@videogamestashbox.com this thread may interest you.
Afro-soul is the term given to the music genre that is a fusion between soul music and African sound.
Its distinctive feature from any other African Music genre is the strong influence of vocals, mostly so of the lead singer, and emotions.
There is a very strong link between Afro-soul and other genres like Afro-Jazz, Afropean and Afrobeats.[1]
Ethio-Jazz
Revered Ethiopian jazz musician Mulatu Astatke has become an icon to music lovers of all stripes based on the appeal of his musical hybrid "Ethio-Jazz." For his first solo album in over 20 years, Astatke carefully refined his formula, delivering a sublime set of sounds. Here he explains the influences and process for the tracks on the album. Mulatu Steps Ahead is out March 30th on Strut.
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A Conversation With Mulatu Astatke: On Heliocentrics, Ethio-Jazz and Ellington
Rivaling Fela Kuti, King Sunny Ade, Franco, Tabu Ley Rochereau, and a handful of others, Mulatu Astatke ranks among the most influential African musicians of all-time.
A Conversation With Mulatu Astatke: On Heliocentrics, Ethio-Jazz and Ellington
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I have quite a few musicians in my family.
My uncle is a singer from the old school named Ayalew Mesfin, my mom grew up in the same neighborhood with Mahmoud Ahmed and he's like an uncle to me, shyt even Weeknd is an extremely distant cousin of mine in that we share an aunt but have never met before. So I kinda have this weird thing where I don't act crazy around celebrity types because I learned as a child to treat them like anyone else. When my folks hosted Tilahun, I wouldn't have known he was the most famous singer in Ethiopian history because it was like a distant uncle stopping by for coffee and chit chat. When Mahmoud was on tour his kids would stay with my uncle who was a promoter and my mom would drop me off and we would kick it.
But my stepfather Hailu Mergia is an Ethio-Jazz legend/composer himself. He was the leader of the Walias Band in the 60s and 70s, toured many countries, and was bringing the diaspora's sound to Ethiopia/Africa through covers of popular soul songs modified to reflect the Ethiopian sound as well as original compositions inspired by the sounds coming out of Black America at the tie. He's lesser known imo because he went off the grid once he got asylum in America and the band broke up. Also, he's more lowkey and never thirsted for fame and limelight. But he's every bit as influential on Ethiopians playing keyboard instruments as Mulatu is. I've met big time Ethiopian musicians who lose their minds when I tell them who my stepfather is, they always tell me the difference between him and Mulatu was that Mulatu was more jazzy while my stepfather was more funky. I can't tell cuz he was just my mom's husband and loved piano stuff, you can't ever tell he's a big shot because he hates the idea of being above people. So Mulatu was the first discovery of Ethio-Jazz for the West and he gets a bulk of the credit, but my stepfather and his band performed for Duke as well and came up in the same scene as Mulatu, they are essentially contemporaries of one another.
I'm planning on writing his Autobio so I'm hoping more people will be exposed to him, his life was very exciting and full of twists, turns, and reinventions, so I'm sure people will love it once I'm done. He's touring nowadays, he's done shyt all over Europe, played Radio City and the Lincoln Theater, played at the Kennedy Center, so if he in your town and you like Mulatu's stuff you should definitely check out Hailu and his band cuz they be tearing shyt up. Here's some of his music and interviews you can find more on youtube, great thread btw:
<----Peep the drawing in the middle right corner above in the very beginning, that was a street artist rendition of me done in NYC.
<----He's the one with the baby fro at the very top right in that pic
Forgot to post this when Ghana celebrated turned 60 this year: