These same goofs used to praise this shyt and say he had something for everybody. Now this. This nikka Ebro is a whole Oakland nikka that try to act and sound like he from New York. "My G". nikka shut the fukk up. Lol. This shyt done went into corny territory. Same goofy nikka who was willing to play Drake music over native NY nikkas shyt on Hot 97. And tried to JUSTIFY that shyt. They even smoking this nikka in the comment section. The industry full of shyt.
The Toronto sound, as I remember it, was largely that original Weeknd sound from Illangelo, Jeremy Rose, and Doc McKinney. 90s r&b samples with reverb (the "underwater" sound), spaced out tracks.
But was that a general Toronto sound or a specific movement of the time, that isn't really a thing anymore?
Ebro and Drake are both half Jewish. There's no reason why Ebro and his cohosts are still on the air.
Ebro is a big reason why Hot 97 fell out of relevancy nationally and internationally. Rosenberg is trash and a culture vulture, Ebro is trash and was once a programming head for Hot 97, and Laura Stylez is a literal paperweight like DJ Envy.
Ebro spent a whole decade shytting on different rappers but did NOT promote the alternatives. That's some psyop shyt. It's like Ebro's role is to ensure every rapper he claims to dislike actually gets as big as possible. Do do not EVER trust a word that comes out of his mouth.
Hot 97 had an Italian who was involved in a racial clash against Blacks decades ago literally working inside their studio for many years until it was outted sometimes before the pandemic.
Thanks for the info.Facts… the Italian dude was involved in the death of Yusef Hawkins
Ebro been a bytch ass nikka from jump…
I may generally agree with regional criticism of Drake but this here is 100% facts. Ebro relished not playing NY artists and specifically told them to make ATL records to get play.
People saying Kendrick doesn't have many west coast records are missing the point. No matter what Kendrick does he ALWAYS has a home base to back to because he's from the west coast. Which is why he hopped on that track and sounded so effortless.
The Toronto sound, as I remember it, was largely that original Weeknd sound from Illangelo, Jeremy Rose, and Doc McKinney. 90s r&b samples with reverb (the "underwater" sound), spaced out tracks.
But was that a general Toronto sound or a specific movement of the time, that isn't really a thing anymore? Because we all remember Drake being heavy on that Houston shyt at the very time, and you can hear how chopped/screwed shyt influenced the track I posted. Flip side...whether it's 1994 or 2024 you know what the west coast sounds like. Whether it's the 80s or right now you know what "Queens rap" sounds like. Those aren't trends or movements, they're cultural staples of regions.
Somebody from Toronto put us on some more shyt. Not that generic 40 shyt. I want to see more of the classic Toronto sound.
I may generally agree with regional criticism of Drake but this here is 100% facts. Ebro relished not playing NY artists and specifically told them to make ATL records to get play.
People saying Kendrick doesn't have many west coast records are missing the point. No matter what Kendrick does he ALWAYS has a home base to back to because he's from the west coast. Which is why he hopped on that track and sounded so effortless.
The Toronto sound, as I remember it, was largely that original Weeknd sound from Illangelo, Jeremy Rose, and Doc McKinney. 90s r&b samples with reverb (the "underwater" sound), spaced out tracks.
But was that a general Toronto sound or a specific movement of the time, that isn't really a thing anymore? Because we all remember Drake being heavy on that Houston shyt at the very time, and you can hear how chopped/screwed shyt influenced the track I posted. Flip side...whether it's 1994 or 2024 you know what the west coast sounds like. Whether it's the 80s or right now you know what "Queens rap" sounds like. Those aren't trends or movements, they're cultural staples of regions.
I may generally agree with regional criticism of Drake but this here is 100% facts. Ebro relished not playing NY artists and specifically told them to make ATL records to get play.
People saying Kendrick doesn't have many west coast records are missing the point. No matter what Kendrick does he ALWAYS has a home base to back to because he's from the west coast. Which is why he hopped on that track and sounded so effortless.
The Toronto sound, as I remember it, was largely that original Weeknd sound from Illangelo, Jeremy Rose, and Doc McKinney. 90s r&b samples with reverb (the "underwater" sound), spaced out tracks.
But was that a general Toronto sound or a specific movement of the time, that isn't really a thing anymore? Because we all remember Drake being heavy on that Houston shyt at the very time, and you can hear how chopped/screwed shyt influenced the track I posted. Flip side...whether it's 1994 or 2024 you know what the west coast sounds like. Whether it's the 80s or right now you know what "Queens rap" sounds like. Those aren't trends or movements, they're cultural staples of regions.