No other labels were doing that. Imagine La Face throwing OutKast and Goodie Mob on Toni Braxton and Isher albums and you open the booklets and you see the album covers for Aquemini and Still Standing coming soon. They don't even need a video at that point because millions of people just heard them on those albums and are now checking for those album covers on the shelves.
your mental gymnastics are remarkable.
the way you dance around the shortcomings of your favorites is astonishing.
you really gonna sit up here and act like no limit soldiers got better promotion than outkast & goodie mob??
them dudes would trade in those "coming soon" ads for goodie mob promotion 10 times out of 10. hell, they'd trade it in for cool breeze/slimm calhoun promotion.

f*ckin master p & no limit snoop dogg didnt even have as much promotion as outkast.
and yes, outkast benefited greatly from being on laface and associated with those acts. whenever i point out that they had a big r&b base from day one, people on here get upset.
we really gonna act like outkast & goodie mob werent featured on laface compilations/soundtracks, TLC collabos, etc??? in addition to the erykah badu association. theyre not a platinum act in the '90s without this, but i guess none of this ever existed according to
@JustCKing. let him tell it, the gambino family & full blooded received more exposure.
No Limit didn't need that type of exposure because they had artists NO ONE had ever heard of featured on platinum albums with ads inside the booklets of those platinum albums.
Think about all the hype of a new album: album covers, tracklist, features, production credits. With No Limit, you had everything but the tracklist BEFORE the albums dropped. With every album, you knew what it looked like, knew BBTP would be handling the production, and knew most of the roster would be featured BEFORE the album hit shelves.
EVERY label does stuff like that.
why couldnt dungeon family killer mike, slim calhoun, cool breeze, witch doctor, etc have the success of no limit, despite the fact that all those DF guys were pushed harder?
hell goodie mob could never even go platinum with all the promo they had.
This simply isn't true. There was definitely interest in the Southern market before No Limit took off. Why do you think No Limit switched from the Bay making West Coast Bad Boy compilations to making Down South Hustler compilations in 1995? Why do you think the Tank went from pre-dominantly produced K-Lou and DJ Darryl songs to BBTP? P saw the market Down South and went from West Coast centric to Southern centric music. Scarface was platinum before No Limit blew. Kast went platinum twice before No Limit blew. Eightball & MJG were gold. Goodie Mob was gold.
C-Murder was not a star. Fiend vs. Magic arguments only existed if you were a fan of No Limit. This would be different if people were making Fiend vs DMX arguments, but they weren't. Which brings me back to the point about C-Murder, C wasn't sought after and you weren't going to hear a C-Murder verse unless you bought a No Limit album.
im not gonna get into a back-n-forth with you about this. youve never been up-top. i dont know why youre even trying to argue.
im not saying that no limit was the first rappers with a national buzz. im saying that theyre the ones who moved the needle and brought interest to the southern market. if you seriously think groups like 8ball & MJG and the goodie mob made a dent in that aspect, then you just need to sitdown.
scarface is legendary, but he never even moved the needle for other rap-a-lot artists, let alone the south.
lol @ c-murder not being a star, and your logic.
lol @ you trying to tell me who was arguing about what. YOURE NOT FROM UP HERE. people who didnt even like no limit would chime in from the sideline on those arguments
you dont have to be compared to DMX, in order to have a buzz. BARELY ANYBODY was compared to DMX. only active rapper who was able to get that argument was jay-z.