorsed by scarface,..one of the greatest indepth content based rappers, EVER!!
jayz = biggie, a ny hof gangsta rapper!
do you notice a trend here.
all of those rappers who are offkey with weird unconvincing vocals.
are aligned with gangsta rappers. to create convincability they lack and will never develop, vocally.
knowing that knowledge, and sh's lack of convincability.
is why sh will not draw. which defeats the whole they are upper tier skilled dope emcees.
as they lack convincability. that if they are so dope as emcees.
they would fukkin rampup and get better convincability.
only crooked i, has okay convincability.
yet when he was on a gangsta label.
after previously being the culturally enriched emcee on the wakeup show.
he was exposed as not being a convincing gangsta rapper. plus he sold out so bad. nobody gives a fukk if he is the better version of canibus with steet content cadenced up. plus when he comes together with sh. he does not make them make his bossed up gangsta rap street content based records.
like snoop will do on a cut with eminem like bytch please. no, what crooked i does.
is goes to play in left field and make no direction non-relevent pop sellout content.
nobody in the mainstream based record context will want to hear.
or awful sellout content based records that are not remotely close to the urban variety whatsoever.
the other glaringly huge deficiencies in sh's operation is.
THEY HAVE NO GRASP OF fukk'n MELODIES TO MAKE HOOKS.
NOR ARE THEY STREET SLANG RELEVENT AND ARE FOUR URBAN nikkaZ.
which makes no fukk'n sense whatso-fukk'n ever!!!
as these four nikkaz act like they do not listen to.
nor have they listened, associated with or clubbed with nikkaz in the hood a day IN THEIR fukk'n lives.
so when mainstream listeners listen,..expecting to be wow'd by lyrics.
that lack any convincability,..they get to thr hook and are like!
man,..you just wasted my fukk'n cot damn fukking time,..you four a$$holes.
eminem can make goofie wannabe misses and attempts at urban radio.
all because eminem is white. he is not expected to know shyt about twerk'n, p-poppin', the block, street slang like fooh-foo. so eminem can make a song and miss. or reward a listener with superman and soldier amoungst the misses.
with sh,..one pr and three nikkaz from the ghettoest american hoods of america!!!!
THAT shyt IS UNACCEPTABLE!!
the next issues as emcees and mainstream drawing rappers is.
all four of them have no actual contentual based purpose to rapping.
they have no story or reason content wise to want to hear them rap.
in a mainstream context whatsoever.
three out of the four of them have real nwo. i am gonna keep my real name as my stage name. well, if you are gonna emulate the nwo, use my real name to rap draw.
you better debut in a group like erick sermon. who was the e-double as well.
or you better have one fukk'n zany ass personality.
with an nteresting backstory and look like danny fukk'n brown!
shyt even danny brown ain't his real damn name!
imo, personally...i do not think using your real name sells mainstream rap records.
shyt my name real name is like a fukk'n superhero
EVEN I HAVE MORE THAN ONE MOTHERfukk'n ALIAS!!
plus never ever use my real name to rap.
so if you are going to nwo it up.
first you have to realize scott hall and kevin nash. both played two high card main eventers.
where, previously, two characters who were needed in the marketplace/industry to save a dying promotion.
hall for instance played one of the best characters ever in the history of wrasslin. so him being named scott hall in wcw.
hall, leaned upon that hof character portrayal as razor ramon.
whereas razor was an implied drug dealer kingpin like scarface, and manolo mixed together come to life. who did not look like a cuban. before he slicked his hair back and had the jew fro mane in awa.
also his failure to draw in the mainstream, as a bf.
using his real name, of scott hall originally.
is a distinct, tell-tale sign as well.
plus he had real life demons from killing a motherfukker.
so he drank a lot and used roids.
plus he was also a bodyguard and could legit kick yo stoopid ass.
plus, was drunk and high as fukk all the time and on roids.
plus would shyt, piss and defecate on other muscle bound men at a moments notice.
so you can be your real name and draw.
if you do all this shyt in real life.
which no one in sh is known in enfamy As.
they are looked at as not bout that life! from their own missteps in their careers, too.
kevin nash first appeared as diesel. a bodyguard, who was so physically imposing.
he saved wwf from the ruin of a bob backlund hw title heel run in some odd seconds.
when it comes to:
royce
joe budden
joel ortiz
none of them have a backstory that interesting to be named their real fukk'n names.
royce, has been exposed as a coward via viral vid and d12's proof, rip homey!!
budden has been beat up, on viral vid.
so, when you hear them on reel.
it is like what is the real life story imposing and intersting reason for them rapping.
plus, rapping under their real fukk'n names.
none of them are underground battle rap champions.
none of them have kicked anyone's ass.
they also, do not lengthen the skillsets or content base of emcee'n whatsoever.
as joe budden especially is a cotdamn biter.
scared to actually battle real battle emcees in the underground.
hence him having to squash his beef and make a group with royce.
to save the impending end of his career from royce responding.
let alone,..not ever speaking up to battle the protege.
to the real best battle emcee in the history of rap.
who also served em,..and headlined over royce with a major label record deal courting.
who was courted or on a deal with aftermath and tommyboy.
plus the other group member crooked i.
is the receipient of a job.
that gave him this credit as an underground culturally relevent hopeful.
that originally was made and turned down by the best battle emcee in hiphop history.
i am the protege to as well.
then sold out by going to the worst high selling rap culture theif label in history.
considering all that,..three-fourths of sh are fukk'n sellouts, to the utmost.
as their self pr campaign. to falsely exonerate them from selling out is bullshyt.
so here you have three out of the four members of sh.
who are sellouts to the core.
fronting, fake pandering, and insulting a non-knowledgeable crowd of fans.
who if those fans are culturally aware. would easily see you do not support sh at all.
as this grandioae culturally relevent hiphop group of lore
..yet since they have underground pr and use a faked self grandiose viral online presence.
they have fooled a toy hipster crowd of unknowledgeable fans.
into thinking they are this culturally relevent super group and THEY ARE THE BIGGEST SELLOUTS IN RAP. who just did not sell, when they sold out. all because they sold out so bad initially as solo artist. they ruined any integrity, even non-knowledgeable fans could not ignore.
the next issue,..with sh is.
they have no connection to a foundational sonic landscape as artist.
meaning out of the four of them.
they have not one record between the four of them.
where you are like,...hey, this beat is a joel ortiz, or this is a royce, or this is a joe budden, or this is a crooked i type of beat. they made into a drawing staple.
almost every underground drawing guy in rap and especially the mainstream. has this component or had this component as a lenchpin to their draw. to make them instantly recognizeable, by ear.
that is also,..and exactly a huge reason why sh never resonates.
as most of these dudes in sh are biters.
with no direction or scope sonically.
joe budden is a jayz meets emo wannabe pac biter.
crooked i is what if canibus made street records about cali boss street life with better cadence.
royce is the least skilled zany guy from detroit. who doesn't make street records.
plus is no good at making horrorcore records.
or portraying a horrorcore character worth of note.
unless, eminem is around to make him rap better.
joel ortiz is the guy on interscope. you never really heard any permeating material from.
to associate him with a sound. in an age where boombap falls on deaf ears.
plus, ortiz ruined his character to be street.
by whining about selling crack on a kool g rap record.
so he has no convincability or story to make you give two shyts.
besides noteworthy cadence as he single handidly outrhymes most of the other members.
yet when he has to be commercial like on this album.
he turns into the skilled d12 bizarre like goofie character with no edge that can actually rhyme.
plus falls right into the death sentence for most ny boombap rappers in this gen.
not having any discernible ability to market or be charismatic to sell records.
so he falls on deaf ears......
what sh should do is try to find a ghetto young ass producer.
some guy in detroit, for sure!!
has some great horrorcore relevent to the street gangsta rap beats, like chief keef has young chop.
detroit has a young chop.
shyt if detroit doesn't,..some guy in ny or nj has some at least asap rocky type ghetto street shyt.
shyt it has to be some transplant guy in cali who has some next level streetshyt.
they have to find this guy, period.
then write with clarity, convincability and develop a character on wax.
all four of them have done some type of something that is interesting.
shyt joey could talk about his past highs from pills like guys rap about played out x/molly pills.
ortiz could talk about smashing hoes as a fatboi and how he used to get it in.
he also needs to desperately connect to the latin audience.
as that would give them an easy large bucketable/bankable loyal fanbase and a draw to build off of.
ala pittbull and you see with less skill/crunk beginnings.
that pitt has achieved by staying true to what the character pittbull is.
crooked needs clarity and to expand his boss character.
as a matter of fact,..crooked needs to be so gangsta.
he becomes the vocal leader of the group of this ragtag bunch on reel to reel.
where he employs the other members as the gangsta boss.
who uses them as some street type fukkups who get the job done.
joey could be the unstable murdock one.
who gets bytches and is like a druggie funboi in the crow.
ortiz, the fat reliable intelligent resourceful ny savy muscle.
royce could be the devil's night savy arsonist gun expert.
shyt royce needs to be more vigilante detroit anyway!!
these dudes need to make change. as right now, nobody will ever buy sh.
also,..you can not be named slaughterhouse.
when the masta ace hof omen classic record of the same name.
exposing sellouts like these dudes exists.
that also needs to change as well.
sh has a lot of work to do. if they want to be known as what they are marketed as.
as of right now,..no one who is in the know believes a word of their shyt whatsoever.
even fantano smashed on them.
art barr
this is the last time i mention sh as a group.
till they make these changes.
How could i turn on them when i was never a fan to begin with? They're 4 overrated rappers who are good at making punchlines about other rappers shoes and forcing unnecessary wordplay into their verses but couldnt write a song to save their lives. After all the years they've been in the game do they have a classic song or even a solid album between them?
@ Coming Home, Gone, and Sucka MCs not making the album.
@ Who Am I (dead president sample)---> Everyone came nice, and Joell Ortiz verse was
His fukken voice i swear 
