Classics Discussion: Mobb Deep & Big Pun

Which of these Mobb Deep and Big Pun albums are classic?

  • Juvenile Hell: YES

    Votes: 0 0.0%
  • Juvenile Hell: NO

    Votes: 57 68.7%
  • The Infamous: YES

    Votes: 73 88.0%
  • The Infamous: NO

    Votes: 6 7.2%
  • Hell on Earth: YES

    Votes: 63 75.9%
  • Hell on Earth: NO

    Votes: 14 16.9%
  • Murda Muzik: YES

    Votes: 27 32.5%
  • Murda Muzik: NO

    Votes: 38 45.8%
  • Infamy: YES

    Votes: 2 2.4%
  • Infamy: NO

    Votes: 53 63.9%
  • Amerikaz Nightmare: YES

    Votes: 2 2.4%
  • Amerikaz Nightmare: NO

    Votes: 54 65.1%
  • Capital Punishment: YES

    Votes: 56 67.5%
  • Capital Punishment: NO

    Votes: 18 21.7%

  • Total voters
    83
  • Poll closed .

blazn101

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JayBaldacci

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capitol punishment isn't a classic. bad skits, wyclef, a pointless intermission, and still not a playa prevent that. get rid of all that and add fire water/wishful thinking and then maybe.

the infamous is the only classic listed.
 

mobbinfms

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first of all....no

secondly, i never questioned its quality. but a classic is more than just a quality album. what else does it bring to the table in the same way The Infamous did? impact? relevance? influence?
If quality isn't an issue for you, then it's just an issue of whether the album still holds up right? Is it still held in high regard by the core hip hop community?

I think it's pretty self evident that Hell On Earth is still an album that rings bells. It's the album where P solidified his spot as one of the GOAT emcees. Some of his best verses are on this album
The Nighttime Vultures verse :wow:
Hell On Earth second verse :wow:
Apostles Warning :wow:
Still Shining :wow:

A vicious diss to Pac :wow:

Hav took the reins and did the whole album by himself. :wow:
Sticking to the core of the grimy sound from the Infamous, but somehow going more dark.
This is the album that established Hav as a producer.

Let's face facts, when you talk about Mobb Deep, one of the most legendary groups in hip hop history, you're taking about Infamous, Hell on Earth, and to a lesser extent MM.
 

SirBiatch

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If the production was innovative on that album then I'll buy into its classic status. Until I see proof or a real argument put forward I'm gonna stick to my stance. Subject matter was not innovative, it was more a continuation of The Infamous but on a darker level and more of a mafioso element to it, which was being run to the ground in 1996 anyway.

I love the album though, I don't want anyone to get it twisted.

Also The Infamous is more than Shook Ones. It's a cornerstone of New York rap because of the way stories were presented, because it was not necessarily glorifying violence but presenting it as a necessary evil, also because it was real and honest situations one would find themselves in on the streets, and the first person storytelling made it all the more personal and relatable. Plus we were introduced to Havoc's enhanced production for the very first time, so all that put together, in addition to something as groundbreaking as Shook Ones makes it the classic it is.

Hell on Earth is an awesome follow-up, almost matching it blow for blow in quality, but it needs way more than that. I might be oblivious to what else it brings to the table, which is why I'm posing the question, asking anybody to convince me it deserves the CLASSIC label.

I love HOE, but there are tracks I never play. Not because they're terrible, but their vibe is too similar to the next track. Making them sorta redundant. shyt is relentless darkness of the sinister variety. It gets played after a while.

Are the vibes of "Extortion" and "Bloodsport", and "Give It Up Fast" and "Nighttime Vultures" really all that different?

1/3 of the HOE I don't care for. The other 2/3 is brilliant and some of my favorite style of production ever
 

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capitol punishment isn't a classic. bad skits, wyclef, a pointless intermission, and still not a playa prevent that. get rid of all that and add fire water/wishful thinking and then maybe.

the infamous is the only classic listed.

I think there were a lot of skits but I think there was just enough quality to get through, with Twinz, Tres Leches, Beware etc. and then the singles had an impact and look what impact this album had as a whole. I agree the skits were a little reckless and some unnecessary but it just edged it for me. Then again, this is a debatable album so I don't blame you for saying no. I said no at first.
 

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If quality isn't an issue for you, then it's just an issue of whether the album still holds up right? Is it still held in high regard by the core hip hop community?

I think it's pretty self evident that Hell On Earth is still an album that rings bells. It's the album where P solidified his spot as one of the GOAT emcees. Some of his best verses are on this album

Hav took the reins and did the whole album by himself. :wow:
Sticking to the core of the grimy sound from the Infamous, but somehow going more dark.
This is the album that established Hav as a producer.

Let's face facts, when you talk about Mobb Deep, one of the most legendary groups in hip hop history, you're taking about Infamous, Hell on Earth, and to a lesser extent MM.

It finally sunk in that your definition to ME, or how I perceive it, is one that the community ought to understand as a collective. WE are the consensus and we decide that the album is held in high regard, BASED on our votes. But each vote is done by an individual, and some will NOT make up the consensus you speak of. So your definition makes sense to me but I can't represent a consensus. Also as I told you, there are different levels to consensus, which makes coming up with a consensus pretty tricky. The Infamous, for all intents and purposes, is consensus. I mean no matter what level, it ticks all the boxes. It is an Illmatic, a Cuban Linx etc.

Hell on Earth isn't. Some will say yes. Some no. I looked at the quality. It ticks the first box for me EASILY. It is one of the best albums of all-time. But what did it do that was so special? Yeah Prodigy rhymed like crazy but so did Pharoahe Monch on Stress. What makes Stress anything than another jazz/boom bap fusion album in the mid-90's? An excellent record, but nothing special.

The production on Hell on Earth is brilliant too. Dark and all that. But so is Showbiz and AG's Goodfellas. Is that a classic?

At the end of it, I low-key want Mobb to have 2 classics especially when Pac is given 3 (which I don't feel is deserved), but I personally cannot be swayed to call it a classic. I'm sure you know where I'm coming from on this.
 

Inspect Her Deck

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I love HOE, but there are tracks I never play. Not because they're terrible, but their vibe is too similar to the next track. Making them sorta redundant. shyt is relentless darkness of the sinister variety. It gets played after a while.

Are the vibes of "Extortion" and "Bloodsport", and "Give It Up Fast" and "Nighttime Vultures" really all that different?

1/3 of the HOE I don't care for. The other 2/3 is brilliant and some of my favorite style of production ever

I don't really think it's the whole vibe thing that matters to me. I think you're critiquing its quality, which is fair enough if that's how you feel. But that's not an issue for me, I think it has classic level quality. My question is what else does it bring to the table. Remember quality is all about the strength of the rapping, how it sounds sonically etc., and all the arguments I've heard thus far with regards to HOE being classic is off the strength of quality, how Havoc made a name for himself on the album production-wise, and Prodigy was at the peak of his rapping prowess. Nothing else though. Not like The Infamous.
 

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voted for The Infamous and Capital Punishment as classics, no to the rest

faves survival of the fittest and super lyrical

hell on earth just missed the mark but is a beast of an album

the infamous is selfexplanatory, id say top 10 on everyone's list

voted for CP because i really feel Pun was one of a kind on the mic, despite his breath control not being great the way he put words together, few can compete in my opinion
 

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voted for The Infamous and Capital Punishment as classics, no to the rest

faves survival of the fittest and super lyrical

hell on earth just missed the mark but is a beast of an album

the infamous is selfexplanatory, id say top 10 on everyone's list

voted for CP because i really feel Pun was one of a kind on the mic, despite his breath control not being great the way he put words together, few can compete in my opinion

why did HOE just miss the mark?
 
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