While we're at it..
Bobby Brown's "Dont Be Cruel" vs Eric B and Rakim "Let The Rhythm Hit Em"
Makes about as much sense
Nah man...that was just real uneasy...you know...very Vulgar
While we're at it..
Bobby Brown's "Dont Be Cruel" vs Eric B and Rakim "Let The Rhythm Hit Em"
Makes about as much sense
The goat has spokenYou KNOW you when you made this thread KNOWING I was going to go IN right?
Kendrick Lamar's Good Kid M.a.a.d City is THE best debut album from a Hip Hop artist since The College Dropout. Kendrick seemlessly was able to weave the themes of teenaged black angst permeating within the urban community (The uncertainty of choices seperating right and wrong, The hoplessness that enshrouds ones mindstate when faced with everyday violence and corruption, the crabs in a barrel mentality of those who fall into the trappings of their surroundings, the inner hope for redemption amidst cultural savagery) with the honesty and emotion of his own life story. Creating a concept album in which the story is simultaneously personal and yet relateable. His lyrics were crafted with painstaking attention to detail, the production was actually made to FIT the concept of each track, helping to unify the album into completion. There was no fat, no filler, and bullshyt. Just one man, one mic, and one story. What Kendrick was able to accomplish in 12 songs was nothing short of extraordinary for an album released on a major label in 2012. Kendrick didn't cater to mainstream's defintion of Hip Hop, he instead played a very vital part in redefining what the artform was capable of....
What Drake would've had to do to touch GKMC wasn't to follow Kendrick, or try to make a concept album, he would've had to OUT RAP Kendrick, and he didn't. There is no song on NWTS touching the lyrical precision or mastery that Kendrick displayed on GKMC. Nothing to compare to the raw honesty of Real, the stark sorrow and poetical narration of Sing About Me/Dying Of Thirst, the victorious bravado of Compton. the sheer hunger of Backseat Freestyle. Kendrick above all, RAPPED HIS ASS OFF on GKMC.
Drake did not...
SOo....ur sayin...GKMC is better than Blueprint??You KNOW you when you made this thread KNOWING I was going to go IN right?
Kendrick Lamar's Good Kid M.a.a.d City is THE best debut album from a Hip Hop artist since The College Dropout. Kendrick seemlessly was able to weave the themes of teenaged black angst permeating within the urban community (The uncertainty of choices seperating right and wrong, The hoplessness that enshrouds ones mindstate when faced with everyday violence and corruption, the crabs in a barrel mentality of those who fall into the trappings of their surroundings, the inner hope for redemption amidst cultural savagery) with the honesty and emotion of his own life story. Creating a concept album in which the story is simultaneously personal and yet relateable. His lyrics were crafted with painstaking attention to detail, the production was actually made to FIT the concept of each track, helping to unify the album into completion. There was no fat, no filler, and bullshyt. Just one man, one mic, and one story. What Kendrick was able to accomplish in 12 songs was nothing short of extraordinary for an album released on a major label in 2012. Kendrick didn't cater to mainstream's defintion of Hip Hop, he instead played a very vital part in redefining what the artform was capable of....
What Drake would've had to do to touch GKMC wasn't to follow Kendrick, or try to make a concept album, he would've had to OUT RAP Kendrick, and he didn't. There is no song on NWTS touching the lyrical precision or mastery that Kendrick displayed on GKMC. Nothing to compare to the raw honesty of Real, the stark sorrow and poetical narration of Sing About Me/Dying Of Thirst, the victorious bravado of Compton. the sheer hunger of Backseat Freestyle. Kendrick above all, RAPPED HIS ASS OFF on GKMC.
Drake did not...
SOo....ur sayin...GKMC is better than Blueprint??
Lemme hear wat ya ass says..
Where did I emply that GKMC was better than Blueprint. You read that ENTIRE post and your only defense as a Drake stan was "bu bu but...you said it was BETTER THAN BLUEPRINT" Which is NOWEHERE in my post...
Step your Stanning game up. You gotta come at me with SCIENCE @blackslash or not at all
Dont think Ziggiy is ass and won't clap you. Trust me on this one, I'll detach you
SHut ya ass up this aint no stannign game no mo between me and u
Fck the games B
Im sonnin ya ass forreal
U say that GKMC is better simply because of lyricism
Well...I'll be the first to say Blueprint isnt as lyrical as GKMC and I know u believe the same thang
But what makes BP better than GKMC
Simple
Better music to vibe and listen to
All that spoken word sht u talm bout making classic albums doesnt mean as much as u think my nikka
Now GKMC is better than NTWS but the way u sayin sht sounds like straight stannery
Now dont come at me nikka
once i seen how much you wrote i was gonna tell you dont even waste your time on this butYou KNOW you when you made this thread KNOWING I was going to go IN right?
Kendrick Lamar's Good Kid M.a.a.d City is THE best debut album from a Hip Hop artist since The College Dropout. Kendrick seemlessly was able to weave the themes of teenaged black angst permeating within the urban community (The uncertainty of choices seperating right and wrong, The hoplessness that enshrouds ones mindstate when faced with everyday violence and corruption, the crabs in a barrel mentality of those who fall into the trappings of their surroundings, the inner hope for redemption amidst cultural savagery) with the honesty and emotion of his own life story. Creating a concept album in which the story is simultaneously personal and yet relateable. His lyrics were crafted with painstaking attention to detail, the production was actually made to FIT the concept of each track, helping to unify the album into completion. There was no fat, no filler, and bullshyt. Just one man, one mic, and one story. What Kendrick was able to accomplish in 12 songs was nothing short of extraordinary for an album released on a major label in 2012. Kendrick didn't cater to mainstream's defintion of Hip Hop, he instead played a very vital part in redefining what the artform was capable of....
What Drake would've had to do to touch GKMC wasn't to follow Kendrick, or try to make a concept album, he would've had to OUT RAP Kendrick, and he didn't. There is no song on NWTS touching the lyrical precision or mastery that Kendrick displayed on GKMC. Nothing to compare to the raw honesty of Real, the stark sorrow and poetical narration of Sing About Me/Dying Of Thirst, the victorious bravado of Compton. the sheer hunger of Backseat Freestyle. Kendrick above all, RAPPED HIS ASS OFF on GKMC.
Drake did not...
Only he's notNTWS>>>>>>>>>>>that short midget's album
west coast lost
Drake is the King of Cali
You KNOW you when you made this thread KNOWING I was going to go IN right?
Kendrick Lamar's Good Kid M.a.a.d City is THE best debut album from a Hip Hop artist since The College Dropout. Kendrick seemlessly was able to weave the themes of teenaged black angst permeating within the urban community (The uncertainty of choices seperating right and wrong, The hoplessness that enshrouds ones mindstate when faced with everyday violence and corruption, the crabs in a barrel mentality of those who fall into the trappings of their surroundings, the inner hope for redemption amidst cultural savagery) with the honesty and emotion of his own life story. Creating a concept album in which the story is simultaneously personal and yet relateable. His lyrics were crafted with painstaking attention to detail, the production was actually made to FIT the concept of each track, helping to unify the album into completion. There was no fat, no filler, and bullshyt. Just one man, one mic, and one story. What Kendrick was able to accomplish in 12 songs was nothing short of extraordinary for an album released on a major label in 2012. Kendrick didn't cater to mainstream's defintion of Hip Hop, he instead played a very vital part in redefining what the artform was capable of....
What Drake would've had to do to touch GKMC wasn't to follow Kendrick, or try to make a concept album, he would've had to OUT RAP Kendrick, and he didn't. There is no song on NWTS touching the lyrical precision or mastery that Kendrick displayed on GKMC. Nothing to compare to the raw honesty of Real, the stark sorrow and poetical narration of Sing About Me/Dying Of Thirst, the victorious bravado of Compton. the sheer hunger of Backseat Freestyle. Kendrick above all, RAPPED HIS ASS OFF on GKMC.
Drake did not...