✊ Black History Month ✊

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Prior to the 20th century, leaders such as Prince Hall, Martin Delany, Edward Wilmot Blyden, and Henry Highland Garnet advocated the involvement of the African diaspora in African affairs. Garvey was unique in advancing a Pan-African philosophy to inspire a global mass movementand economic empowerment focusing on Africa known as Garveyism.[3]Promoted by the UNIA as a movement of African Redemption, Garveyism would eventually inspire others, ranging from the Nation of Islam to the Rastafari movement (some sects of which proclaim Garvey as a
 
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Fear of a Black Planet features elaborate sound collages that incorporate varying rhythms, numerous samples, media sound bites, and eccentric music loops, and reflect the content's confrontational tone. Conceived during the golden age of hip hop, its assemblage of reconfigured and recontextualized aural sources preceded the sample clearance system that later emerged in the music industry. Fear of a Black Planet contains themes concerning organization and empowerment within the African-Americancommunity, while presenting criticism of social issues affecting African Americans at the time of the album's conception. Its criticism of institutional racism and White supremacy were inspired by Dr. Frances Cress Welsing's views on color.
 
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The untitled ninth studio album by American rapper Nas was released by Def Jam Recordings and Columbia Records on July 15, 2008 in the United States, with earlier dates in some other countries. Its original title—******—was changed due to controversy surrounding the racial epithet. The album is distinguished for its political content, diverse sources of production and provocative subject matter.

The album debuted at number one on the US Billboard 200 chart, Nas' fifth to do so. It was certified gold by the Recording Industry Association of America (RIAA), for shipments of 500,000 copies in the United States.[1]Upon its release, the album received generally positive reviews from music critics; it holds an aggregate score of 71/100 from Metacritic.
 
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Based on 145 individual year-end lists compiled by Metacritic, To Pimp a Butterfly is the most critically acclaimed album of 2015 by a significant margin, appearing on 101 lists and topping 51 of them.[72] The album was first featured in Rolling Stone's "Best Albums of 2015 So Far" mid-year list.[73] For its year-end list of best albums, the magazine ranked the album at number one, describing it as "one-of-a-kind – a sprawling epic that's both the year's most bumptious party music and its most gripping therapy session."[74] Topping its critics' picks for 2015, Billboard commented about the album's social context, "Twenty years ago, a conscious rap record wouldn’t have penetrated the mainstream in the way Kendrick Lamar did with To Pimp A Butterfly. His sense of timing is impeccable. In the midst of rampant cases of police brutality and racial tension across America, he spews raw, aggressive bars while possibly cutting a rug."[27] Jon Pereles placed it at number one for The New York Times, writing: "It’s an immensely musical album: a dense caldron of funk, jazz and soul that draws hope and determination from the past, confronting problems that past eras have left unsolved.
 
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Of the album's nine tracks, four were written by Jackson. Seven singles were released from the album, all of which reached the top 10 on the Billboard Hot 100. Three of the singles had music videos released. "Baby Be Mine" and "The Lady in My Life" were the only tracks that were not released as singles. In just over a year, Thriller became—and currently remains—the best-selling album of all time, with estimate sales of 100 million copies worldwide according to various sources.[1][2][3][nb 1] In the United States, it is the best-selling album and has become the first album ever to be certified 32 times multi-platinum for U.S. sales, marking more than 32 million sales shipped.[8] The album won a record-breaking eight Grammy Awards in 1984, including for Album of the Year.

Thriller enabled Jackson to break down racial barriers in pop music via his appearances on MTV and meeting with President of the United StatesRonald Reagan at the White House. The album was one of the first to use music videos as successful promotional tools—the videos for "Thriller", "Billie Jean" and "Beat It" all received regular rotation on MTV. In 2001, a special edition issue of the album was released, which contains additional audio interviews, demo recordings and the song "Someone in the Dark", which was a Grammy-winning track from the E.T. the Extra-Terrestrialstorybook.[9] In 2008, the album was reissued again as Thriller 25, containing re-mixes that feature contemporary artists, a previously unreleased song and a DVD, which features the short films from the album and the Motown 25 performance of "Billie Jean". That same year the album was inducted into the Grammy Hall of Fame along with Jackson's Off The Wall LP.

In 2012, Slant Magazine listed Thriller at number one on its list of "Best Albums of the 1980s".[10] The album was ranked number 20 on Rolling Stone magazine's 500 Greatest Albums of All Time list in 2003,[11] and was listed by the National Association of Recording Merchandisers at number three in its "Definitive 200" albums of all time. The Thriller album was included in the Library of Congress' National Recording Registry of culturally significant recordings and the Thriller video was included in the National Film Preservation Board's National Film Registry of "culturally, historically, or aesthetically significant
 

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http://www.biography.com/people/desmond-tutu-9512516
 

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Paschal Beverly Randolph.

Randolph grew up in New York City. He was a free man of mixed-race ancestry, descendant of William Randolph. His father was a nephew of John Randolph of Roanoke and his mother was Flora Beverly, whom he later described as a woman of mixed English, French, German,Native American and Malagasy ancestry.[2]This background led to his being a spokesman for the abolition of slavery. His mother died when he was young, leaving him homeless and penniless; he ran away to sea in order to support himself. A peripatetic man, he lived in many places, including New York state, New Orleans, San Francisco, andToledo, Ohio. He married twice: his first wife was African-American, his second wife was Irish-American.

Early lifeEdit
As a teen and young man, Randolph traveled widely, due to his work aboard sailing vessels. He journeyed to England, through Europe, and as far east as Persia, where his interest in mysticism and the occult led him to study with local practitioners of folk magic and varied religions. On these travels he also met and befriended occultists in England and Paris, France. Returning to New York City in September 1855, after "a long tour in Europe and Africa," he gave a public lecture to African Americans on the subject of immigrating to India. Randolph thinks that "the Negro is destined to extinction" in the United States.[3]

CareerEdit
After leaving the sea, Randolph embarked upon a public career as a lecturer and writer. By his mid-twenties, he regularly appeared on stage as a trance medium and advertised his services as a spiritual practitioner in magazines associated with Spiritualism. Like many Spiritualists of his era, he lectured in favor of the abolition of slavery; after emancipation, he taught literacy to freed slaves in New Orleans.

In addition to his work as a trance medium, Randolph trained as a doctor of medicine and wrote and published both fictional and instructive books based on his theories of health, sexuality, Spiritualism and occultism. He authored more than fifty works on magic and medicine, established an independent publishing company, and was an avid promoter of birth control during a time when it was largely against the law to mention this topic.

Having long used the pseudonym "The Rosicrucian" for his Spiritualist and occult writings, Randolph eventually founded theFraternitas Rosae Crucis, the oldestRosicrucian organization in the United States, which dates back to the era of the American Civil War. This group, still in existence, today avoids mention of Randolph's interest in sex magic, but his magico-sexual theories and techniques formed the basis of much of the teachings of another occult fraternity, TheHermetic Brotherhood of Luxor, although it is not clear that Randolph himself was ever personally associated with the Brotherhood.[4]

In 1851, Randolph made the acquaintance ofAbraham Lincoln. Their friendship was close enough that, when Lincoln was assassinated in 1865, Randolph accompanied Lincoln's funeral procession in a train to Springfield, Illinois. However, Randolph was asked to leave the train when some passengers objected to the presence of an African American in their midst.[citation needed]

Randolph was the principal of the Lloyd Garrison School in New Orleans when on October 14, 1865, he wrote to Garrison in Boston requesting assistance for his school.[5]

Pre-AdamismEdit
Randolph was a believer in pre-Adamism (the belief that humans existed on earth before the Biblical Adam) he wrote the book Pre-Adamite Man: demonstrating the existence of the human race upon the earth 100,000 thousand years ago! under the name of Griffin Lee in 1863. His book was a unique contribution towards pre-Adamism because it wasn't strictly based on biblical grounds. Randolph used a wide range of sources to write his book from many different world traditions,esoterica and ancient religions. Randolph traveled to many countries of the world where he wrote different parts of his book. In the book Paschal claims that Adam was not the first man and that pre-Adamite men existed on all continents around the globe 35,000 years to 100,000 years ago. His book was different from many of the other writings from other pre-Adamite authors because in Randolph's book he claims the pre-Adamites were civilised men while other pre-Adamite authors argued that the pre-Adamites were beasts or hominids.[6]

DeathEdit
Randolph died in Toledo, Ohio, at the age of 49, under disputed circumstances. According to biographer Carl Edwin Lindgren, many questioned the newspaper article "By His Own Hand" that appeared in The Toledo Daily Blade. According to this article, Randolph had died from a self-inflicted wound to the head. However, many of his writings express his aversion to suicide. R. Swinburne Clymer, a later Supreme Master of the Fraternitas, stated that years after Randolph's demise, in a death-bed confession, a former friend of Randolph had conceded that in a state of jealousy and temporary insanity, he had killed Randolph. Lucus County Probate Court records list the death as accidental. Randolph was succeeded as Supreme Grand Master of the Fraternitas, and in other titles, by his chosen successor Freeman B. Dowd.

In 1996, the biography Paschal Beverly Randolph: A Nineteenth-Century Black American Spiritualist, Rosicrucian, and Sex Magician by John Patrick Deveney and Franklin Rosemont was published.
 

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Great thread. In my opinion, we should advocate to the school boards to include Black business men and women, scientists, writers, and so on, in the school curriculum. All of these Black men and women helped shaped the United States in a profound way and condensing all of that in a month long holiday does not do them any justice.
 

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Based on 145 individual year-end lists compiled by Metacritic, To Pimp a Butterfly is the most critically acclaimed album of 2015 by a significant margin, appearing on 101 lists and topping 51 of them.[72] The album was first featured in Rolling Stone's "Best Albums of 2015 So Far" mid-year list.[73] For its year-end list of best albums, the magazine ranked the album at number one, describing it as "one-of-a-kind – a sprawling epic that's both the year's most bumptious party music and its most gripping therapy session."[74] Topping its critics' picks for 2015, Billboard commented about the album's social context, "Twenty years ago, a conscious rap record wouldn’t have penetrated the mainstream in the way Kendrick Lamar did with To Pimp A Butterfly. His sense of timing is impeccable. In the midst of rampant cases of police brutality and racial tension across America, he spews raw, aggressive bars while possibly cutting a rug."[27] Jon Pereles placed it at number one for The New York Times, writing: "It’s an immensely musical album: a dense caldron of funk, jazz and soul that draws hope and determination from the past, confronting problems that past eras have left unsolved.
:comeon: we really gonna include that album. It has little to no affect on the Black community.
 

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”Nothing in Africa had any European influence before 332 B.C. If you have 10,000 years behind you before you even saw a European, then who gave you the idea that he moved from the ice-age, came all the way into Africa and built a great civilization and disappeared,when he had not built a shoe for himself or a house with a window?”

Dr. John Henrik Clarke
 

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I dont know about y'all, but I love poetry. Here's some from some black poets :banderas:

Celebrating Black History Month
Poems, articles, and podcasts that explore African American history and culture

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POEMS

Harlem” by Langston Hughes

On Liberty and Slavery” by George Moses Horton

Lift Every Voice and Sing” by James Weldon Johnson

Praise Song for the Day” by Elizabeth Alexander

I, Too” by Langston Hughes

Frederick Douglass” by Robert Hayden

Caged Bird” by Maya Angelou

For My People” by Margaret Walker

Riot” by Gwendolyn Brooks

The Birth of John Henry” by Melvin B. Tolson

Narrative: Ali” by Elizabeth Alexander

Canary” by Rita Dove

Booker T. and W.E.B.” by Dudley Randall

Georgia Dusk” by Jean Toomer

Lonely Eagles” by Marilyn Nelson

In Memoriam: Martin Luther King, Jr.” by June Jordan

Malcolm X, February 1965” by E. Ethelbert Miller

American History” by Michael S. Harper

The African Burial Ground” by Yusef Komunyakaa

A Negro Love Song” by Paul Laurence Dunbar

Middle Passage” by Robert Hayden

from The Lost Letters of Frederick Douglass by Evie Shockley

The Blues Don’t Change” by Al Young

Ode to Big Trend” by Terrance Hayes

waiting on the mayflower” by Evie Shockley

Nina’s Blues” by Cornelius Eady

1977: Poem for Mrs. Fannie Lou Hamer” by June Jordan

Race” by Elizabeth Alexander

History as Process” by Amiri Baraka

Ballad of Birmingham” by Dudley Randall

from Citizen: “You are in the dark, in the car...” by Claudia Rankine

Elegy for the Native Guards” by Natasha Trethewey

From the Unwritten Letters of Joseph Freeman” by Camille T. Dungy

Satchmo” by Melvin B. Tolson

Manifesto, or Ars Poetica #2” by Krista Franklin

Green-Thumb Boy” by Marilyn Nelson

The Laws of Motion” by Nikki Giovanni

Billie Holiday” by E. Ethelbert Miller

American Income” by Afaa Michael Weaver

The Slave Auction” by Frances Ellen Watkins Harper

Miz Rosa Rides the Bus” by Angela Jackson

The Gospel of Barbecue” by Honorée Fanonne Jeffers

Eddie Priest’s Barbershop & Notary” by Kevin Young

A Black Man Talks of Reaping” by Arna Bontemps

Runagate Runagate” by Robert Hayden

Black Boys Play the Classics” by Toi Derricotte

Ode to Herb Kent” by Jamila Woods

alternate names for black boys” by Danez Smith

Alameda Street” by Douglas Kearney

Sorrow Home” by Margaret Walker

Dr. Booker T. Washington to the National Negro Business League” by Joseph Seamon Cotter Sr.

faithless” by Quraysh Ali Lansana

Enlightenment” by Natasha Trethewey

Harlem Shadows” by Claude McKay

Southern Gothic” by Rickey Laurentiis

Ghana Calls” by W.E.B. Du Bois

Dancing with Strom” by Nikky Finney

__________ my loved blacknesses & some blacknesses I knew” by Khadijah Queen

Afterimages” by Audre Lorde

[up from slobbery] by Harryette Mullen

Robeson at Rutgers” by Elizabeth Alexander

The Fifth Fact” by Sarah Browning

Rwanda: Where Tears Have No Power” by Haki Madhubuti

The Great Pax Whitie” by Nikki Giovanni

from Citizen: “Some years there exists a wanting to escape...” by Claudia Rankine

Poem for My Father” by Quincy Troupe

Short Speech to My Friends” by Amiri Baraka

Take Me Out to the Go-Go” by Thomas Sayers Ellis

Slave Sale: New Orleans” by Charles Reznikoff
 
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is an American historian, literary scholar, journalist, cultural critic, and institution builder. He is also an Emmy Award-winning filmmaker, and currently serves as the Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research at Harvard University. Gates has authored or co-authored 20 books and created 14 documentary films, including Wonders of the African World, African American Lives, Black in Latin America, and Finding Your Roots, his groundbreaking genealogy series that returns to PBS for a third season in January 2016. His six-part PBS documentary series, The African Americans: Many Rivers to Cross (2013), which he wrote, executive produced, and hosted, earned the News and Documentary Emmy Awardfor Outstanding Historical Program—Long Form, as well as the Peabody Award, Alfred I. duPont-Columbia University Award, and NAACP Image Award. Having written for such leading publications as The New Yorker, The New York Times, and Time, Gates now serves as chairman of TheRoot.com, a daily online magazine he co-founded in 2008, while overseeing the Oxford African American Studies Center, the first comprehensive scholarly online resource in the field. He has also received grant funding to develop a Finding Your Roots curriculum to teach students science through genetics and genealogy. In 2012, The Henry Louis Gates, Jr. Reader, a collection of his writings edited by Abby Wolf, was published. His next film is the four-hour documentary series, And Still I Rise: Black America since MLK, airing on PBS in April 2016; a companion book, which he co-authored with Kevin M. Burke, was published by Ecco/HarperCollins in 2015.

The recipient of 55 honorary degrees and numerous prizes, Gates was a member of the first class awarded "genius grants" by the MacArthur Foundation in 1981, and in 1998, he became the first African-American scholar to be awarded the National Humanities Medal. He was named to the Time 25 Most Influential Americans list in 1997, to the Ebony Power 150 list in 2009, and to Ebony's Power 100 list in 2010 and 2012. He earned his B.A. summa cum laude in English Language and Literature, from Yale University in 1973, and his M.A. and Ph.D. in English Literature from Clare College at the University of Cambridge in 1979. Gates has directed the W.E.B. Institute for African and African American Research—now the Hutchins Center—since arriving at Harvard University in 1991, and during his first 15 years on campus, he chaired the Department of Afro-American Studies as it expanded into the Department of African and African American Studies with a full-fledged doctoral program. He also is a member of the American Academy of Arts and Letters and serves on a wide array of boards, including the New York Public Library, the NAACP Legal Defense and Educational Fund, the Aspen Institute, Jazz at Lincoln Center, the Whitney Museum of American Art, Library of America, and the Brookings Institution. He has chaired the Anisfield-Wolf Book Awards since 1995, and travels each September to Cleveland, Ohio, to lead a community celebration of the winners. He won the prize himself in 1989 for editing the 30 volumes of "The Schomburg Library of Nineteenth-Century Black Women Writers".
 
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