Classics Discussion: Wu-Tang Clan & Ol' Dirty b*stard

Which of these Wu-Tang Clan albums are classic?


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Inspect Her Deck

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This is the truth. I thought what RZA did with this album, was mind blowing. This production on this album fits ODB like a glove. When you consider how crazy ODB is and the shyt he was doing on this album, props to RZA.

I can understand people calling it a classic and people slating it as well to be honest. ODB is one of a kind and even some of the shyt that is just plain wrong, it just seems so right.

Personally, i love this album. But putting my personal thoughts aside, would i feel comfortable calling it a classic hip hop album? I'm not sure i would.

36 Chambers is set in hop hop history.

Wu Forever - classic. I don't say that lightly either, I think it's the shyt.

I've seen people throw dirt on dog shyt ....... ODB has me in tears on that track. Hooooooooooooooooo!

ODB's album can definitely be debated altho for me there's no question.

The first 2 Wu albums must be set in stone, there's no reason to argue against them.
 

SirBiatch

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@SirBiatch well beat preferences are subjective

Wu Forever has held up WAY better than 36 Chambers, and to me honestly, it sounds better as well. This sounds weird, but I love 36 Chambers because of the lyrics. That's what keeps me interested more so than the production. Da Mystery of Chessboxin production doesn't make me marvel anymore. The whole gritty, shytty sounding aesthetic has worn off by now.

I'm not trying to devalue 36 by any means, it is the better album and one of the GOATs. But it isn't the actual production that keeps me interested. Some of it though is still immense e.g. Wu-Tang Clan Ain't Nuthin and Shame on a nikka and Bring Da Ruckus and CREAM etc.

Wu Forever has sublime production. Honestly I'm amazed. And it sounds so new and polished and sounds like it could have come out about 10 years ago if not 5.

Wu-tang are not polished. That's a massive aspect of their appeal and even hip hop in general. You add polish and you kill the vibe. Polish in general kills soul. and I'd argue that Wu as a whole are some of the most soulful rappers ever.

M.E.T.H.O.D Man is better than ANY track on Wu Forever. Better beat, more personality, catchier and more memorable rhymes... (Fading mothafukkas like bleach! -- That shyt had me :whew: back in the day. It's still a fantastic simile)

shytty sounding? How exactly does a gritty aesthetic wear off when it's the founding aspect of this whole hip hop shyt? Grit defines hip hop.

Da Mystery of Chessboxin is also better than most tracks on Forever.

Forever marked the fall-off of the Wu. and listening to it in retrospect, it's easy to see why. That's why Ghost had to take it back to the rawness with Supreme Clientele, and we mark it today as one of the best rap albums ever made.

Not to mention, lyrically is far superior. Songwriting was better because it wasn't just a bunch of battle raps anymore (or at least ALL the time).

so you're saying the content on Wu Forever is more diverse? can you provide receipts?

And even if it were more diverse, that's good and I can give a point for that but not much more than that.

36 can only really be seen to be better for two reasons: production (subjective) and it is 11 tracks of the highest quality (condensed material). As I said, if Wu wasn't a double album and we really took the best tracks, it would at the very least match 36 Chambers for quality, independent of instrumental preferences.

And Wu Forever is far better than AEOM, less filler and the peak tracks are better. But I'm a Wu fan, no doubt I have some bias.

It's not that subjective anymore. It's been 20+ years since 36 came out. There is a noticeable consensus that says 36 is better than Forever. And it's not a forced consensus. It came about naturally.

what are peak tracks on Wu Forever and AEOM?
 

Inspect Her Deck

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Wu-tang are not polished. That's a massive aspect of their appeal and even hip hop in general. You add polish and you kill the vibe. Polish in general kills soul. and I'd argue that Wu as a whole are some of the most soulful rappers ever.

M.E.T.H.O.D Man is better than ANY track on Wu Forever. Better beat, more personality, catchier and more memorable rhymes... (Fading mothafukkas like bleach! -- That shyt had me :whew: back in the day. It's still a fantastic simile)

shytty sounding? How exactly does a gritty aesthetic wear off when it's the founding aspect of this whole hip hop shyt? Grit defines hip hop.

Da Mystery of Chessboxin is also better than most tracks on Forever.

Forever marked the fall-off of the Wu. and listening to it in retrospect, it's easy to see why. That's why Ghost had to take it back to the rawness with Supreme Clientele, and we mark it today as one of the best rap albums ever made.



so you're saying the content on Wu Forever is more diverse? can you provide receipts?

And even if it were more diverse, that's good and I can give a point for that but not much more than that.



It's not that subjective anymore. It's been 20+ years since 36 came out. There is a noticeable consensus that says 36 is better than Forever. And it's not a forced consensus. It came about naturally.

what are peak tracks on Wu Forever and AEOM?

Not super polished, but more polished. Plus what's wrong with the group evolving and expanding their sound? Yes, of course, we all love that gritty lo-fi shyt but tbh man you sound like one of those fans reluctant to let go of 36 Chambers, and won't accept a different sound. Wu Forever isn't A Better Tomorrow (album) level of fukkery. It still had a gritty undertone and some songs straight up sound like 36 Chambers extras e.g. Deadly Melody.

You gonna pretend that OB4CL was 36 Chambers level of gritty? Hell nah. Ironman was smooth and soulful as fukk. You don't complain about those. Wu was just the culmination of all these things into a grander sound that OB4CL and Ironman were working towards. Then you STILL had the grungy shyt like ODB and Meth solos and GZA has a perfect marriage of both avenues, but mainly the gritty and dark sound of 36.

Na bruh grit doesn't define hip-hop, it defines a section of hip-hop. Let's just erase ATCQ, De La Soul and all them from the history books then, right?

Forever wasn't the fall-off. It was everything after RZA's 5-year plan that was poor in comparison, especially Bobby Digital shyt, Tical 2000 (good stuff but not nearly to THAT level of 93-97 Wu material) etc. UNTIL Supreme Clientele came out, and truth be told Ghost has carried the name on his back ever since.

Wu Forever has not necessarily more DIVERSE stuff, but the ratio of brag/other songs is more equal than on 36.

So let's say CREAM, Can It Be and Tearz are the 'focused/non-brag/battle' songs of sort (loose term but you know what I mean). Forever has Older Gods, Maria, Impossible, A Better Tomorrow, Bells of War, The M.G.M., The City, The Projects etc. That's also to be expected with a double album of more tracks mind you, but it remains true regardless.

It is subjective. That 36 is a better album is down to the impact it made, the reception it got, the appreciation for production that gave the Wu a certain appeal and character, the whole 9 MC's (we've never seen this before) shyt. Plus not to mention, it has NO filler that is even questionable because every track bangs and is close to perfect. Wu Forever is a double album, immediately sets it as a disadvantage.

Now in terms of ranking tracks, when I get to the library soon I'll do a tier list of Wu Forever tracks, just so you get an idea of what I'm thinking and how it compares to AEOM.
 

SirBiatch

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Not super polished, but more polished. Plus what's wrong with the group evolving and expanding their sound? Yes, of course, we all love that gritty lo-fi shyt but tbh man you sound like one of those fans reluctant to let go of 36 Chambers, and won't accept a different sound. Wu Forever isn't A Better Tomorrow (album) level of fukkery. It still had a gritty undertone and some songs straight up sound like 36 Chambers extras e.g. Deadly Melody.

The energy's not there. It's not just polish. Those RZA beats don't have that captivating, off-kilter energy Wu are known for.

Respectfully, that Deadly Melody beat is trash. Listen to that and compare it to "What The Blood Clot" and "Shimmy Shimmy Ya", the classic RZA with the offtune piano sound. It ain't even close. The rhythm, drums, the energy...

You gonna pretend that OB4CL was 36 Chambers level of gritty? Hell nah.

It was. Just in a different way. In fact, what makes OB4CL, LS and SC so brilliant is that they come from that gritty school set up by 36 Chambers. Just expanded into different 'realms'. OB4CL is cinematic, sad and more orchestral.... LS is more reflective and ambient and SC is 80s old-school party vibe shyt. Mighty Healthy is the son of Divine Force Holy War type shyt.

Na bruh grit doesn't define hip-hop, it defines a section of hip-hop.

It absolutely defines all of hip hop. We have a history of people trying to water hip hop down and claim some alternative shyt is also hip hop, and sometimes, 'better than the real shyt.' Nah bruh. Without grit, there is no hip hop.

Look at how Kurtis Blow defines hip hop. Hip hop is mutated soul/funk/disco. Raw shyt.

http://www.thecoli.com/threads/the-beat-is-the-foundation-of-hip-hop-ask-kurtis-blow.395948/

Let's just erase ATCQ, De La Soul and all them from the history books then, right?

breh... they were raw. :dahell: They fit right in with the Wu, Mobb Deep, Nas, Rakim, etc. They just had their own wavelength. I'm not saying you have to be super raw all the time. That shyt gets played out. But there has to be rawness there, period.

I saw Premo about 2 months ago, and he played this De La joint. and he specifically said: "you know what I love about De La? They were positive and all, but they were raw."



Raw doesn't mean violent, either. It's a feeling. There's very little feeling in Wu Forever, especially on the production side. It might have been a technical triumph for RZA but people forget that hip hop, and I'd argue Black music by extension, is not really about technical shyt. It's about feeling. We use technical shyt to enhance the feeling, to serve the song. Not the other way round.

Forever wasn't the fall-off.

I think we should do a poll on this. Forever is definitely the fall-off imo. Is it really a coincidence that people stopped giving a fukk about the Wu right after that?

Now in terms of ranking tracks, when I get to the library soon I'll do a tier list of Wu Forever tracks, just so you get an idea of what I'm thinking and how it compares to AEOM.

Looking forward to it breh :salute:
 
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criminology

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ODBs debuts impact was huge. He took the crazy fun hip hop clown style and laced it with dust and mental illness. At the time the widest range of people liked that album. It's got fun tracks about raw sex and dark :demonic: shyt like snakes and rawhide. It's the best example that a classic album doesn't have to be perfect.
 

SirBiatch

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ODBs debuts impact was huge. He took the crazy fun hip hop clown style and laced it with dust and mental illness. At the time the widest range of people liked that album. It's got fun tracks about raw sex and dark :demonic: shyt like snakes and rawhide. It's the best example that a classic album doesn't have to be perfect.

receipts?

also, an album can make waves at a certain point in time and be forgotten 5 years later. Are people still bumping Return to 36 like that? I'm gonna say "nah" Shimmy Shimmy Ya and Brooklyn Zoo are super classics, but the other tracks might as well not exist.
 
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