Refresher needed I see -
8. Halloween (2007)
Or, “The One Where Rob Zombie Remakes a Classic”
Remaking an iconic film is never a good idea, but give credit to producer Malek Akkad for going the ambitious route by signing Rob Zombie to steer the remake of Halloween. The resulting film is... well he tried, but much of the script is packed with reprehensible characters spouting reprehensible dialogue. The film’s greatest asset is Zombie's direction, as he opts to make the franchise entirely his own rather than trying to follow in John Carpenter’s footsteps. In a twist, Zombie’s film decides to give much more shading to the Michael Myers character, and indeed Halloween is very much his movie. Turning Loomis into a cash-grabbing opportunist was an inspired choice, and there are a few interesting detours to be found assuming you're not immediately put off by the film's unabashedly "gross" nature.
The film gets indulgent at points and suffers from odd pacing, but Tyler Bates’ score is a welcome twist on Carpenter’s classic theme yet. Zombie's Halloween isn't for everyone, but it at the very least gets credit for taking such significant liberties with the source material rather than simply retreading territory Carpenter had already worn.
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This. He gets my respect for taking on such a historically relevant horror movie classic and flipping it into his own version.
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I feel you Mike, they hate when you don’t cooperate, one-sided opinions, lack of respect for the dark art of horror storytelling and elements.
8. Halloween (2007)
Or, “The One Where Rob Zombie Remakes a Classic”
Remaking an iconic film is never a good idea, but give credit to producer Malek Akkad for going the ambitious route by signing Rob Zombie to steer the remake of Halloween. The resulting film is... well he tried, but much of the script is packed with reprehensible characters spouting reprehensible dialogue. The film’s greatest asset is Zombie's direction, as he opts to make the franchise entirely his own rather than trying to follow in John Carpenter’s footsteps. In a twist, Zombie’s film decides to give much more shading to the Michael Myers character, and indeed Halloween is very much his movie. Turning Loomis into a cash-grabbing opportunist was an inspired choice, and there are a few interesting detours to be found assuming you're not immediately put off by the film's unabashedly "gross" nature.
The film gets indulgent at points and suffers from odd pacing, but Tyler Bates’ score is a welcome twist on Carpenter’s classic theme yet. Zombie's Halloween isn't for everyone, but it at the very least gets credit for taking such significant liberties with the source material rather than simply retreading territory Carpenter had already worn.
——
This. He gets my respect for taking on such a historically relevant horror movie classic and flipping it into his own version.
—-
I feel you Mike, they hate when you don’t cooperate, one-sided opinions, lack of respect for the dark art of horror storytelling and elements.